The Monster In The Media Assessing The Monstrous In Mary Shelley S Frankenstein And Stuart Beattie S I Frankenstein

Seminar paper from the year 2014 in the subject American Studies - Literature, grade: 1.3, University of Hamburg (Anglistik/Amerikanistik), course: Die Medialität der Monster, language: English, abstract: Using the example of Mary Shelley’s "Frankenstein" (1818) and the contemporary film "I, Frankenstein" (2014), this term paper will examine the question if the way monstrosity is perceived and defined actually is influenced by and dependent on the society’s value systems and anxieties. Therefore, it will be investigated what differences can be found in the portrayal of monstrosity in the 19th century novel and the contemporary film, and from what circumstances these differences might derive. In order to do so, it has to be disclosed, who or what poses as the monster in the novel and the film, and which anxieties affect the respective society. Hence, this term paper first of all provides some selected approaches to monsters and monstrosity. Next Mary Shelley’s novel "Frankenstein" as well as Stuart Beattie’s "I, Frankenstein" will be shortly summarized, analyzed, and compared with respect to their cultural background and the introduced criteria that form monstrosity. Finally, the findings will be summarized and evaluated with regard to the investigated questions.

"A superlative, riveting history" (BookPage) of Mary Shelley's creation of Frankenstein and the personal and poetic background behind the story. One murky night in 1816, on the shores of Lake Geneva, Lord Byron, famed English poet, challenged his friends to a contest--to write a ghost story. The assembled group included the poet Percy Bysshe Shelley; his lover (and future wife) Mary Wollstonecraft Godwin; Mary's stepsister Claire Claremont; and Byron's physician, John William Polidori. The famous result was Mary Shelley's Frankenstein, a work that has retained its hold on the popular imagination for almost two centuries. Less well-known was the curious Polidori's contribution: the first vampire novel. And the evening begat a curse, too: Within a few years of Frankenstein's publication, nearly all of those involved met untimely deaths. Drawing upon letters, rarely tapped archives, and their own magisterial rereading of Frankenstein itself, Dorothy and Thomas Hoobler have crafted a rip-roaring tale of obsession and creation.

1. This is an exhibition guide published in partnership with the Lilly Library. Although an exhibit guide, it is well-written and entertaining, and will hold appeal to those interested in Frankenstein even if they don't attend the exhibit 2. At past openings to exhibits, attendance has been between 750-1000 people. 3. 2018 is the 200th Anniversary of the publication of the 1818 edition of Frankenstein, the first edition of the book.

A thrilling and gruesome look at the science that influenced Mary Shelley's Frankenstein. The year 1818 saw the publication of one of the most influential science-fiction stories of all time. Frankenstein: or, The Modern Prometheus by Mary Shelley had a huge impact on the gothic horror and science-fiction genres, and her creation has become part of our everyday culture, from cartoons to Hallowe'en costumes. Even the name 'Frankenstein' has become a by-word for evil scientists and dangerous experiments. How did a teenager with no formal education come up with the idea for such an extraordinary novel? Clues are dotted throughout Georgian science and popular culture. The years before the book's publication saw huge advances in our understanding of the natural sciences, in areas such as electricity and physiology, for example. Sensational science demonstrations caught the imagination of the general public, while the newspapers were full of lurid tales of murderers and resurrectionists. Making the Monster explores the scientific background behind Mary Shelley's book. Is there any science fact behind the science fiction? And how might a real-life Victor Frankenstein have gone about creating his monster? From tales of volcanic eruptions, artificial life and chemical revolutions, to experimental surgery, 'monsters' and electrical experiments on human cadavers, Kathryn Harkup examines the science and scientists that influenced Shelley, and inspired her most famous creation.

Mary Shelley's Frankenstein tells the story of the scientist Victor Frankenstein, who, driven by an obsession with the secret of life, animates a monstrous body. The results are disastrous, bringing woe to the monster and to Frankenstein and his loved ones.

Reproduction of the original: Frankenstein by Mary W. Shelley

Mary Shelley S Frankenstein, True To Early Nineteenth-Century Romanticism, Provides A Chilling Account Of The Con-Sequences Of Tampering With Nature And Of Transgressing Human Limits To Knowledge. Like Prometheus, The Greek Mythological Figure Who By Creating Man Consigned Both Himself And His Creation To Eternal Suffering, The Scientist Victor Frankenstein And The Unnamed Monster He Creates Are Doomed To Untold Misery And Lonely Deaths. A Brilliant Reflection Of Life In A Turbulent Period Of European History, Frankenstein Synthesizes Fundamental Philosophical, Ideological And Spiritual Concerns And Is A Subject Of Constant Critique And Review In The Light Of New Interests.

An innovative, beautifully written analysis of Mary Shelley's life and works which draws on unpublished archival material as well as Frankenstein and examines her relationship with her husband and other key personalities.