The Mercury Fountain

The Mercury Fountain takes place at the turn of the 20th century in a remote stretch of desert, West Texas. Owen Scraperton, a passionate Yankee, sets out to atone for his misspent youth by starting a utopian paradise in the wilderness. He begins to attract a following within the local population and further afield. Owen founds the economics of this new society upon Mercury mining, lauding its fluidity, beauty and usefulness and disregarding its darker properties. But it isn't long before Owen's utopia begins to unravel...

Insight depends on attentiveness, but can also strike us spontaneously as revelation. The poems in this collection are unified by the urge to look into things and reflect on them, but the responses they represent are as varied, and as revelatory, as the subjects they address: vegetable carving on a cruise ship, where to read poetry, a death-row inmate's last meal. By turns formal, informal, solemn and touching, quizzical and resolute, these poems are consistently informed by Warren Wilson's scrupulous eye for detail. He celebrates the ways in which we engage with the world - both with the analytical gaze of a crystallographer, and the impulsiveness of a sculptor designing a mercury fountain. This is his fourth collection.

Explains the characteristics of mercury, where it is found, how it is used by humans, and its relationship to other elements found in the periodic table.

An insightful new look at one of the 20th century's most celebrated artistic visionaries Alexander Calder (1898-1976) is one of modernism's most captivating and influential figures. First trained as a mechanical engineer, Calder relocated from New York to Paris in the mid-twenties where his acceptance into the city's burgeoning avant-garde circles coincided with the development of his characteristic form of kinetic sculpture. His early work Cirque Calder, which was presented throughout Paris to great acclaim, prefigures the performance and theatrical aspects that dominate Calder's pioneering artistic works and are situated as a primary subject of intrigue in this publication. Rather than simply refashion sculpture's traditional forms, Calder envisioned entirely new possibilities for the medium and transformed its static nature into something dynamic and responsive. Alexander Calder: Performing Sculpture provides detailed insight into that pioneering process through reproductions of personal drawings and notes. Also featured is new research from a wide range of renowned scholars, furthering our understanding of the remarkable depth of Calder's beloved mobile sculptures and entrenching his status as an icon of modernism.

The first biography of America's greatest twentieth-century sculptor, Alexander Calder: an authoritative and revelatory achievement, based on a wealth of letters and papers never before available, and written by one of our most renowned art critics. Alexander Calder is one of the most beloved and widely admired artists of the twentieth century. Anybody who has ever set foot in a museum knows him as the inventor of the mobile, America's unique contribution to modern art. But only now, forty years after the artist's death, is the full story of his life being told in this biography, which is based on unprecedented access to Calder's letters and papers as well as scores of interviews. Jed Perl shows us why Calder was--and remains--a barrier breaker, an avant-garde artist with mass appeal. This beautifully written, deeply researched book opens with Calder's wonderfully peripatetic upbringing in Philadelphia, California, and New York. Born in 1898 into a family of artists--his father was a well-known sculptor, his mother a painter and a pioneering feminist--Calder went on as an adult to forge important friendships with a who's who of twentieth-century artists, including Joan Miró, Marcel Duchamp, Georges Braque, and Piet Mondrian. We move through Calder's early years studying engineering to his first artistic triumphs in Paris in the late 1920s, and to his emergence as a leader in the international abstract avant-garde. His marriage in 1931 to the free-spirited Louisa James--she was a great-niece of Henry James--is a richly romantic story, related here with a wealth of detail and nuance. Calder's life takes on a transatlantic richness, from New York's Greenwich Village in the Roaring Twenties, to the Left Bank of Paris during the Depression, and then back to the United States, where the Calders bought a run-down old farmhouse in western Connecticut. New light is shed on Calder's lifelong interest in dance, theater, and performance, ranging from the Cirque Calder, the theatrical event that became his calling card in bohemian Paris to collaborations with the choreographer Martha Graham and the composer Virgil Thomson. More than 350 illustrations in color and black-and-white--including little-known works and many archival photographs that have never before been seen--further enrich the story.

The book deals with the resurgence of nineteenth century electromagnetism in physics and electrical engineering. It describes a series of important experiments, and new technologies based on these experiments, which cannot be explained by and analyzed with the modern relativistic electrodynamics of the twentieth century. The Newtonian electrodynamics of Coulomb, Ampere, Neumann, and Kirchhoff, which was current from 1750 to 1900, is fully reviewed and greatly extended to deal with contemporary research on exploding wires, railguns and other electromagnetic accelerators, jet propulsion in liquid metals, arc plasma explosions, capillary fusion, and lightning phenomena. Much of the book is based on the atomic definition of the Amperian current element. Finite element techniques for solving many electrodynamic problems are described.

This elegant exhibition catalog includes sixty-six works of art by this virtuoso sculptor, plus accompanying essays. Born in The Hague, Adriaen de Vries worked with the official sculptor to the Medici dukes beginning in 1580s, and in 1601 he was appointed official court sculptor to Rudolf II in Prague, where he worked until his death. Some of his best-known works are illustrated and described in this comprehensive volume, including the Bust of Emperor Rudolph II, the fountain Mercury and Cupid, Psyche Born Aloft by Putti, Juggling Man and The Wrestlers.

“A marvel of lost innocence” (O, The Oprah Magazine) that reimagines three life-changing weeks poet Elizabeth Bishop spent in Paris amidst the imminent threat of World War II. June 1937. Elizabeth Bishop, still only a young woman and not yet one of the most influential poets of the 20th century, arrives in France with her college roommates. They are in search of an escape, and inspiration, far from the protective world of Vassar College where they were expected to find an impressive husband and a quiet life. But the world is changing, and as they explore the City of Lights, the larger threats of fascism and occupation are looming. There, they meet a community of upper-crust expatriates who not only bring them along on a life-changing adventure, but also into an underground world of rebellion that will quietly alter the course of Elizabeth’s life forever. Sweeping and stirring, Paris, 7 A.M. imagines 1937—the only year Elizabeth, a meticulous keeper of journals—didn’t fully chronicle—in vivid detail and brings us from Paris to Normandy where Elizabeth becomes involved with a group rescuing Jewish “orphans” and delivering them to convents where they will be baptized as Catholics and saved from the impending horror their parents will face. Both poignant and captivating, Paris, 7 A.M. is an “achingly introspective marvel of lost innocence” (O, The Oprah Magazine) and a beautifully rendered take on the formative years of one of America’s most celebrated female poets.