The New World Written

A lyrical collection of the finest poems by a leading Mexican poet, superbly translated for English readers The poetry of María Baranda is a haunting homage to the natural world, transcendent in scope, attentive to the particular, and acutely attuned to the mystery of being. Absorbed by nature's otherness, Baranda seeks to inhabit the voices of the wind, of wings, night, day, and perhaps most keenly, water. These lyrical verses turn repeatedly to the longings and griefs of embodiment: "What is that God / To be praised with all our sadness / If not love / Or at least the wonder / Of being a body full of blood," Baranda asks. Drawing on epics such as the Aeneid and Beowulf, the mystical verses of Sor Juana Inés de la Cruz, and writers who engage the landscape of shore and sea, from Daniel Defoe to Dylan Thomas, this sweeping collection brings together the finest poems of one of today's most powerful and innovative Mexican writers.

This carefully crafted ebook: "BRAVE NEW WORLD" is formatted for your eReader with a functional and detailed table of contents. Set in London in the year AF 632 (2540 AD) this political and dystopian science fiction novel, paints a chilling picture of a consumerist society where being a misfit spells utter doom for a person. Here assisted reproductive technologies, mindless sex and orgies, and guided rules for expressing of human emotions reduce relationships to mechanical farces. Written in 1931, the novel is still relevant today and more so because, as Huxley mentioned in "Brave New World Revisited", our real world is turning into the world of the novel much faster than we originally thought! Aldous Huxley (1894–1963) was an English writer, novelist, philosopher, humanist, pacifist, and satirist. He later became interested in spiritual subjects such as parapsychology and philosophical mysticism. By the end of his life, Huxley was widely acknowledged as one of the pre-eminent intellectuals of his time. He was nominated for the Nobel Prize in Literature in seven different years.

Brief Candles (1930), Aldous Huxley's fifth collection of short fiction, consists of the following four short stories: "Chawdron" "The Rest Cure" "The Claxtons" "After the Fireworks" Brief Candles takes its title from a line in William Shakespeare's Macbeth, from Macbeth's famous soliloquy: "Out, out, brief candle! Life's but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more: it is a tale told by an idiot, full of sound and fury, signifying nothing."

An Economist Book of the Year, 2001. In the 18th century, a debate ensued over the French naturalist Buffon’s contention that the New World was in fact geologically new. Historians, naturalists, and philosophers clashed over Buffon’s view. This book maintains that the “dispute” was also a debate over historical authority: upon whose sources and facts should naturalists and historians reconstruct the history of the New World and its people. In addressing this question, the author offers a strikingly novel interpretation of the Enlightenment.

This book by A. Ralph Epperson purports to uncover hidden and sinister meanings behind all the symbols found on the Great Seal of the United States, committing America to "A Secret Destiny.

With prophetic timing, Yale-educated lawyer and broadcaster Pat Robertson takes a penetrating look at the reality and rhetoric of the "new world order" and gives a compelling assessment of the imminent dangers looming on the world's horizon.

International Studies Association Theory Section Best Book Award In Writing the New World, Mauro Caraccioli examines the natural history writings of early Spanish missionaries, using these texts to argue that colonial Latin America was fundamental in the development of modern political thought. Revealing their narrative context, religious ideals, and political implications, Caraccioli shows how these sixteenth-century works promoted a distinct genre of philosophical wonder in service of an emerging colonial social order. Caraccioli discusses narrative techniques employed by well-known figures such as Gonzalo Fernández de Oviedo and Bartolomé de Las Casas as well as less-studied authors including Bernardino de Sahagún, Francisco Hernández, and José de Acosta. More than mere catalogues of the natural wonders of the New World, these writings advocate mining and molding untapped landscapes, detailing the possibilities for extracting not just resources from the land but also new moral values from indigenous communities. Analyzing the intersections between politics, science, and faith that surface in these accounts, Caraccioli shows how the portrayal of nature served the ends of imperial domination. Integrating the fields of political theory, environmental history, Latin American literature, and religious studies, this book showcases Spain’s role in the intellectual formation of modernity and Latin America’s place as the crucible for the Scientific Revolution. Its insights are also relevant to debates about the interplay between politics and environmental studies in the Global South today. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Virginia Tech.

Looks at implications of colonialism for both English and Americans.