The Manhattan

Margot Moss, a gregarious and witty woman, lives her life with abandon. She knows exactly what she wants and isn’t afraid to pounce after it with full-throttle ferocity. Although, she can’t quite seem to get it right. When a coveted promotion falls through, Margot finds herself struggling to actualize her dreams and is forced to reconsider her so-called fabulous future. However, when one catwalk ends, another begins. A job in New York City comes knocking and Margot doesn’t hesitate to seize the opportunity, setting out on a wild adventure towards love, success, and self-discovery. Unfortunately, nothing is how she imagined it—not the company, the city, or the people. Awaiting Margot is a drama-addicted boss who may or may not be out to get her, and a whirlwind of wealthy men, scams, and scandals. Caught in a cotton candy cloud of sparkling rosé, Margot determinedly navigates her (many) dilemmas with the help of her saucy friends and a healthy dose of buzz-worthy gossip. Yet, as if that weren’t enough, Margot’s life is made even more complicated when a steamy new beau enters the picture—and even he isn’t what he seems. Overflowing with fashion and champagne bubbles, The Manhattan Mishap is a hilarious, stylish, and heartfelt novel that oozes confidence and reminds us that leopards never truly change their spots.

The hands of humans split the atom and reshaped the world. Gradually revealing a sublime nightmare that begins with spontaneous nuclear fission in the protozoic and ends with the omnicide of the human race, The Manhattan Project traces the military, cultural, and scientific history of the development of nuclear weapons and nuclear power through searing lyric, procedural, and visual poetry. Ken Hunt's poetry considers contemporary life-life in the nuclear age-broadly and deeply. It dances through the liminal zones between routine and disaster, between life and death, between creation and destruction. From the mundane to the extraordinary, Hunt's poems expose the depth to which the nuclear has impacted every aspect of the everyday, and question humanity's ability to avoid our destruction. Challenging the complicity of the scientists who created devastating weapons, exploring the espionage of the nuclear arms race, and exposing the role of human error in nuclear disaster, The Manhattan Project is a necropastoral exploration of the literal and figurative fallout of the nuclear age. These poems wail like a meltdown siren, condemning anthropocentric thinking for its self-destructive arrogance.

The development of nuclear weapons by the Manhattan Project during World War II was one of the most dramatic scientific/technological episodes in human history. This book, prepared by a recognized expert on the Manhattan Project, offers a concise survey of the essential physics concepts underlying fission weapons. The text describes the energetics and timescales of fast-neutron chain reactions, why only certain isotopes of uranium and plutonium are suitable for use in fission weapons, how critical mass and bomb yield can be estimated, how the efficiency of nuclear weapons can be enhanced, how the fissile forms of uranium and plutonium were obtained, some of the design details of the 'Little Boy' and 'Fat Man' bombs, and some of the thermal, shock, and radiation effects of nuclear weapons. Calculation exercises are provided, and a Bibliography lists authoritative print and online sources of information for readers who wish to pursue more detailed study of this fascinating topic.

Explores events leading up to the top-secret Manhattan Project during World War II, key players involved, their lives during the project, the development and use of the atomic bomb, its aftermath, and its effects on society.

The development of nuclear weapons during the Manhattan Project is one of the most significant scientific events of the twentieth century. This revised and updated 4th edition explores the challenges that faced the scientists and engineers of the Manhattan Project. It gives a clear introduction to fission weapons at the level of an upper-year undergraduate physics student by examining the details of nuclear reactions, their energy release, analytic and numerical models of the fission process, how critical masses can be estimated, how fissile materials are produced, and what factors complicate bomb design. An extensive list of references and a number of exercises for self-study are included. Revisions to this fourth edition include many upgrades and new sections. Improvements are made to, among other things, the analysis of the physics of the fission barrier, the time-dependent simulation of the explosion of a nuclear weapon, and the discussion of tamped bomb cores. New sections cover, for example, composite bomb cores, approximate methods for various of the calculations presented, and the physics of the polonium-beryllium "neutron initiators" used to trigger the bombs. The author delivers in this book an unparalleled, clear and comprehensive treatment of the physics behind the Manhattan project.

The Manhattan Project produced the world's first nuclear weapons. The US military later dropped two atomic bombs on Japan, effectively ending World War II. Find out about the people and the science behind the Manhattan Project.

The ramifications of the Manhattan Project are still with us to this day. The atomic bombs that came out of it brought an end to the war in the Pacific, but at a heavy loss of life in Japan and the opening of a Pandora's box that has tested international relations. This book traces the history of the Manhattan Project, from the first glimmerings of the possibility of such a catastrophic weapon to the aftermath of the bombings of Hiroshima and Nagasaki. It profiles the architects of the bomb and how they tried to reconcile their personal feelings with their ambition as scientists. It looks at the role of the politicians and it includes first-hand accounts of those who experienced the effects of the bombings.

This sharp, witty study of a book never written, a sequel to Walter Benjamin's Arcades Project, is dedicated to New York City, capital of the twentieth century. A sui generis work of experimental scholarship or fictional philosophy, it analyzes an imaginary manuscript composed by a ghost. Part sprawling literary montage, part fragmentary theory of modernity, part implosive manifesto on the urban revolution, The Manhattan Project offers readers New York as a landscape built of sheer life. It initiates them into a world of secret affinities between photography and graffiti, pragmatism and minimalism, Andy Warhol and Robert Moses, Hannah Arendt and Jane Jacobs, the flâneur and the homeless person, the collector and the hoarder, the glass-covered arcade and the bare, concrete street. These and many other threads can all be spooled back into one realization: for far too long, we have busied ourselves with thinking about ways to change the city; it is about time we let the city change the way we think.