The Museum Heist A Tale Of Art And Obsession

In the early morning hours after St. Patrick's Day, 1990, two men disguised as policemen gain access to the Isabella Stewart Gardner Museum, a stately four-story Italian mansion in the Fenway district of Boston. They handcuff the guards, wrap their mouths with duct tape, and proceed to commit the largest robbery in history. The stolen masterpieces, including Vermeer's The Concert, a Degas, a Manet, and three irreplaceable Rembrandts, are valued at half a billion dollars. Despite a $10 million reward, and the combined efforts of the FBI, Scotland Yard, INTERPOL, and the Canadian Mounted Police, the treasured art is never recovered. Jump to twenty-five years later. Paris, an ex-con classics professor and superbly gifted art forger, is passing the time at a self-storage facility he bought in out-of-the-way New Mexico to earn a living while figuring out what to do next with his life. When a suspicious out-of-towner arrives to check on his belongings, Paris' curiosity gets the best of him. He breaks into the man's storage unit only to find the stolen art now missing for a quarter of a century. With the $10 million in reward money under his belt, Paris sets off for Boston to fulfill his dream of building a classical museum of his own. In order to help the eccentric Lieutenant Lowell nab the illusive thief, Paris dives back into the world of obsession and deception which may send him back to prison. The Museum Heist, based on the real-life robbery of the famed Gardner Museum, is a fast-paced, wily whodunit filled with intrigue, romance and stimulating scholarship. Author Kameel Nasr, an international adventurer and art connoisseur, shines a penetrating light on the motives, habits, and sometimes less-than-noble intentions in the demi-monde of world-class art collecting. Along the way, he's created a wonderfully satisfying mystery novel for anyone interested in historical fiction. The Museum Heist takes you on a roller-coaster ride of suspense, a meticulous portrait of the underbelly of the art world at its highest echelons.

“Boser cracks the cold case of the art world’s greatest unsolved mystery.”— Vanity Fair One museum, two thieves, and the Boston underworld: the riveting story of the 1990 Gardner Museum robbery, the largest unsolved art theft in history. Perfect for fans of the Netflix series This is a Robbery: The World's Biggest Art Heist! Shortly after midnight on March 18, 1990, two men broke into the Isabella Stewart Gardner Museum in Boston and committed the largest art heist in history. They stole a dozen masterpieces, including one Vermeer, three Rembrandts, and five Degas. But after thousands of leads, hundreds of interviews, and a $5 million reward, not a single painting has been recovered. Worth as much as $500 million, the missing masterpieces have become the Holy Grail of the art world and their theft one of the nation’s most extraordinary unsolved mysteries. Art detective Harold Smith worked the theft for years, and after his death, reporter Ulrich Boser decided to pick up where he left off. Traveling deep into the art underworld, Boser explores Smith’s unfinished leads and comes across a remarkable cast of characters, including a brilliant rock ‘n’ roll art thief and a golden-boy gangster who professes his innocence in rhyming verse. A tale of art and greed, of obsession and loss, The Gardner Heist is as compelling as the stolen masterpieces themselves.

NEW YORK TIMES BEST SELLER • One of the most remarkable true-crime narratives of the twenty-first century: the story of the world’s most prolific art thief, Stéphane Breitwieser. • “The Art Thief, like its title character, has confidence, élan, and a great sense of timing."—The New Yorker A BEST BOOK OF THE YEAR: The Washington Post, The New Yorker, Lit Hub "Enthralling." —The Wall Street Journal In this spellbinding portrait of obsession and flawed genius, the best-selling author of The Stranger in the Woods brings us into Breitwieser’s strange world—unlike most thieves, he never stole for money, keeping all his treasures in a single room where he could admire them. For centuries, works of art have been stolen in countless ways from all over the world, but no one has been quite as successful at it as the master thief Stéphane Breitwieser. Carrying out more than two hundred heists over nearly eight years—in museums and cathedrals all over Europe—Breitwieser, along with his girlfriend who worked as his lookout, stole more than three hundred objects, until it all fell apart in spectacular fashion. In The Art Thief, Michael Finkel brings us into Breitwieser’s strange and fascinating world. Unlike most thieves, Breitwieser never stole for money. Instead, he displayed all his treasures in a pair of secret rooms where he could admire them to his heart’s content. Possessed of a remarkable athleticism and an innate ability to circumvent practically any security system, Breitwieser managed to pull off a breathtaking number of audacious thefts. Yet these strange talents bred a growing disregard for risk and an addict’s need to score, leading Breitwieser to ignore his girlfriend’s pleas to stop—until one final act of hubris brought everything crashing down. This is a riveting story of art, crime, love, and an insatiable hunger to possess beauty at any cost.

A thrilling, eye-popping look at true crime in the billion-dollar art world. The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world--everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud. However, the extent of the economic and cultural damage that results from criminality in the global art scene rarely comes to light. The stories of high-stakes, brazen art crimes told by art experts Stefan Koldehoff and Tobias Timm are by turns thrilling, disturbing, and unbelievable (the imagination for using art to commit crimes seems boundless). The authors also provide a well-founded analysis of what needs to change in the art market and at museums. From the authors of False Pictures, Real Money (about the Beltracchi art forgery case), Art and Crime includes a chapter on art owned by Donald Trump. It is a thoroughly researched, explosive, and highly topical book that uncovers the extraordinary and multifarious thefts of art and cultural objects around the world.

As heard on NPR's This American Life “Absorbing . . . Though it's non-fiction, The Feather Thief contains many of the elements of a classic thriller.” —Maureen Corrigan, NPR’s Fresh Air “One of the most peculiar and memorable true-crime books ever.” —Christian Science Monitor A rollicking true-crime adventure and a captivating journey into an underground world of fanatical fly-tiers and plume peddlers, for readers of The Stranger in the Woods, The Lost City of Z, and The Orchid Thief. On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins—some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them—and escaped into the darkness. Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature.

“Boser cracks the cold case of the art world’s greatest unsolved mystery.”— Vanity Fair One museum, two thieves, and the Boston underworld: the riveting story of the 1990 Gardner Museum robbery, the largest unsolved art theft in history. Perfect for fans of the Netflix series This is a Robbery: The World's Biggest Art Heist! Shortly after midnight on March 18, 1990, two men broke into the Isabella Stewart Gardner Museum in Boston and committed the largest art heist in history. They stole a dozen masterpieces, including one Vermeer, three Rembrandts, and five Degas. But after thousands of leads, hundreds of interviews, and a $5 million reward, not a single painting has been recovered. Worth as much as $500 million, the missing masterpieces have become the Holy Grail of the art world and their theft one of the nation’s most extraordinary unsolved mysteries. Art detective Harold Smith worked the theft for years, and after his death, reporter Ulrich Boser decided to pick up where he left off. Traveling deep into the art underworld, Boser explores Smith’s unfinished leads and comes across a remarkable cast of characters, including a brilliant rock ‘n’ roll art thief and a golden-boy gangster who professes his innocence in rhyming verse. A tale of art and greed, of obsession and loss, The Gardner Heist is as compelling as the stolen masterpieces themselves.

Anthony M. Amore and Tom Mashberg's Stealing Rembrandts is a spellbinding journey into the high-stakes world of art theft Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston, Worcester to Ohio - the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence. They also show how museums are thwarted in their ability to pursue the thieves - even going so far as to conduct investigations on their own, far away from the maddening crowd of police intervention, sparing no expense to save the priceless masterpieces. Stealing Rembrandts is an exhilarating, one-of-a-kind look at the black market of art theft, and how it compromises some of the greatest treasures the world has ever known.

This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.