The New Quarterly Magazine

2012 Rogers Writers’ Trust Fiction Prize — Winner 2012 Governor General’s Literary Award — Finalist, English-Language Fiction In December of 1944, the Red Army entered Budapest to begin one of the bloodiest sieges of the Second World War. By February, the siege was over, but its effects were to be felt for decades afterward. Siege 13 is a collection of thirteen linked stories about this terrible time in history, both its historical moment, but also later, as a legacy of silence, haunting, and trauma that shadows the survivors. Set in both Budapest before and after the siege, and in the present day – in Canada, the U.S., and parts of Europe – Siege 13 traces the ripple effect of this time on characters directly involved, and on their friends, associates, sons, daughters, grandchildren, and adoptive countries. Written by one of this country’s best and most internationally recognized short story authors – the story "The Restoration of the Villa Where Tibor Kallman Once Lived" won the 2011 O. Henry Prize for short fiction – Siege 13 is an intelligent, emotional, and absorbing cycle of stories about war, family, loyalty, love and redemption.

Thirteen stories that expose the complications of women who dare to deviate from the status quo. In the land of fiction, women are too often cast as inherently good—typically kind, always considerate, and traditionally in possession of high morals. Not so in the recklessly audacious stories in Waiting for the Cyclone. A mother in need of rehabilitation, a wife who wakes up in the arms of a man who isn’t her husband, a young woman who comes face-to-face with a bully from years ago. These women don’t need to be liked, do not comply to set expectations, and are not compelled to make apologies. These women, and a dozen more, are perfectly imperfect. A collection of short stories that behaves much like the weather pattern it was named for, Waiting for the Cyclone is at times fast and reckless and at others, calm yet under high pressure. A powerful literary debut from one of Canada’s most promising young writers.

A resilient and witty story of fate, free will and superstition by an award-winning author. As the daughter of Southern Italian immigrants joined by an arranged marriage, Fantetti grew up witnessing and weathering the devastating consequences of her mother's schizophrenia. Moving to the other side of the country to escape the constant turmoil, Fantetti casts a canny eye on her painful childhood through writing and performing stand-up comedy. When her dad develops depression, a host of long-buried ancestral beliefs spring forward--like the three witches of the Macbeth-- Mal'occhio, Maledictions and Stregheria -- Fantetti blends old customs with new traditions in an ancient and modern pot to heal a fractured self; studying the sky for planetary alignment; consulting her trusty tarot deck for guidance and visiting her dad's psychic healer for a prescription for prescience. Throughout her journey the enduring father-daughter bond shines through the wisecracks, with great love, determination, and grace.

A young woman forms her own idea of feminine sexuality while skinny-dipping with her best friend's mother during a thunderstorm. A naive bride returns to her beloved Ontario farm country and, after an encounter with a young female beekeeper, suddenly sees her husband in a sobering new light. Under pretences, a rural doctor returns for her childhood friend, but finds the women in her new life have only a very specific use for her. A middle-aged woman facing the devastating end of a friendship as well as her last chance at childbirth, flees North only to be confronted with the complexities of life in the Yukon. The women of Equipoise struggle to find their positionality in life in relation to the women around them. They are also contoured by their geographies, caught between North and South, East and West, childhood home and adulthood home. They struggle to maintain a balance within the tension of their opposing female roles, landscapes, friendships, rivalries, victories, and catastrophes, always vigourously seeking equipoise.

Set in Nashville, Memphis, New Orleans, and Ottawa, Ontario, the stories in The Museum at the End of the World span the life of writer Robert Ford and his wife Sheila. Playing with various forms of comedy throughout, author John Metcalf paints a portrait of 20th century literary life with levity, satire, and unsuspecting moments of emotional depth.

Travis has been waiting to get to junior high. When that time finally comes, things are both better, and worse, than he had hoped. On the plus side are two great new teachers. On the minus side there's Shon Docker, Travis's old tormenter from elementary school. Travis lives in a trailer park outside a small prairie town. His mother, a country-and-western singer, is on the road a lot; his father is long gone. When things get crazy at his house, he can always visit his best friend, Chantelle, a smart disabled girl with several wild biker brothers. Travis knows he's different. He loves to sew and play with puppets. He wants to become a professional puppeteer. It all makes him a target for Shon and his friends. As Travis and his friends happily prepare a puppet production of A Midsummer Night's Dream for the school graduation festivities, Shon's anger and prejudice erupt in violence.

On an island teeming with masters of the short story, Mary Lavin's distinct voice and devoted following set her apart. Before her death in 1996, this Irish writer had received many honors and prizes not only for her luminous short stories but also for several highly regarded novels. William Trevor praised Lavin's ability to "make moments timeless, to illuminate people and places, words and things, by touching them with the magic of the rarely-gifted storyteller." In a Cafe makes available for the first time in the United States a collection of her most beloved pieces as compiled by her daughter. In masterworks such as the title story, an unsettling portrayal of widowhood, and "The Will, " which Layin considered the finest expression of her art, the justice in Trevor's declaration we recognize that "the short story of today owes her a very great debt."