The Naked Mughals Illustrated

DID YOU KNOW THATBabur was a drunkard!He loved a boy named Babri!Akbar raped children!Akbar raped his own daughter-in-law!Akbar had Harem of 5000 women!Jahangir blinded his son with his own hands!Shah Jahan did not spare even his own daughter!Aurangzeb beheaded his own brother and sent his head to his imprisoned father!Almost every Mughal king killed some of his sons and brothers!and much more.This book is an eye opener on Mughal history in India. Mughals have been glorified as great rulers in Indian history books despite being maniacs, incest-lovers, rapists and merciless invaders.The book is a compilation of all hidden facts. Straight from their authentic biographies. To make Indians realise, enough is enough.Do not glorify these filthy creatures in the name of preserving the secular fabric of India.

DID YOU KNOW THAT Babur was a drunkard! He loved a boy named Babri! Akbar raped children! Akbar raped his own daughter-in-law! Akbar had Harem of 5000 women! Jahangir blinded his son with his own hands! Shah Jahan did not spare even his own daughter! Aurangzeb beheaded his own brother and sent his head to his imprisoned father! Almost every Mughal king killed some of his sons and brothers! and much more.This book is an eye opener on Mughal history in India. Mughals have been glorified as great rulers in Indian history books despite being maniacs, incest-lovers, rapists and merciless invaders.The book is a compilation of all hidden facts. Straight from their authentic biographies. To make Indians realise, enough is enough.Do not glorify these filthy creatures in the name of preserving the secular fabric of India.Note: This is the latest edition of the book "Great Ruler of India" with different title and few additional chapters.

Why would I spend a good portion of my time over the last 35 years gathering information on the Gymnosophists? The story begins even earlier. As an undergraduate student in the Flint College of the University of Michigan, I pursued an English major with a strong history minor-always looking for something between the two, and rarely finding it. Then in my practice teaching, I happened into one of the early experimental high school courses in Interdisciplinary Humanities. With the exciting interrelationships between art, literature, music, philosophy and history, I said YES-this was what I had been looking for. So I pioneered in teaching high school Humanities for the next few years. Interdisciplinary Humanities was a bottom-up movement. Gradually, colleges began offering Masters programs to give teachers the rich background they needed. I decided I was not tied to Michigan where it was cold; I would find the best Masters program in Humanities anywhere in the world, and go there. Well, it turned out that the best Masters program in the world was at Wayne State University in Detroit, of all places. Unlike other programs that were really just double majors, Wayne offered truly interdisciplinary classes. Moreover, they offered an Eastern track and a Western track. Knowing that I would never find that Eastern track anywhere else, I studied interdisciplinary courses in the cultures of India, China, Japan, and Egypt. (The middle-eastern professor was on sabbatical when I was there.) I especially liked India-perhaps because I had already travelled around the world, and India impressed me the most.

The Women of Mughal Harem: Secrets revealed gives an exhilarating account of the Mughal domestic life. Harem of the Mughals has been a subject of much speculation and debate amongst the scholars and the general public alike. While foreign travelers have painted it as a pleasure house, meant for the sexual gratification of one man-the Emperor. Native chroniclers have called it an abode of quintessential bliss. So what was the reality of harem? Just like any normal household, the life of harem inmates bears testament to joy and pain, hope and despair, love and loss- all the bittersweet emotions that add spice and flavor to human life. In fact the Mughal Harem was a far more diverse and vibrant institution than what it is believed to be- it was a unique all women's world. This book brings to life the trials and tribulations of generations of Mughal women who inhabited a world very different from ours. Today when a worldwide debate is going on to trace women's place in history, this work has become all the more relevant. A peek into the lives of Mughal women would give us a better understanding of an obscured and almost mythical world-the harem of the mighty Mughals.

WINNER OF THE DUFF COOPER MEMORIAL PRIZE | LONGLISTED FOR THE SAMUEL JOHNSON PRIZE 'Indispensable reading on both India and the Empire' Daily Telegraph 'Brims with life, colour and complexity . . . outstanding' Evening Standard 'A compulsively readable masterpiece' Brian Urquhart, The New York Review of Books A stunning and bloody history of nineteenth-century India and the reign of the Last Mughal. In May 1857 India's flourishing capital became the centre of the bloodiest rebellion the British Empire had ever faced. Once a city of cultural brilliance and learning, Delhi was reduced to a battered, empty ruin, and its ruler – Bahadur Shah Zafar II, the last of the Great Mughals – was thrown into exile. The Siege of Delhi was the Raj's Stalingrad: a fight to the death between two powers, neither of whom could retreat. The Last Mughal tells the story of the doomed Mughal capital, its tragic destruction, and the individuals caught up in one of the most terrible upheavals in history, as an army mutiny was transformed into the largest anti-colonial uprising to take place anywhere in the world in the entire course of the nineteenth century.

This work is a maiden attempt at research in the hitherto overlooked area of social history of medieval India.It attempts to recapitulate the day-to-day life of the ladies of the seraglio.The delicate and delightful task has been deftly handled and it is hoped that scholars and laymen both will enjoy.

Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.

In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history from the 1580s-1630s