The Netherworld In Sumero Akkadian Literature

This book presents new standard editions of all the hitherto known hymns of Urnamma, the founder of the Third Dynasty of Ur (fl. 2100 B.C.), and adds new perspectives to the composition and development of the genre of Sumerian royal hymns in general. The first chapter is introductory in nature. The second chapter presents a general survey of Urnamma's hymnic corpus. The third chapter deals with correlations of Urnamma's hymns with other textual sources pertaining to him. A fourth chapter is devoted to aspects of continuity and change in royal hymnography by analysing the Urnamma hymns in relation to other royal hymns and related genres. Chapter 5 presents editions of Urnamma hymns,

Discussion of the Sumerians' concept of the afterlife. Topics investigated include: the location of the netherworld, the way to the netherworld, life in the netherworld; the gods of the netherworld, and more.

Appealing to Monster Theory and the ancient Near Eastern motif of "Chaoskampf," Safwat Marzouk argues that the paradoxical character of the category of the monster is what prompts the portrayal of Egypt as a monster in the book of Ezekiel. While on the surface the monster seems to embody utter difference, underlying its otherness there is a disturbing sameness. Though the monster may be defeated and its body dismembered, it is never completely annihilated. Egypt is portrayed as a monster in the book of Ezekiel because Egypt represents the threat of religious assimilation. Although initially the monstrosity of Egypt is constructed because of the shared elements of identity between Egypt and Israel, the prophet flips this imagery of monster in order to embody Egypt as a monstrous Other. In a combat myth, YHWH defeats the monster and dismembers its body. Despite its near annihilation, Egypt, in Ezekiel's rhetoric, is not entirely obliterated. Rather, it is kept at bay, hovering at the periphery, questioning Israel's identity.

Resheph was quite a popular god in the 3rd and 2nd millennia BC - especially in Syria - but during the 1st millennium his cult became extinct. Finally it was only maintained in several peripheral and isolated sites, such as in the Palmyra desert and in Cyprus. Maciej M. Munnich presents the written sources which mentioned Resheph and analyzes the features of Resheph's cult. He emphasizes that there is no confirmation for the theory that Resheph was a lord of the netherworld. Resheph was a belligerent, aggressive god who used diseases to attack people, but who could also heal. Because of the long period of the cult and the geographical range, one can notice some local features: In Egypt, for instance, Resheph originally was venerated as the deity supporting the Pharaoh in battles, but then he was summoned mainly because of illness and everyday needs.

Death is one of the major themes of 'First Isaiah, ' although it has not generally been recognized as such. Images of death are repeatedly used by the prophet and his earliest tradents.The book begins by concisely summarizing what is known about death in the Ancient Near East during the Iron Age II, covering beliefs and practices in Mesopotamia, Egypt, Syria-Palestine, and Judah/Israel. Incorporating both textual and archeological data, Christopher B. Hays surveys and analyzes existing scholarly literature on these topics from multiple fields.Focusing on the text's meaning for its producers and its initial audiences, he describes the ways in which the 'rhetoric of death' functioned in its historical context and offers fresh interpretations of more than a dozen passages in Isa 5-38. He shows how they employ the imagery of death that was part of their cultural contexts, and also identifies ways in which they break new creative ground.This holistic approach to questions that have attracted much scholarly attention in recent decades produces new insights not only for the interpretation of specific biblical passages, but also for the formation of the book of Isaiah and for the history of ancient Near Eastern religions

Abstracts of dissertations available on microfilm or as xerographic reproductions.