The Night Has A Naked Soul

In a work that spans nearly two centuries, anthropologist Alan Kilpatrick explores the occult world of the Western Cherokee, expounding on previously collected documents and translating some forty new shamanistic texts that have never been disclosed to outside audiences. For over a hundred and fifty years, the Cherokee Indians have been recording their medico-magical traditions in the native script of the Sequoyah syllabary. These texts, known as idi:gawe':sdi, deal with such esoteric matters as divining the future, protecting oneself from enemies, destroying the power of witches, and purifying one's soul from all forms of supernatural harm. As one of the few scholars able to translate the discourse, Kilpatrick underlines the critical role of transformational language in the ritual performance. His book challenges conventional wisdom about Native American folk medicine, witchcraft, and sorcery by introducing a new body of shamanistic thought and by placing this thought in the context of growing anthropological literature on indigenous folk beliefs.

Sushmita Shaw the compiler of The Naked Soul under Bishara Publication has compiled some beautiful micro-tales, quotes and poems written by the budding passionate writers. It consist of 20 writers from different stratas of life and their age range between 15-50. These writings are from the bleeding souls of the writers which are penned down by their emotional aspects.

In The Native South, Tim Alan Garrison and Greg O’Brien assemble contributions from leading ethnohistorians of the American South in a state-of-the-field volume of Native American history from the sixteenth to the twenty-first century. Spanning such subjects as Seminole–African American kinship systems, Cherokee notions of guilt and innocence in evolving tribal jurisprudence, Indian captives and American empire, and second-wave feminist activism among Cherokee women in the 1970s, The Native South offers a dynamic examination of ethnohistorical methodology and evolving research subjects in southern Native American history. Theda Perdue and Michael Green, pioneers in the modern historiography of the Native South who developed it into a major field of scholarly inquiry today, speak in interviews with the editors about how that field evolved in the late twentieth century after the foundational work of James Mooney, John Swanton, Angie Debo, and Charles Hudson. For scholars, graduate students, and undergraduates in this field of American history, this collection offers original essays by Mikaëla Adams, James Taylor Carson, Tim Alan Garrison, Izumi Ishii, Malinda Maynor Lowery, Rowena McClinton, David A. Nichols, Greg O’Brien, Meg Devlin O’Sullivan, Julie L. Reed, Christina Snyder, and Rose Stremlau.

According to Cherokee tradition, the place of creation is Kituwah, located at the center of the world and home to the most sacred and oldest of all beloved, or mother, towns. Just by entering Kituwah, or indeed any village site, Cherokees reexperience the creation of the world, when the water beetle first surfaced with a piece of mud that later became the island on which they lived. People of Kituwah is a comprehensive account of the spiritual worldview and lifeways of the Eastern Cherokee people, from the creation of the world to today. Building on vast primary and secondary materials, native and non-native, this book provides a window into not only what the Cherokees perceive and understand—their notions of space and time, marriage and love, death and the afterlife, healing and traditional medicine, and rites and ceremonies—but also how their religious life evolved both before and after the calamitous coming of colonialism. Through the collaborative efforts of John D. Loftin and Benjamin E. Frey, this book offers an in-depth understanding of Cherokee culture and society.

Cherokee teen Billy Buckhorn had no idea what was in store for him when Osage teen Lisa Lookout and her family showed up on his doorstep. A tribal prophecy, carried by their family for a thousand years, indicates Billy is the long awaited Chosen One, and that he is destined to battle dark ancient forces that are planning to retake control of the Middleworld. As Billy comes to accept his prophesied new role, he must also learn to accept that he and his loved ones are now targets of the most powerful shape-shifting Native American witches and sorcerers on Turtle Island. Known as the Night Seers of the Owl Clan, Billy must use old Indigenous ways, intertwined with new technology, to fight and defeat this evil force. Billy Buckhorn and the Rise of the Night Seers is the second thrilling installment of the Thunder Child Prophecy Series.

In 1801 the Moravians, a Pietist German-speaking group from Central Europe, founded the Springplace Mission at a site in present-day northwestern Georgia. The Moravians remained among the Cherokees for more than thirty years, longer than any other Christian group. John and Anna Rosina Gambold served at the mission from 1805 until Anna's death in 1821. Anna, the principal author of the diaries, chronicles the intimate details of Cherokee daily life for seventeen years. Anna describes mission life and what she heard and saw at Springplace: food preparation and consumption, transactions pertaining to land, Cherokee body ornaments, conjuring, Cherokee law and punishment, Green Corn ceremonies, ball play, and matriarchal and marriage traditions. She similarly recounts stories she heard about rainmaking, the origins of the Cherokee people, and how she herself conversed with curious Cherokees about Christian images and fixtures. She also recalls earthquakes, conversions, notable visitors, annuity distributions, and illnesses. This abridged edition offers selected excerpts from the definitive edition of the Springplace diary, enabling significant themes and events of Cherokee culture and history to emerge. Anna's carefully recorded observations reveal the Cherokees' worldview and allow readers a glimpse into a time of change and upheaval for the tribe.

"Naked Soul: The Erotic Love Poems" is an extraordinary storytelling in the form of erotic love poetry, speaking directly to the reader's heart through sensations that course throughout the body. This powerful collection of erotic and sensual love poems celebrates the erotic spirit in all its forms -- from intense passionate sexual desire to seductive victory. There are love poems for every mood and sentimental feeling, for every phase of love you are experiencing whether you are with a partner or not. Read it slowly. Read a poem at a time, or two-or all at once-but give it time to sink into your heart. Read them again. Visualize. Let the poem show you what may be lying dormant in your own heart. Any poetry lover who loves deep symbolism, storytelling and musing over deep verses will find this book very touching. No matter which phase of love you are growing in currently, this book will serve to sail you further towards the endless ocean of love.

In this innovative novel, a librarian of Cherokee ancestry rekindles and reinvents her Native identity by discovering the rhythm and spark of traditionally told stories in the most unusual places in the modern world. Ada Ronner, a librarian at Northeastern State University in Tahlequah, Oklahoma, hears books speak and senses their restless flow as they circulate. The same relentless energy and liberation of the story is also felt by Ada as she roller-skates at the Dust Bowl, a local skating rink, floating far ahead of her husband, Ether, a physics professor. Hearing "the old Cherokee voices" when she skates and works in the Manuscript and Rare Book room in the library, Ada grows increasingly aware of the continuing power of Cherokee tradition today. Coming from a culture based in oral tradition, Ada discovers the potentially liberating role of the written word, and she finds her own empowerment as its promulgator and reinventor in the twenty-first century. Designs of the Night Sky moves between the turbulent history of a tribe and the experiences of the survivors of that history still caught in turmoil. Rolling from past to present and present to past, Diane Glancy's story provokes and illumines while it invites us to reconsider the form and effect of Native American stories in today's world.