The Medieval Surgery

The medieval origins of current medical practice continue to be a subject of great interest. Tony Hunt has undertaken pioneer work in this field, and now presents, for the first time, the complete set of illustrations which accompany a 13th-century Anglo-Norman translation of Roger of Parma's Surgery (c. 1180), which was the first original treatise on surgery to be written in the medieval West. His commentary on the illustrations relates the drawings precisely to the sections of text they illustrate and thus provides more accurate identification of the different medical treatments depicted by the artist than has previously been the case. These distinctive drawings, almost without parallel in 13th-century England, show a consummate medical illustrator at work, uniquely combining technical, aesthetic and psychological interests. While the illustrations, which were added after the manuscript had been executed, performed a useful function as guide-marks to the contents of the surgical treatise, they are above all an intriguing and delightful monument to an anonymous artist of rare technical accomplishment. It is not only students of medicine who will find much of interest in these early pictorial representations of the medieval pharmacy and the range of therapeutic treatments covered by the surgeon in an age which had not yet produced any clear demarcation between surgery and general medicine.

DigiCat Publishing presents to you this special edition of "Medieval Medicine" by James J. Walsh. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Jeremy Citrome employs the language of contemporary psychoanalysis to explain how surgical metaphors became an important tool of ecclesiastical power in the wake of the Fourth Lateran Council of 1215. Pastoral, theological, recreational, and medical writings are among the texts discussed in this wide-ranging study.

"Medieval Medicine" is a book written by James J. Walsh. James Joseph Walsh (1865–1942) was an American physician, historian, and author, known for his works in the history of medicine and science. "Medieval Medicine" likely explores the practices, beliefs, and advancements in the field of medicine during the medieval period. Published in 1920, the book may provide insights into how medical knowledge and practices evolved during the Middle Ages, covering aspects such as medical treatments, surgical techniques, and the prevailing beliefs about health and illness during that time. If you are interested in the history of medicine, particularly during medieval times, James J. Walsh's "Medieval Medicine" could offer a valuable perspective on the state of medical science in that historical period.

Presents a detailed description of medieval medical treatments available during the Crusades.

Largely on the work of Henri de Mondeville.

A new exploration of the secular manuscripts and medieval medical texts associated with the York Guild and its members. Produced in 1486 and subsequently augmented, the Guild Book of the Barbers and Surgeons of York (British Library Egerton MS 2572) is a unique record of the knowledge, ambitions, activities and civic relationships maintained by the Barbers and Surgeons Guild over a period of 300 years. The manuscript's earliest folios contain images, astrological tracts, a plague treatise and a bloodletting poem. To these were added early modern ordinances and oaths, a series of royal portraits, and the names of the Guild's masters and apprentices. It is a rare survival of late medieval medical knowledge placed within a civic context. This new multi-disciplinary examination of the York Guild Book presents a comprehensive edition of its content and a detailed study of the creation and use of this fascinating manuscript. The York Guild Book was not owned by any one person but was intended to be representative of the types of manuscripts the Guild's members might have individually possessed. The Guild's commission elevated their manuscript's functional content into something which could be proudly owned and displayed, as is demonstrated by the stylishly executed pen and ink drawings, two of which are possibly unique. Through a contextualisation of the form and content of the manuscript, the book articulates ideas about material culture and the ceremonial role of secular manuscripts whilst shedding new light on the dissemination and status of medieval medical texts.