The Mirror Of Medusa

With her repulsive face and head full of living, venomous snakes, Medusa is petrifying—quite literally, since looking directly at her turned people to stone. Ever since Perseus cut off her head and presented it to Athena, she has been a woman of many forms: a dangerous female monster that had to be destroyed, an erotic power that could annihilate men, and, thanks to Freud, a woman whose hair was a nest of terrifying penises that signaled castration. She has been immortalized by artists from Leonardo da Vinci to Salvador Dalí and was the emblem of the Jacobins after the French Revolution. Today, she’s viewed by feminists as a noble victim of patriarchy and used by Versace in the designer’s logo for men’s underwear, haute couture, and exotic dinnerware. She even gives her name to a sushi roll on a Disney resort menu. Why does Medusa continue to have this power to transfix us? David Leeming seeks to answer this question in Medusa, a biography of the mythical creature. Searching for the origins of Medusa’s myth in cultures that predate ancient Greece, Leeming explores how and why the mythical figure of the gorgon has become one of the most important and enduring ideas in human history. From an oil painting by Caravaggio to Clash of the Titans and Dungeons and Dragons, he delves into the many depictions of Medusa, ultimately revealing that her story is a cultural dream that continues to change and develop with each new era. Asking what the evolution of the Medusa myth discloses about our culture and ourselves, this book paints an illuminating portrait of a woman who has never ceased to enthrall.

Evelyn heads to Mt. Olympus Theme Park to celebrate her winning a hair design contest, where she travels through a mirror in Athena's Hall of Mirrors to a myth; but when she meets Perseus on a mission to behead Medusa, Evelyn wants to try a more creative approach. Aligned to Common Core Standards and correlated to state standards. Spellbound is an imprint of Magic Wagon, a division of ABDO.

The question of selfhood in Renaissance texts constitutes a scholarly and critical debate of almost unmanageable proportions. The author of this work begins by questioning the strategies with which male writers depict powerful women. Although Spenser's Britomart, Shakespeare's Cleopatra, and Milton's Eve figure selfhood very differently and to very different ends, they do have two significant elements in common: mirrors and transformations that diminish the power of the female self.

Medusa, the Gorgon, who turns those who gaze upon her to stone, is one of the most popular and enduring figures of Greek mythology. Long after many other figures from Greek myth have been forgotten, she continues to live in popular culture. In this fascinating study of the legend of Medusa, Stephen R. Wilk begins by refamiliarizing readers with the story through ancient authors and classical artwork, then looks at the interpretations that have been given of the meaning of the myth through the years. A new and original interpretation of the myth is offered, based upon astronomical phenomena. The use of the gorgoneion, the Face of the Gorgon, on shields and on roofing tiles is examined in light of parallels from around the world, and a unique interpretation of the reality behind the gorgoneion is suggested. Finally, the history of the Gorgon since tlassical times is explored, culminating in the modern use of Medusa as a symbol of Female Rage and Female Creativity.

This book, in graphic novel format, is the retelling of King Polydectes hatching a plan to send Perseus, son of Zeus, after the head of the gorgon, Medusa.

In Greek mythology there were 9 Muses, the daughters of Zeus, but history forgot one - The 10th Muse - the Muse of Justice, Emma Sonnet's birthright! Emma Sonnet is on the debate team, a cheerleader and popular. Everyone in high school has their secrets, hers being a superhero. This is a tale of one girl that will make a difference. When students on the swim team are missing, the 10th Muse must solve the puzzle of the Minotaur in time to save them.

Medusa refuses to care for her hair, her long locks getting knottier and dirtier with each passing page. Her hair rebellion elicits frozen expressions of shock from her family, but nothing will convince Medusa to brush. Only her hairdresser approaches Medusa with bravery and a blade, successfully solving the problem . . . with a short haircut! All are pleased with this drastic yet adorable solution. Leslie Patricelli’s depictions of this physical comedy bring a lively visual narrative to Joan Holub’s expertly focused text. Includes a summary of the original Medusa’s Wild Hair myth at the end. Also available in the Mini Myths series: Don't Get Lost, Odysseus and Good Job, Athena!