The Many Colors Of Crime

Considering race and ethnicity as organising principles in why, how, where and by whom crimes are committed and enforced, this volume argues that dimensions of race and ethnicity condition the very laws that make certain behaviours criminal, and the determination of who becomes a victim of crime under which circumstances.

In this authoritative volume, race and ethnicity are themselves considered as central organizing principles in why, how, where and by whom crimes are committed and enforced. The contributors argue that dimensions of race and ethnicity condition the very laws that make certain behaviors criminal, the perception of crime and those who are criminalized, the determination of who becomes a victim of crime under which circumstances, the responses to laws and crime that make some more likely to be defined as criminal, and the ways that individuals and communities are positioned and empowered to respond to crime. Contributors: Eric Baumer, Lydia Bean, Robert D. Crutchfield, Stacy De Coster, Kevin Drakulich, Jeffrey Fagan, John Hagan, Karen Heimer, Jan Holland, Diana Karafin, Lauren J. Krivo, Charis E. Kubrin, Gary LaFree, Toya Z. Like, Ramiro Martinez, Jr., Ross L. Matsueda, Jody Miller, Amie L. Nielsen, Robert O'Brien, Ruth D. Peterson, Alex R. Piquero, Doris Marie Provine, Nancy Rodriguez, Wenona Rymond-Richmond, Robert J. Sampson, Carla Shedd, Elizabeth Trejos-Castillo, Avelardo Valdez, Alexander T. Vazsonyi, María B. Vélez, Geoff K. Ward, Valerie West, Vernetta Young, Marjorie S. Zatz.

"Perhaps the most explosive and troublesome phenomenon at the nexus of race and crime is the racial hoax - a contemporary version of The Boy Who Cried Wolf. Examining both White-on-Black hoaxes such as Susan Smith's and Charles Stuart's claims that Black men were responsible for crimes they themselves committed, and Black-on-White hoaxes such as the Tawana Brawley episode, Russell illustrates the formidable and lasting damage that occurs when racial stereotypes are manipulated and exploited for personal advantage. She shows us how such hoaxes have disastrous consequences and argues for harsher punishments for offenders."--BOOK JACKET.

The Colors of Crime—A collection of short stories as varied as they are action packed.

Considering race and ethnicity as organising principles in why, how, where and by whom crimes are committed and enforced, this volume argues that dimensions of race and ethnicity condition the very laws that make certain behaviours criminal, and the determination of who becomes a victim of crime under which circumstances.

"Three-quarters of a century ago, Dorothy L. Sayers compiled the classic anthology The Omnibus of Crime, a definitive collection of short fiction that brought together crime and mystery works from the Apocryphal Scriptures to whodunits from the 1920s. Now, reflecting the explosive developments in the genre, Tony Hillerman and Rosemary Herbert celebrate the seventy-fifth anniversary of that book's publication with A New Omnibus of Crime. Like Sayers's volume, this new book is envisioned as a vehicle carrying stories the editors think represent the best in crime and mystery writing in our time. Selections also reflect the tastes of Contributing Editors Sue Grafton and Jeffery Deaver, both of whom have stories in this volume."--BOOK JACKET.

This edited volume explores the dynamics of race, crime, and the criminal justice system in the United States today. The book gives equal attention to the links between images of color and images of crime as well as the ramifications of criminal justice policies and practices. Changes to the new edition include the following: * Revised introductory and concluding chapters that more clearly outline the focus and selection of the racial and ethnic groups discussed. * The book further examines the ways in which gender, religion, culture, sexuality, and sexual orientation are central components of racialized constructions. * A new chapter provides examples of current criminal justice practices and crime control policies on racial and ethnic groups, including law enforcement policies, prosecution and sentencing, and imprisonment. * Brief, framing introductions underscore why each chapter is important and how it fits into the book's overarching themes. * Each chapter includes discussion questions and a list of relevant websites. * An accompanying Instructor's Manual prepared by David R. Montague is new to the Third Edition.

This historical middle grade novel written in free verse, set against the backdrop of the desegregation battles that took place in Houston, Texas, in 1972, is about a young boy and his family dealing with loss and the revelation of dark family secrets. Ten-year-old Paulie Sanders hates his name because it also belonged to his daddy—his daddy who killed a fellow white man and then crashed his car. With his mama unable to cope, Paulie and his sister, Charlie, move in with their Aunt Bee and attend a new elementary school. But it’s 1972, and this new school puts them right in the middle of the Houston School District’s war on desegregation. Paulie soon begins to question everything. He hears his daddy’s crime was a race-related one; he killed a white man defending a black man, and when Paulie starts picking fights with a black boy at school, he must face his reasons for doing so. When dark family secrets are revealed, the way forward for everyone will change the way Paulie thinks about family forever. The Colors of the Rain is an authentic, heartbreaking portrait of loss and human connection during an era fraught with racial tension set in verse from debut author R. L. Toalson.