The Meadhall

This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic. "An extraordinary achievement."—New York Times The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."

This book covers three interdependent areas; 1) Readiness for learning, 2) Teaching language skills, and 3) Learning together. These provide a foundation for teaching that can bring our children into a more creative relationship with their own language.

Three appendices: --

The Year's Work in Medievalism 2008 includes papers delivered at the 22nd Annual conference on Medievalism, organized by the International Society for Studies in Medievalism, and held at the University of Western Ontario, London, Ontario, Canada on 4-7 October 2007. The topic of the conference was "Neomedievalisms" and these papers address various aspects of the term, including its definition, range, and application, The conference was organized by M. J. Toswell, who is the editor of this volume; the Director of Conferences and Series Editor of the Year's Work in Medievalism is Gwendolyn Morgan.

The controversy of flux and stasis as the groundwork of reality of Greek ancient philosophy reached its crux in the all encompassing doctrine of the logos by Heraclitus of Ephesus. It centers upon human soul in its role with the cosmos. Philosophy of the Occident corroborating Greek insights with the progress of culture in numerous interpretations (Kant, Kierkegaard, Husserl, Merleau-Ponty, Ricoeur...), presented in this collection has neglected the cosmic sphere. While contemporary development of science revealed its grounding principles (papers by Grandpierre, Kule and Trutty-Coohill) the ancient logos fully emerges. Thus, logos hitherto hidden in our commerce with earth is revealed in its intertwinings with the cosmos through the trajectories of the phenomenology/ontopoiesis of life (Tymieniecka). The crucial link between the soul and the cosmos, in a new geo-cosmic horizon, is thus being retrieved.

She grabbed my hand, pulling me with her to the side of the road, so that we resembled two small, huddled, frightened children, haunted by the mad dance of the wind and the crippled trees. The pale white sun peeked out from behind a bulwark of clouds, but even its presence was no comfort - »Don't look at it,« Sarah whispered. »The sun?« »The sky. Don't look at it. It's where they come from. The sky. The air. They see everything. He sees everything...« »Sarah?«, I asked, startled. »Sarah, what's going on?« The terrified narrator's account of nameless horrors in Dunwich in the story The Girl Who Ran In Circles kicks off a round of new stories and novellas that do not conceal, even in their titles, that they follow H. P. Lovecraft's stories. Others evoke nameless horrors of an apocalyptic future or tell new fantastic adventures from the land of Averoigne - a fictional counterpart to a historical province in France - which appeared in a series of short stories from Clark Ashton Smith.

Since Plato and Aristotle’s declaration of the essence of literature as imitation, western narrative has been traditionally discussed in mimetic terms. Marginalized fantasy- the deliberate from reality – has become the hidden face of fiction, identified by most critics as a minor genre. First published in 1984, this book rejects generic definitions of fantasy, arguing that it is not a separate or even separable strain in literary practice, but rather an impulse as significant as that of mimesis. Together, fantasy and mimesis are the twin impulses behind literary creation. In an analysis that ranges from the Icelandic sagas to science fiction, from Malory to pulp romance, Kathryn Hume systematically examines the various ways in which fantasy and mimesis contribute to literary representations of reality. A detailed and comprehensive title, this reissue will be of particular value to undergraduate literature students with an interest in literary genres and the centrality of literature to the creative imagination.

An accessible yet in-depth guide to this increasingly popular pre-Christian religious tradition of Northern Europe Heathenry, is one of the fastest growing polytheistic religious movements in the United States today. This book explores the cosmology, values, ethics, and rituals practiced by modern heathens. In A Modern Guide to Heathenry readers will have the opportunity to explore the sacred stories of the various heathen gods like Odin, Frigga, Freya, and Thor and will be granted a look into the devotional practices of modern votaries. Blóts, the most common devotional rites, are examined in rich detail with examples given for personal use. Additionally, readers are introduced to the concept of wyrd, or fate, so integral to the heathen worldview. Unlike many books on heathenry, this one is not denomination-specific, nor does it seek to overwhelm the reader with unfamiliar Anglo-Saxon or Norse terminology. For Pagans who wish to learn more about the Norse deities or those who are new to heathenry or who are simply interested in learning about this unique religion, A Modern Guide to Heathenry is the perfect introduction. Those who wish to deepen their own devotional practice will find this book helpful in their own work as well.