The Mapmakers Of New Zion

From their earliest days on the American frontier through their growth into a worldwide church, the spatially expansive Mormons made maps to help them create idealized communities, migrate to and colonize large parts of the American West, visualize the stories in their sacred texts, and spread their message internationally through a well-organized missionary system. This book identifies many Mormon mapmakers who played an important but heretofore unsung role in charting the course of Latter-day Saint history. For Mormons, maps had and continue to have both practical and spiritual significance. In addition to using maps to help build their new Zion and to explore the Intermountain West, Latter-day Saint mapmakers used them to depict locations and events described in the Book of Mormon. Featuring over one hundred historical maps reproduced in full color--many never before published--The Mapmakers of New Zion sheds new light on Mormonism and takes readers on a fascinating journey through maps as both historical documents and touchstones of faith. Winner of the Southwest Book Design and Production Award from the New Mexico Book Association. Selected as on the American Library Association's Best of the Best from University Presses.

A history of the construction of the Glen Canyon Dam and social imbalances that resulted from it.

"Drawing on the writings of scientists, foresters, surveyors, and settlers, Joseph Giacomelli shows that climate uncertainty infused Gilded Age thinking about economic growth and national development. He details a multivalent discourse on climate that infused both practical concerns and overarching political themes, not least Manifest Destiny. Giacomelli makes it clear that uncertainty drew together concerns about human-induced climate change and cultural worries about the sustainability of capitalist expansionism. A rising belief in scientific positivism was matched by a growing awareness of the illusory nature of scientific certainty; faith in society's power to improve landscapes tussled with persistent fears of environmental catastrophe"--

How do Christians make relationships with land central to their faith? How have the realities of materiality, geography, and ecology shaped Christian territories of belonging and theologies of territory? What social-economic-political conditions surround exchanges between religion and nature? This book explores how Christianity intersects with nature to create unique religious landscapes. Case studies range from the Mormon Trail across the USA completed by thousands every year, to the Catholic devotional cult of and shrine to St. Padre Pio of Pietrelcina. Contributors examine the entangled forms of agency between nature and culture that are at work as Christians produce, consume, experience, imagine, inhabit, manage, and struggle over formations of land. Focusing on Christian engagements with land forms in the early 21st century, this book advances the spatial turn in the study of religion, contributes to the anthropology of religion and the study of global Christianities, as well as our understanding of the relationship between Christianity, space and place.

Winner of the Best Anthology Book Award from the John Whitmer Historical Association Winner of the Special Award for Scholarly Publishing from the Association for Mormon Letters Scholarly interest in Mormon theology, history, texts, and practices--what makes up the field now known as Mormon studies--has reached unprecedented levels, making it one of the fastest-growing subfields in religious studies. In this volume, Terryl Givens and Philip Barlow, two leading scholars of Mormonism, have brought together 45 of the top experts in the field to construct a collection of essays that offers a comprehensive overview of scholarship on Mormons. The book begins with a section on Mormon history, perhaps the most well-developed area of Mormon studies. Chapters in this section deal with questions ranging from how Mormon history is studied in the university to the role women have played over time. Other sections examine revelation and scripture, church structure and practice, theology, society, and culture. The final two sections look at Mormonism in a larger context. The authors examine Mormon expansion across the globe--focusing on Mormonism in Latin America, the Pacific, Europe, and Asia--in addition to the interaction between Mormonism and other social systems, such as law, politics, and other faiths. Bringing together an impressive body of scholarship, this volume reveals the vast range of disciplines and subjects where Mormonism continues to play a significant role in the academic conversation. The Oxford Handbook of Mormonism will be an invaluable resource for those within the field, as well as for people studying the broader, ever-changing American religious landscape.

The Oxford Handbook of Postcolonial Biblical Criticism is a comprehensive treatment of a relatively new form of scholarship-one of the most compelling and contested theories to emerge in recent times, and a topic that actively seeks to expand the ways in which the Bible can be studied, interpreted, and applied. Generally speaking, postcolonialism aims to critique and dismantle hegemonic worldviews and power structures, while giving voice to previously marginalized peoples and systems of thought. This approach, often varied in form, has inevitably engaged with the text and reception of the Bible, a scripture that Western colonizers introduced to-and often imposed upon-their colonial subjects. With a globally diverse list of contributors, the Handbook aims to cover the perspective and context of the authors of the Bible, as well as the modern experiences of imperialism, resistance, decolonization, and nationalism. Moreover, the volume includes both a theoretical overview and an exploration of how the field intersects with related areas, such as gender studies, race, postmodernism, and liberation theology.

Why do thousands of Mormons devote their summer vacations to following the Mormon Trail? Why does the Church of Jesus Christ of Latter-day Day Saints spend millions of dollars to build monuments and Visitor Centers that believers can visit to experience the history of their nineteenth-century predecessors who fled westward in search of their promised land? Why do so many Mormon teenagers dress up in Little-House-on-the-Prairie-style garb and push handcarts over the highest local hills they can find? And what exactly is a "traveling Zion"? In Pioneers in the Attic, Sara Patterson analyzes how and why Mormons are engaging their nineteenth-century past in the modern era, arguing that as the LDS community globalized in the late twentieth and early twenty-first centuries, its relationship to space was transformed. Following their exodus to Utah, nineteenth-century Mormons believed that they must gather together in Salt Lake Zion - their new center place. They believed that Zion was a place you could point to on a map, a place you should dwell in to live a righteous life. Later Mormons had to reinterpret these central theological principles as their community spread around the globe, but to say that they simply spiritualized concepts that had once been understood literally is only one piece of the puzzle. Contemporary Mormons still want to touch and to feel these principles, so they mark and claim the landscapes of the American West with versions of their history carved in stone. They develop rituals that allow them not only to learn the history of the nineteenth-century journey west, but to engage it with all of their senses. Pioneers in the Attic reveals how modern-day Mormons have created a sense of community and felt religion through the memorialization of early Mormon pioneers of the American West, immortalizing a narrative of shared identity through an emphasis on place and collective memory.

This book explores the place of art in Latter-day Saint society during the first 50 years of the Utah settlement, beginning in 1847. Nathan Rees uncovers the critical role that images played in nineteenth-century Mormon religion, politics, and social practice. These artists not only represented, but actively participated in debates about theology, politics, race, gender, and sexuality at a time when Latter-day Saints were grappling with evolving doctrine, conflict with Native Americans, and political turmoil resulting from their practice of polygamy. The book makes an important contribution to art history, Mormon studies, American studies, and religious studies.