The Mercenary S Marriage

Trained as a mercenary soldier, Darius was a man of decisive action. He was also a man of compassion. Seeing a young slave woman about to become the spoils of war, he claimed her for his own. Marrying her before God and king, he made her a free and respectable soldier's wife. Brice was born a slave. Abused and beaten, she learned quickly to avoid being noticed and to stay away from men. When her master's walls fell to enemy forces, she ran, but not fast enough. In Darius' offer she found deliverance, but experience had taught her to fear power such as his. Could she trust in his protection, or had she traded one form of slavery for another?

15th Anniversary Celebrating fifteen years of romance Silhouette INTIMATE MOMENTS Try to Remember A FORGETFUL WIFE? When Valeri Richmond awoke in the arms of rugged Nathan Thorne, all she knew was that she was compellingly attracted to the sexy mercenary whose mission was to bring her back to a husband and children she did not remember. But after Nathan brought her "home," he knew they'd been set up. Her "husband" welcomed her back with a shower of bullets and a demand for information that the pretty amnesiac could not recall. Now Nathan had a new vow: to one day claim Valeri as his own. A forgotten past…a hoped-for future.

In the wake of the Massachusetts Supreme Judicial Court's historic Goodridge decision, a reissue of the bible of the same-sex marriage movement Will same-sex couples destroy "traditional" marriage, soon to be followed by the collapse of all civilization? That charge has been leveled throughout history whenever the marriage rules change. But marriage, as E. J. Graff shows in this lively, fascinating tour through the history of marriage in the West, has always been a social battleground, its rules constantly shifting to fit each era and economy. The marriage debates have been especially tumultuous for the past hundred and fifty years-in ways that lead directly to today's debate over whether marriage could mean not just Boy + Girl = Babies, but also Girl + Girl = Love.

Tyler Ramsey's mission was to follow the trail ofMontebello's missing crown prince to Montana,not to guard a pampered princess. But whenPrincess Anna Sebastiani insisted on joining thesearch for her brother, Tyler became her reluctantbodyguard. Keeping track of the regal virginwasn't nearly as challenging as fighting theexplosive and unexpected attraction betweenthem. When the fierce Montana winter left themsnowbound, the result seemed inevitable. But therugged mercenary's sworn duty was to protectthe princess—even from himself….

An innovative cultural history of the evolution of modern marriage practices in Bengal, Marriage and Modernity challenges the assumption that arranged marriage is an antiquated practice. Rochona Majumdar demonstrates that in the late colonial period Bengali marriage practices underwent changes that led to a valorization of the larger, intergenerational family as a revered, “ancient” social institution, with arranged marriage as the apotheosis of an “Indian” tradition. She meticulously documents the ways that these newly embraced “traditions”—the extended family and arranged marriage—entered into competition and conversation with other emerging forms of kinship such as the modern unit of the couple, with both models participating promiscuously in the new “marketplace” for marriages, where matrimonial advertisements in the print media and the payment of dowry played central roles. Majumdar argues that together the kinship structures newly asserted as distinctively Indian and the emergence of the marriage market constituted what was and still is modern about marriages in India. Majumdar examines three broad developments related to the modernity of arranged marriage: the growth of a marriage market, concomitant debates about consumption and vulgarity in the conduct of weddings, and the legal regulation of family property and marriages. Drawing on matrimonial advertisements, wedding invitations, poems, photographs, legal debates, and a vast periodical literature, she shows that the modernization of families does not necessarily imply a transition from extended kinship to nuclear family structures, or from matrimonial agreements negotiated between families to marriage contracts between individuals. Colonial Bengal tells a very different story.

Radio actor Iron Rinn (born Ira Ringold) is a big Newark roughneck blighted by a brutal personal secret from which he is perpetually in flight. An idealistic Communist, a self-educated ditchdigger turned popular performer, a six-foot six-inch Abe Lincoln look-alike, he marries the nation's reigning radio actress and beloved silent-film star, the exquisite Eve Frame (born Chava Fromkin). Their marriage evolves from a glamorous, romantic idyll into a dispiriting soap opera of tears and treachery. And with Eve's dramatic revelation to the gossip columnist Bryden Grant of her husband's life of "espionage" for the Soviet Union, the relationship enlarges from private drama into national scandal. Set in the heart of the McCarthy era, the story of Iron Rinn's denunciation and disgrace brings to harrowing life the human drama that was central to the nation's political tribulations in the dark years of betrayal, the blacklist, and naming names. I Married a Communist is an American tragedy as only Philip Roth could write it.