The Man Who Stole Himself

The island nation of Iceland is known for many things—majestic landscapes, volcanic eruptions, distinctive seafood—but racial diversity is not one of them. So the little-known story of Hans Jonathan, a free black man who lived and raised a family in early nineteenth-century Iceland, is improbable and compelling, the stuff of novels. In The Man Who Stole Himself, Gisli Palsson lays out the story of Hans Jonathan (also known as Hans Jónatan) in stunning detail. Born into slavery in St. Croix in 1784, Hans was taken as a slave to Denmark, where he eventually enlisted in the navy and fought on behalf of the country in the 1801 Battle of Copenhagen. After the war, he declared himself a free man, believing that he was due freedom not only because of his patriotic service, but because while slavery remained legal in the colonies, it was outlawed in Denmark itself. He thus became the subject of one of the most notorious slavery cases in European history, which he lost. Then Hans ran away—never to be heard from in Denmark again, his fate unknown for more than two hundred years. It’s now known that Hans fled to Iceland, where he became a merchant and peasant farmer, married, and raised two children. Today, he has become something of an Icelandic icon, claimed as a proud and daring ancestor both there and among his descendants in America. The Man Who Stole Himself brilliantly intertwines Hans Jonathan’s adventurous travels with a portrait of the Danish slave trade, legal arguments over slavery, and the state of nineteenth-century race relations in the Northern Atlantic world. Throughout the book, Palsson traces themes of imperial dreams, colonialism, human rights, and globalization, which all come together in the life of a single, remarkable man. Hans literally led a life like no other. His is the story of a man who had the temerity—the courage—to steal himself.

Prologue: a man of many worlds -- The island of St. Croix -- "A house negro"--"The mulatto Hans Jonathan" -- "Said to be the secretary" -- Among the sugar barons -- Copenhagen -- A child near the royal palace -- "He wanted to go to war" -- The general's widow v. the mulatto -- The verdict -- Iceland -- A free man -- Mountain guide -- Factor, farmer, father -- Farewell -- Descendants -- The Jonathan family -- The Eirikssons of New England -- Who stole whom? -- The lessons of history -- Epilogue: biographies

A slave steals a gunboat and escapes with his entire family. Robert Smalls boarded the Confederate gunboat Planter and steamed her under the guns of Fort Sumter to the blockading Union Navy and to freedom. Robert was a slave and he surrendered to Admiral Francis Du Pont, one of the wealthiest men in the country. Robert and Du Pont created a friendship of equality that destroyed the barriers of race, wealth, and class. When he escaped with the Planter, Robert became The Man Who Stole Himself.

In 1868, William Standing, a man shadowed by his history, is forced into thievery, taking a majestic horse that is half mustang, half Arabian. He returns to an unspeakable tragedy: his sister’s homestead ravaged by the Cheyenne Dog Soldiers, a tribe notorious for their fearsome warfare, leaving only the children taken captive. Driven by desperation, Standing tracks the Cheyenne, witnessing the aftermath of their raids. In an unexpected confrontation, Standing proves his mettle, rescuing the children but surrendering the black horse to his adversaries. Just as hope dawns, the horse’s original owners emerge, leading to Standing’s harsh sentencing: twenty years in Georgia Penitentiary. His escape sparks a relentless search for the scattered children, now with distant kin. Joining Buffalo Bill’s Wild West show offers Standing a guise to move from town to town, yet the Pinkertons’ pursuit is unyielding. His quest is a tumultuous ride through the heart of a man’s indomitable spirit and the wild tapestry of the American frontier.

Duana Fullwiley has penned an intimate chronicle of laboratory life in the genomic age. She presents many of the influential scientists at the forefront of genetics who have redefined how we practice medicine and law and understand ancestry in an era of big data and waning privacy. Exceedingly relatable and human, the scientists in these pages often struggle for visibility, teeter on the tightrope of inclusion, and work tirelessly to imprint the future. As they actively imagine a more equal and just world, they often find themselves ensnared in reproducing timeworn conceits of race and racism that can seed the same health disparities they hope to resolve. Nothing dynamic can live for long as a blank slate, an innocent tabula rasa. But how the blank slate of the once-raceless human genome became one of racial differences, in various forms of what Fullwiley calls the tabula raza, has a very specific and familiar history—one that has cycled through the ages in unexpected ways.

People have been collecting—and stealing—books since before Gutenberg invented the printing press. Internationally, according to Interpol, rare book theft is more widespread than fine art theft. Although dealers will tell you “every rare book is a stolen book,” the stories of these heists have remained quiet, shielded by an insular community of book dealers and book collectors that prefers to keep its losses secret. In The Man Who Loved Books Too Much, Allison Hoover Bartlett takes us deep inside the world of rare books, and tells the cat-and-mouse story of two men caught in its allure. Here we meet Bartlett John Gilkey, an unrepentant, obsessive book thief, and Ken Sanders, the equally obsessive self-styled “bibliodick,” a book-dealer turned amateur detective. While their goals are at direct odds, both men share a deep passion for books and a fierce tenacity—Gilkey, to steal books; Sanders, to stop him.

How genomics reveals deep histories of inequality, going back many thousands of years. Inequality is an urgent global concern, with pundits, politicians, academics, and best-selling books all taking up its causes and consequences. In Inequality, Carles Lalueza-Fox offers an entirely new perspective on the subject, examining the genetic marks left by inequality on humans throughout history. Lalueza-Fox describes genetic studies, made possible by novel DNA sequencing technologies, that reveal layers of inequality in past societies, manifested in patterns of migration, social structures, and funerary practices. Through their DNA, ancient skeletons have much to tell us, yielding anonymous stories of inequality, bias, and suffering. Lalueza-Fox, a leader in paleogenomics, offers the deep history of inequality. He explores the ancestral shifts associated with migration and describes the gender bias unearthed in these migrations—the brutal sexual asymmetries, for example, between male European explorers and the women of Latin America that are revealed by DNA analysis. He considers social structures, and the evidence that high social standing was inherited—the ancient world was not a meritocracy. He untangles social and genetic factors to consider whether wealth is an advantage in reproduction, showing why we are more likely to be descended from a king than a peasant. And he explores the effects of ancient inequality on the human gene pool. Marshaling a range of evidence, Lalueza-Fox shows that understanding past inequalities is key to understanding present ones.

In the decades leading up to the Civil War, most Americans probably encountered European classical music primarily through hymn tunes. Hymnody was the most popular and commercially successful genre of the antebellum period in the United States, and the unquenchable thirst for new tunes to sing led to a phenomenon largely forgotten today: in their search for fresh material, editors lifted hundreds of tunes from the works of major classical composers to use as settings of psalms and hymns. The few that remain popular today millions have sung "Joyful, Joyful We Adore Thee" to Beethoven and "Hark, The Herald Angels Sing" to Mendelssohn are vestiges of one of the most distinctive trends in antebellum music-making. Gems of Exquisite Beauty is the first in-depth study of the historical rise and fall of this adaptation practice, its artistic achievements, and its place in nineteenth-century American musical life. It traces the contributions of pioneering figures like Arthur Clifton and the impact of bestsellers like the Handel and Haydn Society Collection, which helped turn Lowell Mason into America's most influential musician. By telling the tales of these hymns and those who brought them into the world, author Peter Mercer-Taylor reveals a central part of the history of how the American public first came to meet and creatively engage with Europe's rich musical practices.