The Making Of The Modern British Home

The Making of the Modern British Home explores the impact of the modern suburban semi-detached house on British family life during the 1920s and 1930s - focusing primarily on working-class households who moved from cramped inner-urban accommodation to new suburban council or owner-occupied housing estates. Migration to suburbia is shown to have initiated a dramatic transformation in lifestyles - from a `traditional' working-class mode of living, based around long-established tightly-knit urban communities, to a recognisably `modern' mode, centred around the home, the nuclear family, and building a better future for the next generation. This process had far-reaching impacts on family life, entailing a change in household priorities to meet the higher costs of suburban living, which in turn impacted on many aspects of household behaviour, including family size. This volume also constitutes a general history of the development of both owner-occupied and municipal suburban housing estates in interwar Britain, including the evolution of housing policy; the housing development process; housing and estate design, lay-outs, and architectural features; marketing owner-occupation and consumer durables to a mass market; furnishing the new suburban home; making ends meet; suburban gardens; social filtering and conflict on the new estates; and problems of 'mis-selling' and 'Jerry building'. Peter Scott integrates the social history of the interwar suburbs with their economic, business, marketing, and architectural/planning histories, demonstrating how these elements interacted to produce a new model of working-class lifestyles and 'respectability' which marked a fundamental break with pre-1914 working-class urban communities.

Peter Scott explores the impact of the modern suburban semi-detached house on British family life during the 1920s and 1930s - focusing primarily on working-class households who moved from cramped inner-urban accommodation to new suburban council or owner-occupied housing estates.

'House' has long been synonymous with 'home': the significance of four walls and a roof lies far deeper than simply shelter from the elements. A house stands for sanctuary, family, belonging, privacy and our pasts: even when standardised as a 'Barratt Home' or modern housing estate, every house bears the stamp of the people who live in it, remaining a bastion of quirky individualism. The Great Indoors is the first cultural history of the family home in the twentieth century, comparable to Rachel Hewitt's Map of a Nation or Joe Moran's Queuing for Beginners. As society has changed, so has the house: the hall - which had its finest hour during the middle ages, when families and their servants ate, slept and socialised there together - has now been relegated to a mere passageway, only useful for getting to other (more private) rooms. Highmore shows how houses display the currents of class, identity and social transformation that are displayed in the arrangement and use of the family home. And he also offers an engaging and stimulating peek through the curtains to explain why the fridge is used as a communication centre, how the loo (or toilet) inspired its very own literary genre and what your furniture arrangement reveals about how you function as a family.

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The British Home of Today by Walter Shaw Sparrow is an exquisite work of applied art and architecture. In this book, Sparrow explores modern domestic architecture of the time, highlighting the latest innovations in design and beauty. The book offers a comprehensive survey of the art and design of the British household and is an engaging read for anyone with an interest in architecture or interior design. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

It is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the 'problem' of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the Making of Modern British Drama.

The idea that "home" is a special place, a separate place, a place where we can be our true selves, is so obvious to us today that we barely pause to think about it. But, as Judith Flanders shows in this revealing book, "home" is a relatively new concept. When in 1900 Dorothy assured the citizens of Oz that "There is no place like home," she was expressing a view that was a culmination of 300 years of economic, physical, and emotional change. In The Making of Home, Flanders traces the evolution of the house across northern Europe and America from the 16th to the early 20th century, and paints a striking picture of how the homes we know today differ from homes through history. The transformation of houses into homes, she argues, was not a private matter, but an essential ingredient in the rise of capitalism and the birth of the Industrial Revolution. Without "home," the modern world as we know it would not exist, and as Flanders charts the development of ordinary household objects—from cutlery, chairs, and curtains, to fitted kitchens, plumbing, and windows—she also peels back the myths that surround some of our most basic assumptions, including our entire notion of what it is that makes a family. As full of fascinating detail as her previous bestsellers, The Making of Home is also a book teeming with original and provocative ideas.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.