The Message Of The Indus Seals And Tablets As Preserved In The R G Veda And The Adjacent Traditions

Since the publication of the concordances of the inscriptions of the Indus seals many people have been working on the solution of the riddle presented by their 5000-years-old script. At first sight the task does not appear too difficult, as there are pictograms that can easily be recognized. A lot of signs are geometric, but this does not seem to be an insurmountable obstacle either, as they are often combined with the pictograms. The decipherments that were based on these similarities resulted, however, only in the reading of some inscriptions as more or less obscure names, sometimes not even a phonetic value could be given. Nevertheless they are often presented as complete decipherments to the public. On this account, the pretension that the Indus script is deciphered meets with increasing suspicion and is exposed to ridicule even. Many scholars working in this field are nowadays of the opinion that the Indus script is altogether indecipherable, if not a bilingual of considerable size turns up. The approach to a decipherment presented in this volume makes avail of a short bilingual from Failaka, but its master-key is the discovering of the symbolic and the linguistic connection of the Indus signs with the R̥g-Veda. More than 200 inscriptions, among them the longest and those with the most interesting motifs, have been decoded here by setting them word after word in relation to R̥g-Vedic mantras. The results that were gained by this method of comparison for the pictographic and phonetic values of the Indus signs are surprising and far beyond the most daring phantasy, i.e. beyond the analytic limits of thought. This approach is the opposite of subjectivism. The signs of all inscriptions have been found in this way have been collected in a sign-dictionary improved for a great deal in the present edition. By the deciphering of the Indus signs many problems of the R̥g-Veda could be solved too and new insights be won, for example in the question of the age of the Veda and the origin of its myths or the nature of the Soma plant.

The deciphering of the Indus script has met with suspicion and is exposed to ridicule even. Many people are nowadays of the opinion that the Indus script is altogether indecipherable, if not a bilingual of considerable size turns up. The approach to a decipherment presented in this volume makes avail of a bilingual, too, but its masterkey is the discovering of the symbolic connection of the Indus signs with the metaphoric language of the Rg-Veda. Nearly 200 inscriptions, among them the longest and those with the most interesting motifs, have been decoded here by setting them syllable for syllable in relation to Rg-Vedic verses. The results that were gained by this method for the pictographic values of the Indus signs are surprising and far beyond the possibilities of the most daring phantasy. At the same time many problems of the Rg-Veda could be solved or new insights be won.

This pioneering book with many interesting illustrations provides new Vedic interpretation for the Indus valley seals or the Harappan seals, with a particular emphasis on the single horned bull and the manger like structure. The analysis builds a strong linkage for the significance of bull to the manger like structure, hither to not explored. The book focuses on a scientific approach on how the words of Vedas got created, how it got structured with meter into poetry. The book presents a hypothesis on how over 10500 verses of Rig Veda and other Vedas were memorized while maintaining the purity of the composition in an ancient period when no script existed.

"Indus Seals (2600-1900 BCE) Beyond Geometry: A New Approach to Break an Old Code" is a pioneering work which draws attention to the languages and culture of the Indus region for a better understanding of its ancient Indus seals. The signs and symbols inscribed on the seals are considered to be an ancient script which is yet to be deciphered.However, the seals are also imbued with images of animals, humans, deities, trees and unidentifiable objects. Hence, apart from depicting the script they also symbolize an assortment of social, cultural and ideological content which requires a holistic approach for its interpretation. This book looks for clues in three latent sources to establish the socio-cultural context of the seal images: it seeks ancient words retained in the Sindhi language and relates them to the seal images; it highlights the symbols of Buddhism, Jainism and Hinduism on the seals and traces the roots of the philosophy of nonviolence in ancient Indus cities; and it examines the geometric principles and patterns of seals to study the significance of geometry in the Indus Civilization. The book, through a few examples, demonstrates that these seemingly diverse means can eventually converge to present a clearer picture of a small fraction of the seal iconography. Hence, the book also emphasizes to explore more sources to understand the multiple facets of the seals."Indus Seals (2600-1900 BCE) Beyond Geometry: A New Approach to Break an Old Code" is Talpur's third book on the Indus Civilization. It is a companion to her last book "Moen jo Daro: Metropolis of the Indus Civilization (2600-1900 BCE)" and it is an update to her previous research covered in "Evidence of Geometry in Indus Valley Civilization," her first book on this subject.

The present volume is devoted to the study of the Indus script and its decipherment. It offers a methodology for reading the Indus script by combining paleography with ancient literary accounts and Vedic grammar.These illustrate the methodology and also help shed new light on the Harappans and their connections with the Vedic Civilization.The language of the seals is Vedic Sanskrit,with a significant number of them containing words and phrases traceable to the ancient Vedic glossary Nigha, compiled from still earlier sources by Yaska.

This book is a new approach for creating a categorized understanding of Indus seal symbols. Two hundredand sixty-two symbols have been analyzed in this book along with their geometric constructions whereapplicable. Each symbol has a unique definition, the interpretation of which is such that they hold themeaning regardless of the seals they appear in. In addition, the research considers the sequence of symbolsand its implications on the meaning of seals. This attempt at creating a dictionary for Indus seals based onVedic rituals can be used to interpret many more seals.Several themes such as the purpose of making the seals, the class of people using them, and the geometricalperfections that were adopted while structuring some of the symbols have been analyzed. The book alsostudies the numerous variations in symbols and addresses why it is hard to find identical seals.The seals portrayed on a two-inch stone piece could have been for ease of handling, transportation andstorage as reference documents for practitioners involved in Vedic rituals. It could also have served thepurpose of avoiding mistakes during recitation and ritual procedures at a time when script was non-existent.