The Metal Girl

During the dreary month of March in Copenhagen in the early 1970s, a 25 year old American woman travels on a solitary quest to become, in her mind, a "woman of the world." In fact, she is lost, adrift, dislocated, not only from familiar surroundings but from her innermost being: "It was the era of rising feminist consciousness, but my mind had not yet caught up to my age and my consciousness was not the part of me that was rising up that winter." The memoir-like narrative of The Metal Girl is told by the mature woman who looks back on her younger, more naive self. Describing a timeless and highly personal milieu, she tells her story with intimate candor as it unfolds in a lyrical, ironic and insightful voice. She takes a room in a cheap pension, which, unbeknownst to her, is located on the edge of the city's red light district. The hotel is run by the enigmatic Elke, a quintessential blond, Scandinavian beauty, and Manfred, a German man of beefy proportions and portentous looks. Venturing out one evening to a jazz club, she meets Olaf, who attracts her with his handsome face, kindness and charm, and his friend Elizabeth, whom she finds the most alluring of all beautiful, poetic, intelligent, mysterious, wise and tragic. Her journey through these relationships climaxes late one night when she discovers the raison d'etre of everyone else and, even more surprising, the disillusioning truth about herself.

* Laina Dawes is not always the only black woman at metal shows and she's not always the only headbanger among her black female friends. In this book, she questions herself, her hardcore heroes and dozens of black punk, metal and hard-rock fans to answer a knee-jerk question she's heard a hundred times 'What are you doing here?'.

This book traces the history of women in the heavy metal scene from the 1960s to now, starting with Jinx Dawson in 1969 and leading up to the modern-day doom scene, which still has a heavy emphasis on the ethos of the Goddess Tradition. In between are the legacies of many women who have impacted the metal world, and the story of women's inclusion in this rich genre.

A devastating accident. An artificially intelligent prosthetic that makes her sleepwalk… A series of murders. Lena hates her parents’ tech company. The world worships each cutting-edge CyberCorp release, but Lena has her doubts. Machines that think for themselves? She doesn’t trust them… So when a car accident lands her with the company’s first cybernetic arm, she’s pissed. A glitch in the arm’s artificial intelligence makes her sleepwalk. Meanwhile, children of CyberCorp employees start dying in their beds, and thanks to her unwanted nighttime strolls, Lena has no alibi. Is she a target? A suspect? Lena literally can't sleep at night until she proves her innocence—or her guilt. Marissa Meyer’s Cinder meets Netflix’s Black Mirror in this YA sci-fi murder mystery with a twisty ending you won't forget. Don't miss the first ever self-published book to make the American Library Association’s LITA Excellence in Children’s and Young Adult Science Fiction Notable Lists.

From the author of Bonds of Brass, don't miss Hullmetal Girls, which NPR calls "a little Ender's Game, a little Hunger Games, [and] a little Battlestar Gallactica." Aisha Un-Haad would do anything for her family. When her brother contracts a plague, she knows her janitor's salary isn't enough to fund his treatment. So she volunteers to become a Scela, a mechanically enhanced soldier sworn to protect and serve the governing body of the Fleet, the collective of starships they call home. If Aisha can survive the harrowing modifications and earn an elite place in the Scela ranks, she may be able to save her brother. Key Tanaka awakens in a Scela body with only hazy memories of her life before. She knows she's from the privileged end of the Fleet, but she has no recollection of why she chose to give up a life of luxury to become a hulking cyborg soldier. If she can make it through the training, she might have a shot at recovering her missing past. In a unit of new recruits vying for top placement, Aisha's and Key's paths collide, and the two must learn to work together--a tall order for girls from opposite ends of the Fleet. But a rebellion is stirring, pitting those who yearn for independence from the Fleet against a government struggling to maintian unity. With violence brewing and dark secrets surfacing, Aisha and Key find themselves questioning their loyalties. They will have to put aside their differences, though, if they want to keep humanity from tearing itself apart. A Boston Globe Best Book of the Year A Paste Best Book of the Year “Filled with badass girls and epic adventures…this one's guaranteed to take you on a ride.”— Buzzfeed "A captivating sci-fi adventure that will make you fall madly for Skrutskie's fabulous writing, if you haven't already. [Perfect] for fans of: Cindy Pon (Want) and Pierce Brown (Red Rising)."-- Paste "A book you will devour in one sitting, Hullmetal Girls is not to be missed!"—Beth Revis, New York Times bestselling author of A World Without You and Across the Universe "Hullmetal Girls has everything I love in a space opera: deep faith, high stakes, endless questions about humanity, and a cast that shows the best (and less-best) of what we might become." -E.K. Johnston, #1 New York Times bestselling author of That Inevitable Victorian Thing ★ "Unexpected and clever...A great science fiction story."--VOYA, Starred Review "An engaging narrative with a complex cast that intersects race, sexual identity, religion, and class."--Kirkus Reviews

This book is a timely examination of the tension between being a rock music fan and being a woman. From the media representation of women rock fans as groupies to the widely held belief that hard rock and metal is masculine music, being a music fan is an experience shaped by gender. Through a lively discussion of the idealised imaginary community created in the media and interviews with women fans in the UK, Rosemary Lucy Hill grapples with the controversial topics of groupies, sexism and male dominance in metal. She challenges the claim that the genre is inherently masculine, arguing that musical pleasure is much more sophisticated than simplistic enjoyments of aggression, violence and virtuosity. Listening to women’s experiences, she maintains, enables new thinking about hard rock and metal music, and about what it is like to be a women fan in a sexist environment.

With all the fun of a heavy metal parking lot without the beer stains and moshing, this activity book for kids and adults is an entirely new take on the coloring book genre.

A genre-warping, time-travelling horror novel-slash-feminist manifesto for fans of Clarice Lispector and Jeanette Winterson. Welcome to 1990s Norway. White picket fences run in neat rows and Christian conservatism runs deep. But as the Artist considers her work, things start stirring themselves up. In a corner of Oslo a coven of witches begin cooking up some curses. A time-travelling Edvard Munch arrives in town to join a death metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic. Jenny Hval's latest novel is a radical fusion of queer feminist theory and experimental horror, and a unique treatise on magic, writing and art. "Strange and lyrical. Hval’s writing is surreal and rich with the grotesque banalities of human existence." —Publishers Weekly "The themes of alienation, queerness, and the unsettling nature of desire align Hval with modern mainstays like Chris Kraus, Ottessa Moshfegh, and Maggie Nelson." —Pitchfork