The Making Of The Primitive Baptists

This study describes the creation of the Primitive Baptist movement and discusses the main outlines of their thought. It also weaves the story of the Primitive Baptists with other developments in American Christianity in the Early Republic.

The primitive Baptists reacted against the incursion of modern theological and worship elements into their tradition, beginning in the 1830s. Jeffrey W. Taylor document the emergence and development of this "conservative" Believers Church tradition.

"A superb study of Primitive Baptist belief and practice in a specific region of the South. Expands our knowledge of an often neglected group."--Bill Leonard, Dean, School of Divinity, Wake Forest University Between 1819 and 1848, Primitive Baptists emerged as a distinct, dominant religious group in the area of the deepest South known as the Wiregrass country. John Crowley, a historian and former Primitive minister, chronicles their origins and expansion into South Georgia and Florida, documenting one of the strongest aspects of the inner life of the local piney-woods culture. Crowley begins by examining Old Baptist worship and discipline and then addressing Primitive Baptist reaction to the Civil War, Reconstruction, Populism, Progressivism, the Depression, and finally the ferment of the 1960s and present decline of the denomination. Intensely conservative, with a strong belief in predestination, Old Baptists opposed modernizing trends sweeping their denomination in the early 19th century. Crowley describes their separation from Southern Baptists and the many internal schisms on issues such as the saving role of the gospel, the Two Seed Doctrine, and absolute as opposed to limited predestination. Going beyond doctrine, he discusses contention among Old Baptists over music, divorce, membership in secret societies, sacraments administered by heretics, and rituals such as the washing of feet. Writing with insight and sensitivity, he navigates the history of this denomination through the 20th century and the emergence of at least twenty mutually exclusive factions of Primitive Baptists in this specific region of the Deep South.

FROM THE INTRODUCTION The following work was not written to gratify any personal pique, for the author cherishes no animosity against any, but for the defense of the Gospel of Christ, and, (if the will of God be so;) for the deliverance of any of the Lord's Spiritual Israel who may be entangled in the anti-Christian web of those who propagate the errors herein exposed, and are under their yoke of bondage, so that they may not be partakers of their sins, and ultimately receive of their plagues. Our desire is, above all else, that the cause of Christ may be promoted, and that God, in all things may be glorified.

Before the Bible Belt fastened itself across the South, competing factions of evangelicals fought over their faith's future, and a contrarian sect, self-named the Primitive Baptists, made its stand. Joshua Guthman here tells the story of how a band of antimissionary and antirevivalistic Baptists defended Calvinism, America's oldest Protestant creed, from what they feared were the unbridled forces of evangelical greed and power. In their harrowing confessions of faith and in the quavering uncertainty of their singing, Guthman finds the emotional catalyst of the Primitives' early nineteenth-century movement: a searing experience of doubt that motivated believers rather than paralyzed them. But Primitives' old orthodoxies proved startlingly flexible. After the Civil War, African American Primitives elevated a renewed Calvinism coursing with freedom's energies. Tracing the faith into the twentieth century, Guthman demonstrates how a Primitive Baptist spirit, unmoored from its original theological underpinnings, seeped into the music of renowned southern artists such as Roscoe Holcomb and Ralph Stanley, whose "high lonesome sound" appealed to popular audiences searching for meaning in the drift of postwar American life. In an account that weaves together religious, emotional, and musical histories, Strangers Below demonstrates the unlikely but enduring influence of Primitive Baptists on American religious and cultural life.