The Naked And The Veiled

One of the greatest fashion photographers of all time, Erwin Blumenfeld is also recognized as one of the most talented and profoundly erotic portrayers of the nude. He aimed to persuade his audience of the magical beauty of the female form, and to show the world that the nudes of the great master painters--from Botticelli to Ingres--could be challenged by the magical potential of the darkroom. Blumenfeld was an inspired innovator who experimented with solarizations, reticulations, negative-positive combinations, and chemical manipulations to enhance the mystery of his images. 'The Naked and the Veiled' features, in both color and duotone, many photographs never before published, as well as Blumenfeld's famous shots such as Nude under Wet Silk. The text by Yorick Blumenfeld, the photographer's son, provides unusual insights into the work and brings a greater understanding of these highly original and complex images. This book shows the full range of Blumenfeld's astounding inventiveness, from the classic to the surreal to the abstract, from 1930s Amsterdam to 1960s New York. It will interest not only those who are already familiar with Blumenfeld's fashion photographs, but anyone interested in the history of the nude in photography who wishes to see the subject treated by one of the twentieth century's undisputed masters.

The real John Tavener revealed...' GRAMOPHONEWith generous access to Sir John himself, Piers Dudgeon lifts the veil on the secrets of how Tavener produced the most evocative and inspirational music of our times - pieces such as Song for Athene (played a

The book unravels the politics of representation and the process of exoticising women’s bodies through the prism of external gaze and knowledge production. It brings out the intricacies of representational discourses around cultural practices of female circumcision (FC)/female genital cutting (FGC) and Islamic veiling. Focusing on crucial international legal texts and national legislation, the book gives an overview of the cultural nuances in FC/FGC and juxtaposes it with the Indian variation, khafz. The author studies the international veiling narratives that conjure up a fractured discourse containing aspects of colonialism, Islamophobia, and Islamic fashion and maps them with the regional variations of Islamic purdah in India. The volume explores the cultural practice of khafz and purdah through narratives in India, portraying how representational factors from international discourses reflect on the Indian context and vice versa. Amid the world of binaries and polarised opinions, the book offers a nuanced analysis of the space in-between, characterised by narratives from women. By situating women’s narratives in relation to family, community, state, and international politics, the book explores the global-Indian interplay of discourses on FC/FGC and Islamic veiling. This volume will be of interest to scholars, students, and readers of gender studies, feminism, cultural and religious studies, sociology, South Asian studies, and International Relations.

Ingrid Bergman's engaging screen performance as Sister Mary Benedict in The Bells of St. Mary's made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a "complete understanding" of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naive? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires--a unique full-length, in-depth study of nuns in film--Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary's (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun's Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. She provides a framework for a more complex and holistic picture of nuns on screen by showing how the films dramatize these women's Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.

This book questions the consensus about the meaning and importance of Nietzsche's philosophy that has developed in the United States and Britain during the last thirty years and reestablishes close reading as the ground of interpretation. Arguing that there is greater continuity in Nietzsche's thought than is usually recognized, Klein focuses particularly on the genesis and nature of Nietzsche's theory of language and rhetoric, exploring the relationship between his early theory of language, expressed in The Birth of Tragedy, and the canonical writings of the late 1880s. This book is united by the conviction that Nietzsche's understanding of language is an essential part of his thought, and that whatever their explicit themes, Nietzsche's texts constitute a sustained reflection on the nature of reading and writing, which forces the reader to put into question conventional views about how philosophical texts should be interpreted.

Islam, the Enlightenment, and the veil -- The great whore of Babylon: cosmopolitanism and racialized nationalism -- Two western women venture east: Lady Annie Brassey and Anna Bowman Dodd -- The Great War and its aftermath: militarized citizens, (un)veiled bodies, and the nation -- The burqa and the bikini: veiling and unveiling at the turn of the twenty-first century

The most comprehensive study of the subgenus Hebeloma in the world

Love in Pakistan strikes as quickly as a stolen glance, a spark that ignites forbidden flames of desire, yet lovers face harsh consequences if caught. MUSLIM CLEAVAGE is an inspiring tale about hope. It transcends cleavages of all kinds-political, geographic, economic, religious, class-and most importantly, social. This is a virgin concept, unexplored. Throughout the novel, the reader will peek inside the lives and glimpse into the passionate hearts of the people, the cornered tigers of Pakistan. MUSLIM CLEAVAGE unveils through their shared zeal for cricket, the potential for convergence and the unity for their beloved nation.