The Making Of The Pentecostal Melodrama

How religion, gender, and urban sociality are expressed in and mediated via television drama in Kinshasa is the focus of this ethnographic study. Influenced by Nigerian films and intimately related to the emergence of a charismatic Christian scene, these teleserials integrate melodrama, conversion narratives, Christian songs, sermons, testimonies, and deliverance rituals to produce commentaries on what it means to be an inhabitant of Kinshasa.

Bringing together prominent Africanist scholars from a variety of disciplines, this book offers a comprehensive treatment of the social, cultural and political impact of Pentecostal-Charismatic Christianity in postcolonial sub Saharan Africa.

Pentecostalism is a growing movement in world Christianity. However, the growth of Pentecostalism in South Africa has faced some challenges, including the abuse of religion by some prophets. This book first names these prophets and the churches they lead in South Africa, and then makes use of literary and media analysis to analyse the religious practices by the prophets in relation to cultism. Additionally, the book analyses the “celebrity cult” and how it helps promote the prophets in South Africa. The purpose of this book is threefold: First, to draw parallels between the abuse of religion and cultism. Second, to illustrate that it is cultic tendencies, including the celebrity cult, that has given rise to many prophets in South Africa. Last, to showcase that the challenge for many of these prophets is that the Pentecostal tradition is actually anti-cultism, and thus there is a need for them to rethink their cultic tendencies in order for them to be truly relevant in a South African context.

This book is an interdisciplinary study of the relationship between prophecy and politics in South African Pentecostalism. The role and the power of prophecy in enhancing the presence of politicians in the church square are unpacked through historical examples, as well as case studies of contemporary prophets. Solomon Kgatle argues that the influence of prophecy in politics has the potential to weaken the prophetic voice of the church in general and the Pentecostal movement in particular. He proposes a Pentecostal political theology of prophecy. This theology is developed by taking into cognizance the theoretical and theological frameworks of prophetic imagination and pneumatological imagination. In addition, this theology seeks a balance between prophecy and power and prophecy and sovereignty.

Regimes of Responsibility in Africa analyses the transformations that discourses and practices of responsibility have undergone in Africa. By doing so, this collection develops a stronger grasp of the specific political, economic and social transformations taking place today in Africa. At the same time, while focusing on case studies from the African continent, the work enters into a dialogue with the emerging corpus of studies in the field of ethics, adding to it a set of analytical perspectives that can help further enlarge its theoretical and geographical scope.

This open access book presents fresh ethnographic work from the regions of Africa and Melanesia—where the popularity of charismatic Christianity can be linked to a revival and transformation of witchcraft. The volume demonstrates how the Holy Spirit has become an adversary to the reconfirmed presence of witches, demons, and sorcerers as manifestations of evil. We learn how this is articulated in spiritual warfare, in crusades, and in healing or witch-killing raids. The contributors highlight what happens to phenomena that people address as locally specific witchcraft or sorcery when re-molded within the universalist Pentecostal demonology, vocabulary, and confrontational methodology.

Like many other cultural commodities, films and TV shows tend to work in such a way as to obscure the conditions under which they are produced, a process that has been reinforced by dominant trends in the practice of Film and Television Studies. This collection places the workplace experiences of industry workers at centre stage. It looks at film and television production in a variety of social, economic, political, and cultural contexts. The book provides detailed analyses of specific systems of production and their role in shaping the experience of work, whilst also engaging with the key theoretical and methodological questions involved in film and television production. Drawing together the work of historians, film scholars, and anthropologists, it looks at film and television production not only in Hollywood and Western Europe but also in less familiar settings such as the Soviet Union, India, Nigeria, and the Democratic Republic of Congo. Chronologically wide-ranging, interdisciplinary and international in scope, it is a unique introduction, critical for all students of the film industries and film production.

Focusing on the intricate presence of a Japanese new religion (Sekai Kyûseikyô) in the densely populated and primarily Christian environment of Kinshasa (DR Congo), this ethnographic study offers a practitioner-orientated perspective to create a localized picture of religious globalization. Guided by an aesthetic approach to religion, the study moves beyond a focus limited to text and offers insights into the role of religious objects, spiritual technologies and aesthetic repertoires in the production and politics of difference. The boundaries between non-Christian religious minorities and the largely Christian public sphere involve fears and suspicion of "magic" and "occult sciences".