The New Weissenborn Method For Bassoon

(Instructional). New edition with spiral binding For well over a century, students all over the world have learned to play the bassoon using Julius Weissenborn's Practical Bassoon Method . At long last, The New Weissenborn Method for Bassoon presents the complete 1887 publication in an updated, user-friendly version. With over 50 photographs, modern fingering charts, and in-depth instruction on performance basics, instrument care, and reeds, The New Weissenborn Method is a must-have for all bassoon students. Features: * Carefully researched and edited from the original 1887 edition * All lessons and exercises re-engraved * New notes, techniques and terminology introduced before each lesson * Weissenborn's original sections on tenor clef and the "speaker" keys restored and expanded * Original ornamentation chapter restored with added modern performance practices * Supplementary scale exercises now include all major and minor keys

(Instructional). Available July 2019 Volume I of The New Weissenborn Method for Bassoon ("a must for all young bassoon students" - The Double Reed; "a landmark in pedagogy" - Double Reed News) presented an updated, user-friendly version of Julius Weissenborn's seminal work for beginning bassoon students. Now, Volume II provides Weissenborn's advanced teaching material in a similar modern, easy-to-use edition. With well-organized lessons, supplemental materials, and advanced fingering charts, Volume II of The New Weissenborn Method for Bassoon is a must-have for advanced bassoon students. FEATURES: * Spiral-bound book lays flat on the stand and will last for years * At 190 pages, it weighs just 22 ounces and fits easily into most music pouches * Material is presented in well-organized lessons with no bad page turns and minimal need to flip between sections of the book * New expanded editions of Weissenborn's Advanced Studies, Op. 8, No. 2 and Milde's Scale and Chord Studies, Op. 25. Six of the Advanced Studies are provided in two keys - the key Weissenborn originally intended, plus the key in which it was first published - for a total of 56 Advanced Studies. The Milde Scale and Chord Studies contain nine bonus etudes to cover all 15 key signatures and to practice chromatic scales in a variety of keys. * Table of Contents and Reference Charts make it easy to find specific etudes when needed * Supplemental Materials include: Double-tonguing and triple-tonguing exercises by Arban; Sight-reading/rhythmic etudes by Bona; and select etudes from Weissenborn's Op. 8, No. 1 * Introduces all notes up to E5 with logical pacing and plenty of material to master each new note * Covers all Major and Minor Keys through seven sharps and seven flats, with long tones, scales, and arpeggios for each key

Expertly arranged Bassoon Studies by Julius Weissenborn from the Kalmus Edition series. This Bassoon Method is from the Romantic era.

A collection of exercises, for Bassoon, composed by Ludwig Milde.

This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years' experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon's social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume [Publisher description].

Withheld by leading pedagogues in an effort to control competition, the art of reed making in the early 20th century has been shrouded in secrecy, producing a generation of performers without reed making fluency. While tenets of past decades remain in modern pedagogy, Christin Schillinger details the historical pedagogical trends of bassoon reed making to examine the impact different methods have had on the practice of reed making and performance today. Schillinger traces the pedagogy of reed making from the earliest known publication addressing bassoon pedagogy in 1687 through the publication of Julius Weissenborn's Praktische Fagott-Schule and concludes with an in-depth look at contemporary methodologies developed by Louis Skinner, Don Christlieb, Norman Herzberg, and Lewis Hugh Cooper. Aimed at practitioners and pedagogues of the bassoon, this book provides a deeper understanding of the history and technique surrounding reed-making craft and instruction.