The Modernist Home

The Modernist house dissolved the closed spaces of the traditional home, overhauling the bathrooms and kitchens, opening the interior to natural light, and providing balconies and terraces. In The Modernist Home, art professor and curator Tim Benton examines its elements, from the technology that provided central heating and electric lighting, to new construction materials like concrete and steel, to features like winter gardens and folding furniture. He opens the door on Modernist houses around the world, including Le Corbusier's Villa Savoye and Kocher and Fry's Weekend House on Long Island, all fully illustrated with color photographs and plans.

'A charming account of a daughter, a house and a fastidious dad' Sunday Times Shelley Klein grew up in the Scottish Borders, in a house designed on a modernist open-plan grid. With colourful glass panels set against a forest of trees, it was like living in a work of art. Her father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style. Thirty years on, Shelley moves back home to care for her father, now in his eighties: the house has not changed and neither has his uncompromising vision - or his distinctive way of looking at the world. Told with great tenderness and humour, this is Shelley's account of looking after an adored yet maddening parent and a piercing portrait of the grief that followed his death. 'A sad, funny, utterly fascinating book about families, home and how to say goodbye' Mark Haddon 'Original, moving and bracingly honest... often hilarious' Blake Morrison, Guardian 'It is strange that grief should produce such a life-affirming book, but it has. Read it for the solace it contains, or for its captivating descriptions. Either way, it's a delight' Telegraph

An intimate and revealing collection of photographs of astonishingly beautiful, iconic, and undiscovered mid-century interiors. Among significant mid-century interiors, none are more celebrated yet underpublished as the homes created by architects and interior designers for themselves. This collection of newly commissioned photographs presents the most compelling homes by influential mid-century designers, such as Russel Wright, George Nakashima, Harry Bertoia, Charles and Ray Eames, and Eva Zeisel, among others. Intimate as well as revelatory, Williamson’s photographs show these creative homes as they were lived in by their designers: Walter Gropius’s historic Bauhaus home in Massachusetts; Albert Frey’s floating modernist aerie on a Palm Springs rock outcropping; Wharton Esherick’s completely handmade Pennsylvania house, from the organic handcarved staircase to the iconic furniture. Personal and breathtaking by turn—these homes are exemplary studies of domestic modernism at its warmest and most creative.

Splendid pictorial record of architectural style strongly influenced by Bauhaus movement. Over 300 illustrations show interiors, exteriors. Details on construction, site, cost, more.

An accessible and affordable overview of 100 iconic Modernist houses from around the world, ranging from the early twentieth century to the present day

- Showcases contemporary residential architecture and design across Canada by renowned Canadian-based architects and designers - Augments IMAGES' particularly large range of successful books on contemporary residential architecture and design - Features stunning full-color photography throughout, informative descriptions and detailed floor plans Canadian Contemporary is an outstanding compilation title offering comprehensive insight into Canada's residential architecture realm as it currently stands. Stunning full-color photographs and detailed plans highlight an array of stylish designs from some of the country's most talented contemporary architects. Each project is a unique example of the different ways each firm/architect interprets and caters to the types of lifestyles that inhabit their work. Adaptable spaces and savvy design solutions reflect a strong focus of the integration of modern day life into Canadian homes. With an introduction by acclaimed Professor or Architecture, Avi Friedman, this beautifully designed book presents the latest trends in Canadian living and residential home design.

The Modern House Today follows on from F. R. S. Yorke's seminal book of 1934, The Modern House, and considers the impact of such influential modern practitioners as Lubetkin, Gropius, Fry, Mendelsohn, Chermayeff, Breur, Hill and Goldfinger on this important form of architecture. The book provides a comprehensive overview of the modern house through a combination of newly commissioned photography and documentary records. The architectural historian Kenneth Powell provides an authoritative and lively commentary to complement the numerous images.

Ernst L. Freud (1892–1970) was a son of Sigmund Freud and the father of painter Lucian Freud and the late Sir Clement Freud, politician and broadcaster. After his studies in Munich and Vienna, where he and his friend Richard Neutra attended Adolf Loos’s private Bauschule, Freud practiced in Berlin and, after 1933, in London. Even though his work focused on domestic architecture and interiors, Freud was possibly the first architect to design psychoanalytical consulting rooms—including the customary couches—a subject dealt with here for the first time. By interweaving an account of Freud’s professional and personal life in Vienna, Berlin, and London with a critical discussion of selected examples of his domestic architecture, interior designs, and psychoanalytic consulting rooms, the author offers a rich tapestry of Ernst L. Freud’s world. His clients constituted a “Who’s Who” of the Jewish and non-Jewish bourgeoisie in 1920s Berlin and later in London, among them the S. Fischer publisher family, Melanie Klein, Ernest Jones, the Spenders, and Julian Huxley. While moving within a social class known for its cultural and avant-garde activities, Freud refrained from spatial, formal, or technological experiments. Instead, he focused on creating modern homes for his bourgeois clients.