The Mystery Of Landy Court

As the publishing, film and music industries are dominated by Big Media conglomerates, there is often recourse to simplistic ideological and conspiratorial readings of industry dynamics. Copyright, Creativity, Big Media and Cultural Value: Incorporating the Author explains why copyright is much more than a creator’s private property right or a mechanism through which corporations control cultural production and influence mass consumption choices. The volume is grounded in extensive, painstakingly detailed and colourful original archival research into business histories of major successful artists including Conan Doyle, Hall Caine, Margaret Atwood, Dame Nellie Melba, Radiohead and Banksy, and the industries and genres that grew up around their activities. Chapters address big questions about how copyright generates income and how distributions of profits are allocated in the publishing, film and music industries. It includes discussion of the creation of new formats, the interplay between old media and new technologies, international copyright reform and cross-industry relations. Copyright, Creativity, Big Media and Cultural Value is a wide-ranging and important resource for students and practitioners of law and policy, media studies, cultural studies and literary history.

The appearance of Sherlock Holmes in The Strand Magazine in 1891 began a stampede of writers who wanted to emulate, build upon or even satirize Arthur Conan Doyle's work. This book explores the development of detective fiction during the critical period between Conan Doyle's creation of Holmes and the advent of the Golden Age of the detective story during World War I. Both British and American detective writers of the period are surveyed--as well as writers who turned to gentleman burglars and master criminals.