The Making Of The Mosaic

Immigration policy is a subject of intense political and public debate. In this second edition of the widely recognized and authoritative work The Making of the Mosaic, Ninette Kelley and Michael Trebilcock have thoroughly revised and updated their examination of the ideas, interests, institutions, and rhetoric that have shaped Canada's immigration history. Beginning their study in the pre-Confederation period, the authors interpret major episodes in the evolution of Canadian immigration policy, including the massive deportations of the First World War and Depression eras as well as the Japanese-Canadian internment camps during World War Two. New chapters provide perspective on immigration in a post-9/11 world, where security concerns and a demand for temporary foreign workers play a defining role in immigration policy reform. A comprehensive and important work, The Making of the Mosaic clarifies the attitudes underlying each phase and juncture of immigration history, providing vital perspective on the central issues of immigration policy that continue to confront us today.

Examines the ideas, interests, institutions, and rhetoric that have shaped Canada's immigration history, from the pre-Confederation period to the selectivity of the turn of the century to the more expansionary policies of the 1990s.

“Of greatest use to beginners. The dozen projects will introduce first-time mosaicists to the art without...frustration.”—Booklist “You’ll never look at a shard of glass in the same way again.”—Glass Craftsman Innovative techniques, in tandem with striking and original designs, will make you revel in the creative pleasure of fashioning beautiful mosaics. An overview covers four basic mosaic methods: pique assiette, which uses fragments from plates, mugs, and pictures; direct (just lay it down and glue); indirect, where the work is done on a temporary surface before being cemented; and three dimensional applications. Magically transform everyday objects into art by replacing a standard kitchen counter with one covered in fragments of stone, glass, and pottery, or turning a simple lamp into a finely crafted sculpture. For additional inspiration, 50 artists provide invaluable hints and tricks of the trade.

Illustrated in color throughout, this handsome volume presents selected papers from an international symposium held in June 2001 marking the completion of a ten-year project to conserve the Last Judgment mosaic, at St. Vitus Cathedral in Prague. The project was a partnership between the Office of the President of the Czech Republic, the Prague Castle Administration, and the Getty Conservation Institute. The goal of the symposium was to present the methodology, research, and results of the project, which involved conserving one of the finest examples of monumental medieval mosaic art in Europe. The volume's essays are divided into three parts, which cover the historical and art-historical context, conservation planning and methodology, and project implementation and maintenance. Topics addressed include the history, iconography, and visual documentation of the mosaic; the development and application of surface cleaning and protective coating techniques for the mosaic's glass tesserae; and post-treatment monitoring and maintenance.

Formerly the gateway to the French empire, the city of Marseille exemplifies a postcolonial Europe reshaped by immigrants, refugees, and repatriates. The Marseille Mosaic addresses the city’s past and present, exploring the relationship between Marseille and the rest of France, Europe, and the Mediterranean. Proposing new models for the study of place by integrating approaches from the humanities and social sciences, this volume offers an idiosyncratic “mosaic,” which vividly details the challenges facing other French and European cities and the ways residents are developing alternative perspectives and charting new urban futures.