The Marquise

In a land fraught with religious strife, they must break the barriers between status and faith to forge a fresh future in a new world...After her Huguenot father is arrested, aristocrat Suzanne Richelieu escapes Versailles. Handsome German peasant, Johan Rousch, risks his life to bring her to the safety of his family’s farm in the Palatinate duchy, but when Suzanne’s brother and the French army arrive with a warning that they plan to burn the area, she and Johan are forced to flee. With no money or options, both become indentured servants in exchange for safe passage to Philadelphia. Suzanne falls gravely ill aboard ship and marries Johan, only to survive with no memory of the wedding—a reality made worse when Johan spots the “priest” who married them working as a surveyor and later in Quaker cleric garb. Are their wedding vows valid? When Suzanne's former fiancé arrives in port, planning to abduct her, Johan must save her again—but can he do so before Suzanne is lost to him forever?

"Malcolm; or The Fisherman's Lady" tells the story of a poor fisherman Malcolm MacPhail. Young man is raised by his grandfather and discovers that he has noble origins and that he is actually the true son of the Marquise of Lossie. He manages to find employment in the castle and gains the mad laird's trust. Step by step he is entering the new world and introducing the life that was taken from him in the first place. The Marquis' Secret completes the story of Malcolm, a young fisherman set to become new Marquise of Lossie. Malcolm decides to hide his true identity, so he can help his sister who got herself under some very bad influences in London. He reveals the truth about his origins to her and goes on to take his position as a marquis. George MacDonald (1824-1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". MacDonald has been credited with founding the "kailyard school" of Scottish writing.

A vivid new translation of a timeless classic: Kleist's tense, ambiguous novella about an unexpected pregnancy In a Northern Italian town during the Napoleonic Wars, Julietta, a young widow and mother of impeccable reputation, finds herself unexpectedly pregnant. This follows an attack on the town's citadel, in which several Russian soldiers tried to assault her before she was rescued by Count F-, at which point she fell unconscious. Thrown out of her father's house, Julietta publishes an announcement in the local newspaper stating that she is pregnant and would like the father of her child to make himself known so that she can marry him. What follows is an ambiguously comic drama of sexuality and family respectability. One of Kleist's best-loved works, The Marquise of O- is an ingenious and timeless story of the mystery of human desire, and Nicholas Jacobs's new translation captures the full richness of its irony.

The beautiful Marquise de Banneville meets a handsome marquis, and they fall in love. But the young woman is actually a young man (brought up as a girl and completely in the dark about her--or his--true sex), while the marquis is actually a young woman who likes to cross-dress. Will they live happily ever after? In the introduction, Joan DeJean presents the fascinating puzzle of authorship of this lighthearted gender-bending tale written in the late seventeenth century in France. Was it François-Timoléon de Choisy, an abbot who was happiest in drag? Marie-Jeanne L'Héritier, an outspoken defender of women's writing of her day? Or Charles Perrault, L'Héritier's uncle and the famous author of such fairy tales as "Sleeping Beauty"? DeJean argues that the tale was a collaboration of all three and discusses the permeable borderline between masculinity and femininity, transvestism, and tolerance--then and now.

She was a woman of about twenty-five or twenty-six, who, unlike other women, evidently desired to appear older than she was. She was dressed in black; her hair hung in plaits; her neck, arms, and feet were bare; the belt at her waist was clasped by a large garnet which threw out sombre fires. In her hand she held a wand, and she was raised on a sort of platform which stood for the tripod of the ancients, and from which came acrid and penetrating fumes; she was, moreover, fairly handsome, although her features were common, the eyes only excepted, and these, by some trick of the toilet, no doubt, looked inordinately large, and, like the garnet in her belt, emitted strange lights.

When the rich and well-connected Raoule de Vénérande becomes enamored of Jacques Silvert, a poor young man who makes artificial flowers for a living, she turns him into her mistress and eventually into her wife. Raoule's suitor, a cigar-smoking former hussar officer, becomes an accomplice in the complications that ensue.