The Memory Of Catastrophe

Memories of catastrophes--both those which occur naturally and those which are consequences of human actions--loom large in the modern consciousness. The volume opens with an investigation of the concepts of catastrophe and collective memory, and the relationships between them. Arguing that a pervasive catastrophic memory may be as disabling as it is instructive, Gray and Oliver stress the necessity of rendering the phenomenon subject to secular critical inquiry. The value of such an approach is then demonstrated in a series of case studies.

Catastrophe and Exile in the Modern Palestinian Imagination explores the cultural memory of al-Nakba (1948 Israeli independence, or The Catastrophe as it is known in Palestine) and its significance to the modern Palestinian imagination. Ihab Saloul addresses central concepts to debates over identity such as nostalgia and trauma, notions of home and forced travel, and geopolitical continuity of loss of place. Through an integrated method of close narrative and discursive analysis of diverse literary texts, films, and personal narratives, this study offers an analytical account of the preservation of cultural optimism in the face of the ongoing catastrophe, as well as the ways in which aesthetics and politics intersect in contemporary Palestinian culture.

Even though much has been said and written about 9/11, the work developed on this subject has mostly explored it as an unparalleled event, a turning point in history. This book wishes to look instead at how disruptive events promote a network of associations and how people resort to comparison as a means to make sense of the unknown, i.e. to comprehend what seems incomprehensible. In order to effectively discuss the complexity of 9/11, this book articulates different fields of knowledge and perspectives such as visual culture, media studies, performance studies, critical theory, memory studies and literary studies to shed some light on 9/11 and analyze how the event has impacted on American social and cultural fabric and how the American society has come to terms with such a devastating event. A more in-depth study of Don DeLillo’s Falling Man and Jonathan Safran Foer’s Extremely Loud and Incredibly Close draws attention to the cultural construction of catastrophe and the plethora of cultural products 9/11 has inspired. It demonstrates how the event has been integrated into American culture and exemplifies what makes up the 9/11 imaginary.

If catastrophes are, by definition, exceptional events of such magnitude that worlds and lives are dramatically overturned, the question of timing would pose a seemingly straightforward, if not redundant question. The Time of Catastrophe demonstrates the analytic productiveness of this question, arguing that there is much to be gained by interrogating the temporal conceits of conventional understandings of catastrophe and the catastrophic. Bringing together a distinguished, interdisciplinary group of scholars, the book develops a critical language for examining 'catastrophic time', recognizing the central importance of, and offering a set of frameworks for, examining the alluring and elusive qualities of catastrophe. Framed around the ideas of Agamben, Kant and Benjamin, and drawing on philosophy, history, law, political science, anthropology and the arts, this volume seeks to demonstrate how the question of 'catastrophic time' is in fact a question about something much more than the frequency of disasters in our so-called 'Age of Catastrophe'.

This book brings together a distinguished, interdisciplinary group of scholars who offer a set of frameworks and a critical language for examining conventional understandings of catastrophe and the catastrophic. Framed around the ideas of Agamben, Kant and Benjamin, the volume demonstrates how the question of `catastrophic time’ is in fact a question about something much more than the frequency of disasters in our so-called `Age of Catastrophe’.

1. Natural hazards. 1.1. Causation and association. 1.2. Extra-terrestrial hazards. 1.3. Meteorological hazards. 1.4. Geological hazards. 1.5. Geomorphic hazards. 1.6. Hydrological hazards -- 2. Societal hazards. 2.1. Political violence. 2.2. Infectious disease pandemics. 2.3. Industrial and transportation accidents. 2.4. Fraud catastrophe -- 3. A sense of scale. 3.1. Size scales of natural hazards. 3.2. Hazard spatial scales. 3.3. The human disaster toll. 3.4. Models of a fractal world -- 4. A measure of uncertainty. 4.1. The concept of probability. 4.2. The meaning of uncertainty. 4.3. Aleatory and epistemic uncertainty. 4.4. Probability ambiguity. 4.5. The weighing of evidence -- 5. A matter of time. 5.1. Temporal models of hazards. 5.2. Long-term data records. 5.3. Statistics of extremes -- 6. Catastrophe complexity. 6.1. Emergent catastrophes. 6.2. Financial crashes. 6.3. Ancillary hazards -- 7. Terrorism. 7.1. A thinking man's game. 7.2. Defeating terrorist networks. 7.3. Counter-radicalization -- 8. Forecasting. 8.1. Earthquake forecasting. 8.2. Verification. 8.3. River flows and sea waves. 8.4. Accelerating approach to criticality. 8.5. Evidence-based diagnosis -- 9. Disaster warning. 9.1. Decision in the balance. 9.2. Evacuation. 9.3. The wisdom of experts -- 10. Disaster scenarios. 10.1. Scenario simulation. 10.2. Footprints and vulnerability. 10.3. Fermi problems -- 11. Catastrophe cover. 11.1. Probable maximum loss. 11.2. Coherent risk measures. 11.3. The Samaritan's dilemma -- 12. Catastrophe risk securitization. 12.1. Catastrophe bonds. 12.2. The price of innovation -- 13. Risk horizons. 13.1. Ecological catastrophe. 13.2. Climate change. 13.3. War and conflict resolution

2014 Dayton Literary Peace Prize — Nonfiction Runner Up The complex histories and memories of Jewish and Palestinian Israelis today frame Israel’s future possibilities for peace. 1948: As Jewish refugees, survivors of the Holocaust, struggle toward the new State of Israel, Arab refugees are fleeing, many under duress. Sixty years later, the memory of trauma has shaped both peoples’ collective understanding of who they are. After a war, the victors write history. How was the story of the exiled Palestinians erased – from textbooks, maps, even the land? How do Jewish and Palestinian Israelis now engage with the histories of the Palestinian Nakba ("Catastrophe") and the Holocaust, and how do these echo through the political and physical landscapes of their country? Vividly narrated, with extensive original interview material, Contested Land, Contested Memory examines how these tangled histories of suffering inform Jewish and Palestinian-Israeli lives today, and frame Israel’s possibilities for peace.

Holocaust Images and Picturing Catastrophe explores the phenomenon of Holocaust transfer, analysing the widespread practice of using the Holocaust and its imagery for the representation and recording of other historical events in various media sites. It investigates the use of Holocaust imagery in political and legal discourses, in critical thinking and philosophy, as well as in popular culture, to provide a fresh theorisation of the manner in which the Holocaust comes loose from its historical context and is applied to events and campaigns in the contemporary public sphere. Richly illustrated with concrete examples, including prominent, international animal rights activism, the Israeli-Palestinian conflict and the genocide in Rwanda, this book traces the visual rhetoric of Holocaust imagery and its application to events other than the genocide of Jewish people With its discussion of the wide range of issues arising with this form of 'Holocaust-transfer', the generalization of the Holocaust as a metaphor in representations of catastrophe, as well as in other cultural locations, Holocaust Images and Picturing Catastrophe will appeal to those working in the fields of holocaust studies, cultural and visual culture studies, sociology, and media studies.