The Myth Of Abstraction

An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.

Aniela JeffÃ(c) explores the subjective world of inner experience. In so doing, she follows the path of the pioneering Swiss psychologist C.G. Jung, whose collaborator and friend she was through the final decades of his life. Frau JaffÃ(c) shows that any search of meaning ultimately leads to the inner mythical realm and must be understood as a limited subjective attempt to answer the unanswerable. Any conclusion drawn from such a quest is one's very own - its formulation is one's own myth.

By some estimates, there are as many as twelve million psychopaths in the United States alone. Cold-blooded, remorseless, and strangely charismatic, they commit at least half of all serious and violent crimes. Supposedly, most serial killers are psychopaths, as, surprisngly, are large numbers of corporate executives. They seem to be an inescapable, and fascinating, threat in our midst. But is psychopathy a brain disorder, as many scientists now claim? Or is it just a reflection of modern society’s deepest fears? The Myth of the Born Criminal offers the first comprehensive critique of the concept of psychopathy from the eighteenth-century origins of the born-criminal theory to the latest neuroimaging, behavioural genetics, and statistical studies. Jarkko Jalava, Stephanie Griffiths, and Michael Maraun use their expertise in neuropsychology, psychometrics, and criminology to dispel the myth that psychopathy is a biologically-based condition. Deconstructing the emotive language with which both research scientists and reporters describe the psychopaths among us, they explain how the idea of psychopathy offers a comforting neurobiological solution to the mystery of evil. A stunning merger of rigorous science and clear-sighted cultural analysis, The Myth of the Born Criminal is for anyone who wonders just what truth – or fiction – lurks behind the study of psychopathy.

This book investigates a paradox of creative yet scripted play—how LEGO invites players to build ‘freely’ with and within its highly structured, ideologically-laden toy system. First, this book considers theories and methods for deconstructing LEGO as a medium of bricolage, the creative reassembly of already-significant elements. Then, it pieces together readings of numerous LEGO sets, advertisements, videogames, films, and other media that show how LEGO constructs five ideologies of play: construction play, dramatic play, digital play, transmedia play, and attachment play. From suburban traffic patterns to architectural croissants, from feminized mini-doll bodies to toys-to-life stories, from virtual construction to playful fan creations, this book explores how the LEGO medium conveys ideological messages—not by transmitting clear statements but by providing implicit instructions for how to reassemble meanings it had all along.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

True Myth examines the meaning and significance of myth as understood by C.S. Lewis and Joseph Campbell and its place in the Christian faith in a technological society. C.S. Lewis defined Christianity, and being truly human, as a relationship between thepersonal Creator and his creation mediated through faith in his son, Jesus. The influential writer and mythologist Joseph Campbell had a different perspective, understanding Christianity as composed of mythical themes similar to those in other religious and secular myths. While accepting certain portions of the biblical record as historical, Campbell taught the theological and miraculous aspects as symbolic - as stories in which the reader discovers what it means to be human today. In contrast, Lewis presented the theological and the miraculous in a literal way. Although Lewis understood how one could see symbolism and lessons for life in miraculous events, he believed they were more than symbolic and indeed took place in human history. In True Myth, James W. Menzies skilfully balances the two writers' differing approaches to guide the reader through a complex interaction of myth with philosophy, media, ethics, history, literature, art, music and religion in a contemporary world.