The Midcentury Modern Landscape

The Midcentury Modern Landscape explores the origins of midcentury modern garden design for the home, revealing how designers at the time blurred the divisions between indoors and outdoors, creating gardens that were for living, a style that went on to inspire contemporary gardens around the world. The Midcentury Modern Landscape is a fresh guide for those seeking bold approaches to redefine their outdoor space, or wishing to learn more about the history of mid century modern aesthetics.

In a career spanning nearly sixty years, Ruth Shellhorn (1909–2006) helped shape Southern California’s iconic modernist aesthetic. This is the first full-length treatment of Shellhorn, who created close to four hundred landscape designs, collaborated with some of the region’s most celebrated architects, and left her mark on a wide array of places, including college campuses and Disneyland’s Main Street. Kelly Comras tells the story of Shellhorn’s life and career before focusing on twelve projects that explore her approach to design and aesthetic philosophy in greater detail. The book’s project studies include designs for Bullock’s department stores and Fashion Square shopping centers; school campuses, including a multiyear master plan for the University of California at Riverside; a major Los Angeles County coastal planning project; the western headquarters for Prudential Insurance; residential estates and gardens; and her collaboration on the original plan for Disneyland. Shellhorn received formal training at Oregon State and Cornell Universities and was influenced by such contemporaries as Florence Yoch, Beatrix Farrand, Welton Becket, and Ralph Dalton Cornell. As president of the Southern California chapter of ASLA, she became a champion of her profession, working tirelessly to achieve state licensure for landscape architects. In her own practice, she collaborated closely with architects to address landscape concerns at the earliest stages of building design, retained long-term control over the maintenance of completed projects, and considered the importance of the region’s natural environment at a time of intense development throughout Southern California. Shellhorn set a standard of creativity, productivity, and respect for the native landscape that defused gender stereotypes—and earned her the admiration of landscape designers then and now.

Midcentury modern design is as popular as ever, leading many of the hottest national real estate and home decór trends. One of the key features of a midcentury home is a cohesive connection between the indoor and outdoor spaces. Because of this, the garden plays an important role. Midcentury Modern Garden Style, by Beth Dunlop—the editor in chief of Modern Magazine, celebrates the important role the landscape plays in this iconic style and helps homeowners create gardens that perfectly match their modern home. Dunlop explores the contribution of important practitioners, such as Garrett Eckbo, Lawrence Halprin, and Thomas Church, by pairing classic examples of their work with contemporary examples that have similar features. Readers will find a wealth of inspiring ideas for achieving the iconic look, and a resource section details where to buy the best plants, hardscape, and furniture. Midcentury Modern Garden Style is a rich, photo-driven guide and a must-read for fans of modern architecture and design.

There is no hotter style today than the cooler than cool work of modern designers and architects from the 1940s and 50s. Endlessly inventive and emminently livable, mid-century modernism has an optimism and confidence born of postwar abundance, and a spirited elegance that appeals powerfully fifty years later. In CLASSIC MODERN, design expert Deborah Dietsch introduces readers to the basic tenets of modern design and explains how the simple yet inspired forms typical of this style were so readily disseminated into mainstream American culture. Filled throughout with enticing examples of mid-century pieces from such timeless designers as Charles and Ray Eames, Eero Saarinen, Arne Jacobsen, and George Nelson, this beautiful book recaptures the excitement of the period's brilliant designs.

Step into innovative little gardens of Eden created on small terraces and city rooftops, as well as out in the suburbs and countryside. As our lifestyles become more sustainable, so does the way we interact with the outdoors. Today's gardeners aim not only to create decorative outside spaces but also to give something back. No matter what size your patch is, it's easy to create diverse and rich environments for plants and insects, or grow your own vegetables or fruits. This book presents spaces that are more imaginative, diverse, and sustainable. Learn how to grow food in the city, get creative with native plants, and design greener corners within urban areas. The Gardens of Eden looks at fascinating examples around the world, teaching what you can do for nature while revealing what a garden can do for you.

The acclaimed interior designer shares one hundred tips for bringing the principles of midcentury modern style to any home in this beautifully photographed volume. With its minimalist elegance and nostalgic warmth, Midcentury modern style continues to capture the American consciousness. We see it everywhere from television shows to fashion runways. Yet, not all of us can live in a pedigreed midcentury home. Now, Springs interior designer Christopher Kennedy demonstrates how the principles of midcentury design can be applied to the most unassuming spaces. Making Midcentury Modern offers one hundred foolproof tips for introducing modernist design into a contemporary home. In line with forward-thinking designers of the midcentury, the simple yet inspiring ideas in this book are presented alongside stunning color photography.

These twenty-two essays provide a rich forum for assessing the tenets, accomplishments, and limits of modernism in landscape architecture and for formulating ideas about possible directions for the future of the discipline. During the 1930s Garrett Eckbo, Dan Kiley, and JamesRose began to integrate modernist architectural ideas into their work and to design a landscape more in accord with the life and sensibilities of their time. Together with Thomas Church, whose gardens provided the setting for California living, they laid the foundations for a modern American landscape design. This first critical assessment of modem landscape architecture brings together seminal articles from the 1930s and 1940s by Eckbo, Kiley, Rose, Fletcher Steele, and Christopher Tunnard, and includes contributions by contemporary writers and designers such as Peirce Lewis, Catherine Howett, John Dixon Hunt, Peter Walker, and Martha Schwartz who examine the historical and cultural framework within which modern landscape designers have worked. There are also essays by Lance Neckar, Reuben Rainey, Gregg Bleam, Michael Laurie, and Marc Treib that discuss the designs and legacy of the Americans Tunnard, Eckbo, Church, Kiley, and Robert Irwin. Dorothee Imbert takes up Pierre-Emile Legrain and French modernist gardens of the 1920s, and Thorbjorn Andersson reviews experiments with stylized naturalism developed by Erik Glemme and others in the Stockholm park system.