The Mythical Hero S Otherworld Chronicles Volume 4

The Faerzen offensive has collapsed. Aura is trapped behind enemy lines, Liz is missing, presumed captured, and every passing second is a second that their lives hang in the balance. With the clock mercilessly ticking, Hiro readies the Crow Legion for its first true engagement. But right from the start, some things don’t add up. Who is really pulling the strings of this war? And as Hiro rides into the battle-scarred west, he unwittingly draws closer to his greatest challenge yet: a renegade princess hellbent on revenge, wielding the fearsome Gáe Bolg.

The Black Prince has fallen, cut down in battle against Six Kingdoms. As news of the tragedy sweeps the empire, Liz and her allies resolve to set aside their grief and finish what Hiro started. Yet the new heir apparent faces a treacherous path to the throne. In the palace, forces conspire to undermine her rise, some driven by mundane self-interest, others by more sinister motivations. On the field, she must contend with Luka du Vulpes, grievously wounded by her clash with Hiro but all the more dangerous for her scars. And just when the stage seems set for a decisive battle, Queen Claudia of Lebering steps into the fray, accompanied by a mysterious new confidant: a masked man with black hair who identifies himself only as Surtr...

The bitter conflict in Faerzen has drawn to a close with the Grantzian Empire’s victory. As Hiro and his allies return to the capital, it would seem that, for the moment, the bloodshed is done. Yet only a fool would take this temporary lull for a lasting peace. The empire’s foundations are creaking. War is coming; indeed, for those with eyes to see, its harbingers are already here. Second Prince Selene has left the north, an almost unheard-of occurrence. The beleaguered House Krone scrabbles to maintain its grip on power. First Prince Stovell, to the astonishment of all, announces that he will relinquish his place in the line of succession. And as Hiro plots to place Liz on the throne, blood is spilled at last on imperial soil. When schemes months, years, and even centuries in the making come to a head in the capital, who will prevail—and at what cost?

Emperor Greiheit is dead, cut down by his own son’s hand. What remains of the court struggles to contain the fallout of Stovell’s insurrection. Yet even in this hour of crisis, there is no time to rest. Six Kingdoms is carving a bloody swathe through the western territories with one of the largest forces Soleil has ever seen, bound straight for the heart of the empire. Hiro leads a desperate foray west to confront this terrifying new foe, aiming to buy Liz and the rest of his allies time to assemble their defense. But for all his schemes, the Black Prince may have finally met his match, for this time he faces not only overwhelming odds, but the legacy of one of the empire’s oldest sins...

Bringing together scholarship on multilingual and intercultural medieval Britain like never before, The Encyclopedia of Medieval Literature in Britain comprises over 600 authoritative entries spanning key figures, contexts and influences in the literatures of Britain from the fifth to the sixteenth centuries. A uniquely multilingual and intercultural approach reflecting the latest scholarship, covering the entire medieval period and the full tapestry of literary languages comprises over 600 authoritative yet accessible entries on key figures, texts, critical debates, methodologies, cultural and isitroical contexts, and related terminology Represents all the literatures of the British Isles including Old and Middle English, Early Scots, Anglo-Norman, the Norse, Latin and French of Britain, and the Celtic Literatures of Wales, Ireland, Scotland and Cornwall Boasts an impressive chronological scope, covering the period from the Saxon invasions to the fifth century to the transition to the Early Modern Period in the sixteenth Covers the material remains of Medieval British literature, including manuscripts and early prints, literary sites and contexts of production, performance and reception as well as highlighting narrative transformations and intertextual links during the period

Beginning with a consideration of Malory's ingenious chronology, this study shows that Malory achieved thematic and structural unity by selecting from the great mass of Arthurian legend three narrative strands—the intrigues of Lancelot and Guinevere, the Grail quest, and the feud between the houses of Lot and Pellinore—using these to illustrate a single theme—the rise, flowering, and downfall of an ideal civilization. This selection and use of diverse materials, Charles Moorman asserts, indicates clearly that Malory set to work with a preconceived plan and that he did achieve his purpose, to write the "haole book of Kyng Arthur."

Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.