The Metamorphoses Of Landscape And Community In Early Quebec

In the seventeenth and eighteenth centuries French settlers radically transformed the landscape of the St Lawrence river, creating strong local communities that became the crucibles of a New World nationalism. Drawing on the insights and methods of cultural history, Colin Coates examines the seigneuries of Batiscan and Sainte-Anne de la Pérade, recreating the social relations between individuals and ethnic groups that inhabited the area. He shows that successive waves of immigrants sought to appropriate the landscape of the New World and replace it with a physical and cultural reality much closer to their European roots and traditions. French settlers distanced the indigenous people and flora and fauna to create a landscape that by the mid-eighteenth century had become recognisably European. British industrialists and landowners attempted similar appropriations with far less durable results and the area remained a heartland of French-Canadian life, with a sense of cohesive community. This community spirit, rooted in agrarian landscape, was channelled into the developing sense of colonial nationalism of the 1820s and 1830s. Drawing on maps by explorers and surveyors, correspondence documenting the conflict between a backwoods priest and his parishioners, a gentlewoman's sketchbook, and the documents of a bitter court case between a seigneur's wife and a local priest, Coates illuminates the development of the region and the social, cultural, and economic ties and tensions within it, providing insights into the often hidden values of a rural community. Colin M. Coates is director of the Centre of Canadian Studies at the University of Edinburgh.

In the seventeenth and eighteenth centuries French settlers radically transformed the landscape of the St Lawrence river, creating strong local communities that became the crucibles of a New World nationalism. Drawing on the insights and methods of cultural history, Colin Coates examines the seigneuries of Batiscan and Sainte-Anne de la Pérade, recreating the social relations between individuals and ethnic groups that inhabited the area. He shows that successive waves of immigrants sought to appropriate the landscape of the New World and replace it with a physical and cultural reality much closer to their European roots and traditions.

A study of the black experience in Montreal.

The Eastern Townships region of southwestern Quebec is an area of unique culture and history. Surrounded by a French-speaking majority, yet predominantly settled by Americans and British emigrants, the area has historically been distinguished by its anglo-protestant character. In The Other Quebec, J.I. Little – one of the foremost scholars on the Eastern Townships and on rural society in Canada – assembles seven of his essays and one by Marguerite Van Die on this unique region into one volume. The collection examines the role and influence of religion in the Eastern Townships. Little uses a microhistorical method, focusing on individuals who left behind informative and revealing diaries or personal letters, including those of a religious ecstatic, an Anglican clergyman, a genteel Englishwoman, and an entrepreneur. Through intimate glimpses into the lives of ordinary people, The Other Quebec explores some of the complex ways that religious institutions and beliefs affected the rural societies in which the majority of Canadians still lived in the nineteenth century. Little provides an intimate look at both a time and a place of singular importance and unique character in Canadian history.

History has often ignored the influence in modern Quebec of family dynasties, patriarchy, seigneurial land, and traditional institutions. Following the ascent of four generations from two families through eighteenth-century New France to the onset of the First World War, Patrician Families and the Making of Quebec compares the French Catholic Taschereaus and the Anglican and English-speaking McCords. Consulting private, institutional, and legal archives, Brian Young studies eight family patriarchs. Working as merchants or colonial administrators in the first generation, they became seigneurial proprietors, officeholders, and prelates. The heads of both families used marriage arrangements, land stewardship, and judgeships to position their heirs. Young shows how patriarchy was a central force in both domestic and public life, as well as the ways in which Taschereau and McCord family strategies extended into the marrow of Quebec society through moral authority, influence on national identities, and their positions within senior offices in religious, judicial, and university institutions. Through courthouses, cemeteries, belfries, and their own chapels and neoclassical estates, they created encompassing cultural landscapes. Later generations used museums, archives, historian collaborators, photography, and modern print to elevate family achievement to the status of heroic national narratives. Sagas of the monied and entrepreneurial, nationalist imperatives to protect a vulnerable people, and skepticism about the lasting power of great families and historical institutions have relegated the influence of the Taschereaus and McCords to obscurity. Patrician Families and the Making of Quebec resuscitates the central role these elite families played in English and French Quebec.

Despite the popular assumption that wildlife conservation is a recent phenomenon, it emerged over a century and a half ago in an era more closely associated with wildlife depletion than preservation. In Wildlife, Conservation, and Conflict in Quebec, Darcy Ingram explores the combination of NGOs, fish and game clubs, and state-administered leases that formed the basis of a unique system of wildlife conservation in North America. Inspired by a longstanding belief in progress, improvement, and social order based on European as well as North American models, this system effectively privatized Quebec’s fish and game resources, often to the detriment of commercial and subsistence hunters and fishers.

Spectacular, scientific, and educational cultural practices were used to establish and define public identities in the British colonies of nineteenth-century Canada. In Visibly Canadian, Karen Stanworth argues that visual representations were the era's primary mode of expressing identity, and shows how the citizenry of Quebec and Ontario was - or was not - represented in the visual culture of the time. Through nine case studies, each representing key moments of identity formation and contestation, Stanworth investigates how a broad range of cultural phenomena, from fine arts to institutional histories to public spectacles, were used to order, resist, and articulate identities within specific social and economic contexts. The negotiation and planning underpinning civic culture are evident in rare moments of compromise such as the surprising proposal from the Saint-Jean-Baptiste Society to merge their annual parade with the celebration of Queen Victoria's Diamond Jubilee in 1897. Equally astounding is the scale of nineteenth-century public spectacles; reenactments of Victorian scenes of war often attracted crowds of upwards of 10,000 people. Illustrated with over fifty images, many unseen for over a century, Visibly Canadian establishes the extraordinary significance of artwork and public spectacles in cutting across language, religion, and class to tell stories of nationhood, belonging, and difference.

The construction in the 1940s of hydroelectric dams and reservoirs, Lakes Manouan and Passe Dangereuse, were enormous projects that had consequences not only on the environment but also on international affairs. Built by the Aluminium Company of Canada (Rio Tinto Alcan), the project helped meet the American and Allied Forces demand for electrical power and aluminium ingot during the Second World War but also forced Innu/Montagnais hunter-trappers from their ancestral lands. Examining sources as varied as the papers of the Franklin D. Roosevelt Presidential Library and interviews with Montagnais elders, Quebec Hydropolitics presents a compelling synthesis of business and social history as well as wartime politics. David Massell reconstructs the story of a changing landscape through the perspectives of corporate executives, government officials, and Aboriginals to show the effect that war had on Canadian resource extraction and energy policy as well as its indigenous peoples. A narrative that flows from the Saguenay watershed to the centres of political power, Quebec Hydropolitics is an informative look at the costs and benefits of large-scale industrialization.