The Man On The Balcony

In this chilling installment of “the first great series of police thrillers” (Michael Ondaatje, national bestselling author of Warlight) by an internationally renowned crime duo, superintendent Martin Beck investigates a string of child murders. In the once peaceful parks of Stockholm, a killer is stalking young girls and disposing their bodies. The city is on edge, and an undercurrent of fear has gripped its residents. Martin Beck, now a superintendent, has two possible witnesses: a silent, stone-cold mugger and a mute three year old boy. With the likelihood of another murder growing as each day passes, the police force work night and day. But their efforts have offered little insight into the methodology of the killer. Then a distant memory resurfaces in Beck's mind, and he may just have the break he needs.

Traditional Chinese edition of The man on the balcony

Joyce Landorf Heatherley writes insightfully about the gift and ministry of affirmation and those people in the balcony who shout words of encouragement to us and spur us on to be what God intends for us.

Richard Wesley was witness to a revolution. As both a celebrated participant and eager student of the Black Theater Movement in the late 1960s, he became part of a seismic force in American culture, breaking down barriers and helping to disrupt the cultural landscape. It’s Always Loud in the Balcony: A Life in Black Theater, from Harlem to Hollywood and Back is both history and memoir, tracing Wesley’s roots from riot-torn Newark, New Jersey, across the rocky terrain of Harlem, and finally to Hollywood, where he became partners with Sidney Poitier, writing several successful films before returning to New York and the theater world—a trip that Wesley has wryly characterized as "black power to black establishment." Wesley unfolds the history of black theater with love and precision, from the emergence of Amiri Baraka, and his own debut, the fiercely militant Black Terror—which landed him a deal with the legendary producer Joseph Papp—through his moviemaking experience in Los Angeles, working with Bill Cosby and Richard Pryor, among others. Wesley lands on solid ground in the twenty-first century as an elder statesman, a happy witness to the great success of a new breed of black theater that includes the widespread success of Tyler Perry and Lin-Manuel Miranda's Hamilton, which brought hip-hop to Broadway. It’s Always Loud in the Balcony is the passionate, firsthand account of a crucial American art movement whose effects will be felt for generations to come.

The 1960s starlet, immortalized on the silver screen as Juliet, tells her story in this celebrity biography—with a forward by director Franco Zeffirelli. In 1968, sixteen-year-old Olivia Hussey became one of the most famous faces in the world, immortalized as Juliet in Franco Zeffirelli's classic film Romeo & Juliet. For a simple girl from Buenos Aires, Argentina, the role was an opportunity of a lifetime. But for Olivia, the role of movie star wasn't so easy to play. In this candid memoir, Hussey tells her story from her time as an “It Girl” in swinging 60s London through her three tumultuous marriages—including one with Dean Martin's son, Dino. Over the years, she experienced motherhood, stage-four breast cancer, debilitating agoraphobia, bankruptcy, and ultimately, a journey of self-discovery in India that led her on a path to fulfillment. Hussey shares intimate memories of the legendary performers she knew, loved, worked with, and battled, including The Beatles, Vanessa Redgrave, Bette Davis, Elizabeth Taylor, Frank Sinatra, Liza Minnelli, Anthony Perkins, Christopher Reeve, Lawrence Olivier, Ingrid Bergman, and more. Olivia also opens up for the first time about the trauma of being raped by her boyfriend just a year after Romeo & Juliet came out.