The Necklace And Other Stories

Opulence is sometimes deceiving“She removed the wraps from her shoulders before the glass, for a final view of herself in her glory. Suddenly she uttered a cry. Her necklace was not around...” - Guy de Maupassant, The Necklace Madame Mathilde Loisel is displeased: she cannot go to a fancy party because she doesn’t have anything to wear. Her husband tries to help her and gives her money to buy a new dress. She insists she also needs jewels so she borrows a diamond necklace from her friend, Madame Jeanne Forestier. After the party, Mathilde realizes that she lost the stunning necklace. ,This book has been professionally formatted for e-readers and contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.

Here are eight gloriously imaginative stories for eight satisfying sessions of bedtime reading. There’s a flying apple pie, a cat that’s bigger than an elephant, a house that lays an egg, storybook animals that leap out of their books at night, and a wealth of other wonderful characters and ideas, all with the colorful, dreamlike quality of the very best fairy tales. Joan Aiken’s delicious prose is a joy to read aloud to very young listeners yet simple enough for the independent reader to savor on his or her own. Kevin Hawkes’s illustrations–nearly 60 of them–capture with great flair and fun the magical adventures and the triumph of the good over the bad.

Reproduction of the original: The Necklace of Princess Fiorimonde and Other Stories by Mary de Morgan

This selection of twenty-seven stories shows Maupassant at his comic, cruel, and brilliant best. In addition to the poignant title story, it includes one of the most famous tales ever written, The Necklace , and Le Horla, an account of a disintegrating personality that chillingly parallels the author's own decline into madness. All the stories demonstrate his genius for invention and his ability to write unblinkingly about the absurdity of the human condition, supporting Henry James' claim that in the annals of story-telling, Maupassant stands `like a lion in the path'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In a “lively, sparkling, and sharp-edged” (Arthur Goldhammer) new translation, Guy de Maupassant’s most beloved works are reintroduced to twenty-first-century readers. A Parisian civil servant turned protégé of Flaubert, Guy de Maupassant is considered not only one of the greatest short story writers in all of French literature but also a pioneer of psychological realism and modernism who helped define the form. Credited with influencing the likes of Chekhov, Maugham, Babel, and O. Henry, Maupassant had, at the time of his death at the age of forty-two, written six novels and some three hundred short stories. Yet in English, Maupassant has, curiously, remained unappreciated by modern readers due to outdated translations that render his prose in an archaic, literal style. In this bold new translation, Sandra Smith—the celebrated translator of Irene Nemirovsky's Suite Francaise—brings us twenty-eight of Maupassant's essential stories and two novellas in lyrical yet accessible language that brings Maupassant into vibrant English. In addition to her sparkling translation, Smith also imposes a structure that captures the full range of Maupassant's work. Dividing the collection into three sections that reflect his predominant themes—nineteenth-century French society, the Franco-Prussian War of 1870–71, and the supernatural—Smith creates "an arrangement suggesting a culture of relation, of structure, of completion" (Richard Howard). In "Tales of French Life," we see Maupassant explore the broad swath of French society, not just examining the lives of the affluent as was customary for writers in his day. In the title story of the collection, "The Necklace," Maupassant crafts a devastating portrait of misplaced ambition and ruin in the emerging middle class. The stories in "Tales of War" emerge from Maupassant’s own experiences in the devastating Franco-Prussian War and create a portrait of that disastrous conflict that few modern readers have ever encountered. This section features Maupassant's most famous novella, "Boule de Suif." The last section, "Tales of the Supernatural," delves into the occult and the bizarre. While certain critics may attribute some of these stories and morbid fascination as the product of the author's fevered mind and possible hallucinations induced by late-stage syphilis, they echo the gothic horror of Poe as well as anticipate the eerie fiction of H. P. Lovecraft. The result takes readers from marriage, family, and the quotidian details of life to the disasters of war and nationalism, then to the gothic and beyond, allowing us to appreciate Maupassant in an idiom that matches our own times. The Necklace and Other Stories enables us to appreciate Maupassant as the progenitor of the modern short story and as a writer vastly ahead of his time.

The true story of thirteen women who took a risk on an expensive diamond necklace and, in the process, changed not only themselves but a community. Four years ago, in Ventura, California, Jonell McLain saw a diamond necklace in a local jewelry store display window. The necklace aroused desire first, then a provocative question: Why are personal luxuries so plentiful yet accessible to so few? What if we shared what we desired? Several weeks, dozens of phone calls, and a leap of faith later, Jonell bought the necklace with twelve other women, with the goal of sharing it. Part charm, part metaphor, part mirror, the necklace weaves in and out of each woman’s life, reflecting her past, defining her present, making promises for her future. Lending sparkle in surprising and unexpected ways, the necklace comes to mean something dramatically different to each of the thirteen women. With vastly dissimilar histories and lives, the women show us how they transcended their individual personalities and politics to join together in an uncommon journey. What started as a quirky social experiment became something far richer and deeper, as the women transformed a symbol of exclusivity into a symbol of inclusiveness. They discovered that sharing the necklace among themselves was only the beginning; The more they shared with others, the more profound this experience–and experiment–became. Original, resonant, and beautifully told, this book is an inspiring story about a necklace that became greater than the sum of its links, and about thirteen ordinary women who understood the power of possibility, who touched the lives of a community, and who together created one extraordinary experience.

WINNER: CBCA Book of the Year, Younger Readers, 2015 Cleo desperately wants a necklace. Her parents say special presents are only for birthdays but Cleo doesn't want to wait. In the second story, it's her mum's birthday and Cleo doesn't know what to give her - until she has the best idea of all. Delightful, warm and irresistible, these stories show how a little girl with a big imagination can always find a way to have fun. Libby Gleeson and Freya Blackwood have collaborated on a number of much-loved and award-winning picture books, including Amy and Louis and Clancy and Millie and the Very Fine House.