The Modern Saints

Stories of 55 saints, beati, and holy people of the past 200 years, along with their pictures; most are actual photographs. Includes St. Gemma Galgani, St. Bernadette, St. Maria Goretti, St. John Neumann, Padre Pio, Edith Stein, St. Peter Julian Eymard, St. Frances Cabrini, St. Maximilian Kolbe, St. John Bosco, St. Dominic Savio, and many, many more. Will bring hours and hours of pleasure and entertainment to the entire family.

Stories from around the world, particularly from areas of Christian persecution or conflict zones. Today over 250 million Christians are suffering persecution, while tens of thousands are martyred every year. >

45 saints, beati, and other holy people of the past 200 years, and their pictures; most are actual photographs. Includes the Cure of Ars, St. Catherine Laboure, St. Therese the Little Flower, St. Pius X, Vens. Jacinta and Francisco Marto, Dom Columba Marmion, St. Elizabeth Seton, Pauline Jaricot, Bl. Elizabeth of the Trinity, Sr. Josefa Menendez, St. Joseph Cafasso, Therese Neumann, and many more. Shows there are people living today who will one day be canonized Saints.

This comprehensive collection of the most enduring and enigmatic saints brings them to life through iconography, art, and story. Each profile includes a biography with canonization, patronage, feast dates, and prayers to and about each saint in a beautiful full-color format.

Holy healings and countless cures: Miracles wrought daily through God's beloved saints in our lifetime

This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.

This is the untold story of how black saints - and the slaves who venerated them - transformed the early modern church. It speaks to race, the Atlantic slave trade, and global Christianity, and provides new ways of thinking about blackness, holiness, and cultural authority.

An expert on saints presents accounts of purposeful after-death visits by saints, who bring gifts such as healing, encouragement, wisdom, and spiritual freedom. Treece puts their appearances in context by demonstrating that these types of visits have occurred from earliest times, not only in Christianity, but in Judaism and other world religions.