The Mysteries Of London

In this ambitious and exciting work Richard Maxwell uses nineteenth-century urban fiction--particularly the novels of Victor Hugo and Charles Dickens--to define a genre, the novel of urban mysteries. His title comes from the "mystery mania" that captured both sides of the channel with the runaway success of Eugene Sue's Les mysteres de Paris and G. W. M. Reynold's Mysteries of London. Richard Maxwell argues that within these extravagant but fact-obsessed narratives, the archaic form of allegory became a means for understanding modern cities. The city dwellers' drive to interpret linked the great metropolises with the discourses of literature and art (the primary vehicles of allegory). Dominant among allegorical figures were labyrinths, panoramas, crowds, and paperwork, and it was thought that to understand a figure was to understand the city with which it was linked. Novelists such as Hugo and Dickens had a special flair for using such figures to clarify the nature of the city. Maxwell draws from an array of disciplines, ideas, and contexts. His approach to the nature and evolution of the mysteries genre includes examinations of allegorical theory, journalistic practice, the conventions of scientific inquiry, popular psychiatry, illustration, and modernized wonder tales (such as Victorian adaptations of the Arabian Nights). In The Mysteries of Paris and London Maxwell employs a sweeping vision of the nineteenth century and a formidable grasp of both popular culture and high culture to decode the popular mysteries of the era and to reveal man's evolving consciousness of the city. His style is elegant and lucid. It is a book for anyone curious about the fortunes of the novel in thenineteenth century, the cultural history of that period, particularly in France and England, the relations between art and literature, or the power of the written word to produce and present social knowledge.

The first book in the No. 1 Times bestselling series ‘This is terrific stuff’ Daily Telegraph ‘A breathtakingly ambitious picture of an era’ Financial Times ‘A masterclass in how to weave a well-researched history into a complex plot’ The Times

"The Mysteries of London" Volume 1 is a mammoth 818-page novel. This penny dreadful (or city mysteries novel) was begun as a weekly serial by George W. M. Reynolds in 1844. Reynolds wrote the first two series of this long-running narrative of life in the seedy underbelly of mid-nineteenth-century London. Thomas Miller wrote the third series and Edward L. Blanchard wrote the fourth series. All were immensely popular. Reynolds modelled his story after Eugene Sue's novel "Les Mysteres de Paris" (The Mysteries of Paris), and he paralleled Sue's tale of vice, depravity, and squalor in the Parisian slums. Installments were published weekly and contained a single illustration and eight pages of text printed in double columns. The weekly numbers were later bound in cloth covers with a fresh title page and table of contents and offered as complete works of fiction."

Ted and Kat watched their cousin Salim board the London Eye. But after half an hour it landed and everyone trooped off–except Salim. Where could he have gone? How on earth could he have disappeared into thin air? Ted and his older sister, Kat, become sleuthing partners, since the police are having no luck. Despite their prickly relationship, they overcome their differences to follow a trail of clues across London in a desperate bid to find their cousin. And ultimately it comes down to Ted, whose brain works in its own very unique way, to find the key to the mystery. This is an unput-downable spine-tingling thriller–a race against time.