The Migration Of Ghosts

In this collection of short stories, the author dabbles in and out of the occult. The reader meets Mrs Da Silva a 65-year-old matriarch of Carnival's Rebel War Band who wins the heart of a postman, and a widow who commemorates the death of her husband by winning a taverna's dance competition.

More than one million Indians travel annually to work in oil projects in the Gulf, one of the few international destinations where men without formal education can find lucrative employment. Between Dreams and Ghosts follows their migration, taking readers to sites in India, the United Arab Emirates, and Kuwait, from villages to oilfields and back again. Engaging all parties involved--the migrants themselves, the recruiting agencies that place them, the government bureaucrats that regulate their emigration, and the corporations that hire them--Andrea Wright examines labor migration as a social process as it reshapes global capitalism. With this book, Wright demonstrates how migration is deeply informed both by workers' dreams for the future and the ghosts of history, including the enduring legacies of colonial capitalism. As workers navigate bureaucratic hurdles to migration and working conditions in the Gulf, they in turn influence and inform state policies and corporate practices. Placing migrants at the center of global capital rather than its periphery, Wright shows how migrants are not passive bodies at the mercy of abstract forces--and reveals through their experiences a new understanding of contemporary resource extraction, governance, and global labor.

Finalist for the Sunburst Award for Excellence in Canadian Literature of the Fantastic "A dark fable that somehow feels both timeless and urgently topical. The Migration is heart-wringing and powerful, but over and above that, it's just vivid and immersive and enthralling throughout." --M.R. Carey, author of The Girl with All the Gifts When I was younger I didn't know a thing about death. I thought it meant stillness, a body gone limp. A marionette with its strings cut. Death was like a long vacation--a going away. Not this. Storms and flooding are worsening around the world, and a mysterious immune disorder has begun to afflict the young. Sophie Perella is about to begin her senior year of high school in Toronto when her little sister, Kira, is diagnosed. Their parents' marriage falters under the strain, and Sophie's mother takes the girls to Oxford, England, to live with their Aunt Irene. An Oxford University professor and historical epidemiologist obsessed with relics of the Black Death, Irene works with a Centre that specializes in treating people with the illness. She is a friend to Sophie, and offers a window into a strange and ancient history of human plague and recovery. Sophie just wants to understand what's happening now; but as mortality rates climb, and reports emerge of bodily tremors in the deceased, it becomes clear there is nothing normal about this condition--and that the dead aren't staying dead. When Kira succumbs, Sophie faces an unimaginable choice: let go of the sister she knows, or take action to embrace something terrifying and new. Tender and chilling, unsettling and hopeful, The Migration is a story of a young woman's dawning awareness of mortality and the power of the human heart to thrive in cataclysmic circumstances.

The whole purpose of magic is the fulfilment and intensification of desire, claims the ventriloquist-narrator as he tells his stories of love and catastrophe.

What happens when we blur time and allow ourselves to haunt or to become haunted by ghosts of the past? Drawing on archaeological, historical, and ethnographic data, Blurring Timescapes, Subverting Erasure demonstrates the value of conceiving of ghosts not just as metaphors, but as mechanisms for making the past more concrete and allowing the negative specters of enduring historical legacies, such as colonialism and capitalism, to be exorcised.

AN NPR BOOKS WE LOVE 2021 PICK * A TIME MUST-READ BOOK OF 2021 PICK * A NEW YORK TIMES NOTABLE BOOK OF 2021 * A HARPER'S BAZAAR BOOK YOU NEED TO READ IN 2021 * A TOWN & COUNTRY BEST BOOK OF 2021 PICK * A FORTUNE BEST BOOK OF 2021 PICK For readers of Helen Macdonald and Elizabeth Alexander, a "a graceful, captivating" (New York Times Book Review) portrait of grief and the search for meaning from a singular new talent as told through the prism of three generations of her Chinese American family. Kat Chow has always been unusually fixated on death. She worried constantly about her parents dying---especially her mother. A vivacious and mischievous woman, Kat's mother made a morbid joke that would haunt her for years to come: when she died, she'd like to be stuffed and displayed in Kat's future apartment in order to always watch over her. After her mother dies unexpectedly from cancer, Kat, her sisters, and their father are plunged into a debilitating, lonely grief. With a distinct voice that is wry and heartfelt, Kat weaves together a story of the fallout of grief that follows her extended family as they emigrate from China and Hong Kong to Cuba and America. Seeing Ghosts asks what it means to reclaim and tell your family's story: Is writing an exorcism or is it its own form of preservation? The result is an extraordinary new contribution to the literature of the American family, and a provocative and transformative meditation on who we become facing loss.

PEN/Hemingway Award For Debut Novel Finalist​ Shortlisted for the 2020 Center for Fiction First Novel Prize A “rich, ambitious debut novel” (The New York Times Book Review) that reveals the ways in which a Jamaican family forms and fractures over generations, in the tradition of Homegoing by Yaa Gyasi. Stanford Solomon’s shocking, thirty-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole the identity of his best friend. Stanford Solomon is actually Abel Paisley. And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead. These Ghosts Are Family revolves around the consequences of Abel’s decision and tells the story of the Paisley family from colonial Jamaica to present-day Harlem. There is Vera, whose widowhood forced her into the role of a single mother. There are two daughters and a granddaughter who have never known they are related. And there are others, like the houseboy who loved Vera, whose lives might have taken different courses if not for Abel Paisley’s actions. This “rich and layered story” (Kirkus Reviews) explores the ways each character wrestles with their ghosts and struggles to forge independent identities outside of the family and their trauma. The result is a “beguiling…vividly drawn, and compelling” (BookPage, starred review) portrait of a family and individuals caught in the sweep of history, slavery, migration, and the more personal dramas of infidelity, lost love, and regret.

A Viking statue, a coffee pot, a ghost story, and a controversial cake: What can the things that immigrants treasured tell us about their history? Between 1870 and 1914 almost one-quarter of Iceland’s population migrated to North America, forming enclaves in both the United States and Canada. This book examines the multi-sensory side of the immigrant past through rare photographs, interviews, artefacts, and early recipes. By revealing the hidden histories behind everyday traditions, The Viking Immigrants maps the transformation of Icelandic North American culture over a century and a half.