The Monster Under The Shed

After James tells a scary story, Thomas the tank engine imagines there is a horrible, engine-eating monster coming after him.

-Barnes & Noble Best Horror Books of 2017 Pick -Runner-up for the American Library Association's Horror Book of 2017 "One of the most enthralling novels I've read in the last ten years. Dubeau is a force to be reckoned with." —Jerry Smith, Fangoria Magazine and Blumhouse.com "This is the page-turner you've been looking for." —Barnes & Noble The village of Saint-Ferdinand has all the trappings of a quiet life: farmhouses stretching from one main street, a small police precinct, a few diners and cafés, and a grocery store. Though if an out-of-towner stopped in, they would notice one unusual thing—a cemetery far too large and much too full for such a small town, lined with the victims of the Saint-Ferdinand Killer, who has eluded police for nearly two decades. It’s not until after Inspector Stephen Crowley finally catches the killer that the town discovers even darker forces are at play. When a dark spirit reveals itself to Venus McKenzie, one of Saint-Ferdinand's teenage residents, she learns that this creature's power has a long history with her town—and that the serial murders merely scratch the surface of a past burdened by evil secrets.

What does it take to bring the entire Island of Sodor Railway System to a halt? Just a crack in the track. Well, a crack in the track and some hail on rail . . . and a toad in the road, and a fuss on the bus. In fact, one thing leads to another until just about everything that can go wrong does go wrong. Luckily, there’s a breakdown train with a couple of cranes that can fix a big mess (and they don’t mind the rain). From the Hardcover edition.

When an urgent package arrives for Sir Topham Hatt, it must reach him as quickly as possible. What is inside the package? Can the “Really Useful Engines” cooperate and get it to him in time? From the Trade Paperback edition.

After James tells a scary story, Thomas the tank engine imagines there is a horrible, engine-eating monster coming after him.

“The kind of Gothic/cosmic mashup that would make Arthur Machen and Robert Chambers proud.” ―Shane Keene, Horror DNA & InkHeist After a terrible mass shooting at Cicero’s Circus, the evil presence responsible for the carnage is taken in by a doomsday cult lying in wait for such an opportunity. The village struggles to get back to normal in the aftermath of the shooting. The massacre was the final straw for many inhabitants, triggering a mass exodus. Families left their homes without looking back, not even to find out what could have caused such a tragedy. However, to those who know the truth—that a malevolent god unleashed its wrath upon the village—it’s only a matter of time before events repeat themselves. Venus McKenzie ventures deeper into the pit of secrets left in death’s wake, praying that what she’ll find will help her against the dark forces she couldn’t defeat before.

Thomas discovers the magic railroad and the legendary golden engine, Lady.

The story of a personal housing crisis that led to a discovery of the true value of home. 'Incredibly moving. To find peace and a sense of home after a life so profoundly affected by the housing crisis, is truly inspirational' Raynor Winn, bestselling author of The Salt Path Aged thirty-one, Catrina Davies was renting a box-room in a house in Bristol, which she shared with four other adults and a child. Working several jobs and never knowing if she could make the rent, she felt like she was breaking apart. Homesick for the landscape of her childhood, in the far west of Cornwall, Catrina decides to give up the box-room and face her demons. As a child, she saw her family and their security torn apart; now, she resolves to make a tiny, dilapidated shed a home of her own. With the freedom to write, surf and make music, Catrina rebuilds the shed and, piece by piece, her own sense of self. On the border of civilisation and wilderness, between the woods and the sea, she discovers the true value of home, while trying to find her place in a fragile natural world. This is the story of a personal housing crisis and a country-wide one, grappling with class, economics, mental health and nature. It shows how housing can trap us or set us free, and what it means to feel at home.