The Man Of Adamant

The Man of Adamant is a short story by Nathaniel Hawthorne (born Nathaniel Hathorne; July 4, 1804 - May 19, 1864) was an American novelist and short story writer. He was born in 1804 in Salem, Massachusetts to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge involved in the Salem witch trials who never repented of his actions. Nathaniel later added a "w" to make his name "Hawthorne" in order to hide this relation. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. Hawthorne published his first work, a novel titled Fanshawe, in 1828; he later tried to suppress it, feeling it was not equal to the standard of his later work. He published several short stories in various periodicals which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at a Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment took Hawthorne and family to Europe before their return to The Wayside in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children. Much of Hawthorne's writing centers on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, Dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his friend Franklin Pierce. Hawthorne's works belong to romanticism or, more specifically, dark romanticism, cautionary tales that suggest that guilt, sin, and evil are the most inherent natural qualities of humanity. Many of his works are inspired by Puritan New England, combining historical romance loaded with symbolism and deep psychological themes, bordering on surrealism. His depictions of the past are a version of historical fiction used only as a vehicle to express common themes of ancestral sin, guilt and retribution. His later writings also reflect his negative view of the Transcendentalism movement. Hawthorne was predominantly a short story writer in his early career. Upon publishing Twice-Told Tales, however, he noted, "I do not think much of them," and he expected little response from the public. His four major romances were written between 1850 and 1860: The Scarlet Letter (1850), The House of the Seven Gables (1851), The Blithedale Romance' (1852) and The Marble Faun (1860). Another novel-length romance, Fanshawe was published anonymously in 1828. Hawthorne defined a romance as being radically different from a novel by not being concerned with the possible or probable course of ordinary experience. In the preface to The House of the Seven Gables, Hawthorne describes his romance-writing as using "atmospherical medium as to bring out or mellow the lights and deepen and enrich the shadows of the picture." Hawthorne also wrote nonfiction. In 2008, The Library of America selected Hawthorne's "A Collection of Wax Figures" for inclusion in its two-century retrospective of American True Crime.

DigiCat Publishing presents to you this special edition of "The Man of Adamant (From: "The Snow Image and Other Twice-Told Tales")" by Nathaniel Hawthorne. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

"The Man of Adamant" is a short story written by Nathaniel Hawthorne, published in the 1837. Richard Digby, who believes his philosophy on life is the correct one, refuses to share his ideas with anyone else. His heart ails from accretions of calculous. He leaves his home, deciding to become a hermit. In the wilderness he discovers a cave and decides to make it his new home, a place where he can meditate. Water dripping from the roof, over time, has created forms of adamant within the cave. Digby decides not to drink from a nearby fountain; instead, he drinks the water dripping from the roof.

American Impersonal brings together some of the most influential scholars now working in American literature to explore the impact of one of America's leading literary critics: Sharon Cameron. It engages directly with certain arguments that Cameron has articulated throughout her career, most notably her late work on the question of impersonality. In doing so, it provides responses to questions fundamental to literary criticism, such as: the nature of personhood; the logic of subjectivity in depersonalized communities; the question of the human within the problematic of the impersonal; how impersonality relates to the “posthuman.” Additionally, some essays respond to the current “aesthetic turn” in literary scholarship and engage with the lyric, currently much debated, as well as the larger questions of poetics and the logic of genre. These crucial issues are addressed from the perspective of an American literary and philosophical tradition, and progress chronologically, starting from Melville and Emerson and moving via Dickinson, Thoreau and Hawthorne to Henry James and Wallace Stevens. This historical perspective adds the appeal of revisiting the American nineteenth-century literary and philosophical tradition, and even rewriting it.

FROM HOLLYWOOD TO THE HIGH SEAS A chance encounter in Los Angeles airport with a Swedish Sea Captain and Jill left the movie business and was swept out to sea. From the glamour of Hollywood to life on board a rough cargo ship to playing Mother Goose on a remote Scottish farm, TRAVELS WITH MY SEA CAPTAIN is full of stories about the Captain and his international crew of characters, the many ports as Jill found herself travelling all over the world, life in the glen and how love can really change everything. REVIEWS: Travels With My Sea Captain by Jill Vedebrand A warm, humorous account of one woman's tempestuous affair and marriage to a fiery Swedish sea captain. After meeting by chance in Los Angeles airport, Jill and Tomas fell in love and she decided to join him on some of his voyages to exotic locations including Japan, Singapore, Cuba, South America, India and Russia. There is no shortage of drama as she paints a vivid picture of months spent aboard a ship where she was often the only female. At times resented by the crew, she also often adopted the role of agony aunt and compassionately recounts the hardship endured by men who can spend several years away from their families. There are stories of drunken cooks, surly engineers, brutal fights, macho wrestling competitions, and frantic shore searches for men who had gone missing in the local brothels. The physical aspect of being on board ship also poses problems as she struggles to adapt to the confined spaces, isolation of the open ocean and the violent weather they encounter. The often stunning and sometimes frightening places she visited during her time at sea are colourfully portrayed and she has a knack for bringing to life the sights, smells and atmosphere. Intertwined with the tales of her sea voyages are stories of Jill and Tomas' home life in rural Scotland. They buy a farm and there are accounts of their battles to restore the property and about their menagerie of ducks and pets. In these parts the story reminded me a little of James Herriot or Lillian Beckwith's stories about life in the Hebrides and I think it would have great appeal to these markets. Part travelogue, part humorous account of life in the wilds of Scotland, this is an engaging, romantic, very human story. SENIOR EDITOR