The Mosaics Of St Mary S Of The Admiral In Palermo

The text explores the iconographic and stylistic sources of the Greek mosaicists, as well as the departures from Byzantine norms, and the relationship of the decoration to contemporary work in the royal foundations. Also included is a chapter on the architecture of the church by Slobodan Çurciç.

This book provides the most comprehensive examination of the Normans available, examining the emergence of the Normans, their characteristics as a group, and their various achievements in war, culture and civilization.

This volume consists of 15 articles published between 1991 and 2018. It falls into three sections, reflecting different areas of Liz James’s interests. The first section deals with light and colour and mosaics: four articles considering light and colour in mosaics and the making of mosaics, as well as the question of what it means to define mosaics as ‘Byzantine’ are reprinted. The second brings together four pieces on empresses: their relationships with female personifications and the Mother of God; their roles in founding and refounding buildings; and their employment as ciphers by some authors. Finally, seven papers cover a range of topics: what monumental images of saints in churches might have been for; what the differences between relics and icons might have been; how captions to images can be misleading; why touch was an important sense; how words can sometimes ‘just’ be decorative rather than for reading; why the materiality of objects makes a difference. There is also a brief section of additional notes and comments which add to, update and reflect on each piece now in 2024. Mosaics, Empresses and Other Things in Byzantium will be of interest to scholars and students alike interested in material culture, the depiction of regal women, and the use of relics and icons in the Byzantine Empire.

The centuries-long economic and military decline of the Byznatine Empire, which culminated in its political disappearance as a state in 1459, was, paradoxically, accompanied by high levels of cultural achievement. Aimed at broadening our understanding of the final phase of the empire, this collection explores how Byzantine ideological, spiritual, and artistic traditions transcending the economic and political realities of the time. The papers, delivered at an interdisciplinary colloquium held in May 1989 at Princeton University, deal with hagiographic, monastic, literary, architectural, and artistic questions, as well as the general cultural and social issues, of this fascinating period. Along with the editors, the contributors are Smilkjka Gabelic, Thalia Gouma-Peterson, Angela Hero, Robert Ousterhout, Marcus Rautman, Steven Reinert, Alice Mary Talbot, SPeros Vryonis, and John J. Yiannias. Slobodan Curcic is Professor of Art and Archaeology at Princeton University. Doula Mouriki teaches at the Technical University of Athens. Publications of the Department of Art and Archaeology, Princeton University. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Crusader World is a multidisciplinary survey of the current state of research in the field of crusader studies, an area of study which has become increasingly popular in recent years. In this volume Adrian Boas draws together an impressive range of academics, including work from renowned scholars as well as a number of though-provoking pieces from emerging researchers, in order to provide broad coverage of the major aspects of the period. This authoritative work will play an important role in the future direction of crusading studies. This volume enriches present knowledge of the crusades, addressing such wide-ranging subjects as: intelligence and espionage, gender issues, religious celebrations in crusader Jerusalem, political struggles in crusader Antioch, the archaeological study of battle sites and fortifications, diseases suffered by the crusaders, crusading in northern Europe and Spain and the impact of Crusader art. The relationship between Crusaders and Muslims, two distinct and in many way opposing cultures, is also examined in depth, including a discussion of how the Franks perceived their enemies. Arranged into eight thematic sections, The Crusader World considers many central issues as well as a large number of less familiar topics of the crusades, crusader society, history and culture. With over 100 photographs, line drawings and maps, this impressive collection of essays is a key resource for students and scholars alike.

The Cult of St Anna in Byzantium is the first undertaking in Byzantine research to study the phenomenon of St Anna’s cult from the sixth to the fifteenth centuries. It was prompted by the need to enrich our knowledge of a female saint who had already been studied in the West but remained virtually unknown in Eastern Christendom. It focuses on a figure little-studied in scholarship and examines the formation, establishment and promotion of an apocryphal saint who made her way to the pantheon of Orthodox saints. Visual and material culture, relics and texts track the gradual social and ideological transformation of Byzantium from early Christianity until the fifteenth century. This book not only examines various aspects of early Christian and Byzantine civilisation, but also investigates how the cult of saints greatly influenced cultural changes in order to suit theological, social and political demands. The cult of St Anna influenced many diverse elements of Christian life in Constantinople, including the creation of sacred spaces and the location of haghiasmata (fountains of holy water) in the city; imperial patronage; the social reception of St Anna’s story; and relic narratives. This monograph breaks new ground in explaining how and why Byzantium and the Orthodox Church attributed scriptural authority to a minor figure known only from a non-canonical work.

"A beautifully illustrated, new edition of the best single-volume guide to Byzantine art, providing an introduction to the whole period and range of styles."--