The New Oxford History Of New Zealand

The New Oxford History of New Zealand is a new, multi-authored revisionist history of Aotearoa New Zealand. The book tests the idea that New Zealand history can be explained as a quest for 'national identity' and considers whether narratives that rely on the 'colony-to-nation' storyline are still relevant in the early twenty-first century. The book proposes instead that history and identity have been shaped by culture, community, class, region and gender, and that these have been more important than ideas of evolving nationhood. Above all, this new book responds to the need for a general re-interpretation of the 'big picture' of New Zealand history.

This is the most comprehensive history of New Zealand literature to have been published. It offers chapters on the novel, poetry, and on the short story, which have been the staple of earlier histories and surveys, as well as sections on drama, non-ficiton, children's literature, popular literature, and the history of publishing, patronage and literary magazines. In this major new edition, material is provided on the period from 1986-1996, and a new chapter has been included on literary scholarship, criticism, and theory.

"This book is the most comprehensive guide yet to New Zealand's rich and varied military history. It is supplemented with 150 photographs and more than forty maps, as well as lists of important office-holders. It is a must for students, specialists, and anyone interested in New Zealand's military history and the effect of war on its society."--BOOK JACKET.

Bringing one thousand years of history to life, this is an illustrated history of New Zealand from the settlement by Polynesians to the present day. The book covers the period of colonisation after the signing of the Treaty of Waitangi, the wars between the Maori and the British Army of the 1860s, the beginning of party government in the 1890s, votes for women in 1893, fighting in South Africa and Europe, the Depression, the Maori drift to towns, the influx of Pacific Islanders, and the economic reforms since the fourth Labour Government. Each chapter has been written by an acknowledged expert in his or her field, and a new chapter by Dr Jack Vowles brings the book fully up to date.

The Maori world of music - The frontier: explorers, sealers, whalers and missionaries - Music in the first settlements: On the voyage - Wellington, 1840-1870 - Auckland, 1840-1865 - Dunedin, 1848-1865 - Canterbury, 1851-1900 - The regions and the West Coast goldfields; Themes and variations: The colonial ball - Military and brass bands - Folk-music - Opera - Colonial choral societies and their successors - Orchestral patterns from the 19th century to the NZSO - Michael Balling at the Nelson Conservatorium; The world beyond: Visiting artists - The Sheffield Choir, 1911 - Henri Verbrugghen and the New South Wales State Orchestra, 1920 and 1922; Musical media: Silent film music - The rise of the gramophone and player piano - The growth of broadcasting - Music journals; The NZ performer: Introduction - Singers - Instrumentalists - Conductors; Meeting of 2 cultures: Waiata a ringa - Maori concert groups and solo artists - Recording Maori music - The two cultures today; Growth of a composing tradition: Early colonial composers and their publications - Alfred Hill - Douglas Lilburn - Composers since Lilburn (Carr, Pruden, Tremain and others) - New influences; Music in education; Instrument making in New Zealand.