The Niqab In France

This original new work is the fascinating result of sociologist and documentary filmmaker Agnès De Féo’s ten-year exploration of the phenomenon of niqab wearing. It is at once a groundbreaking study and a series of compelling first-person accounts from French and Francophone women who wear or have worn the niqab in France’s Salafi communities. With the backdrop of the French government’s 2010 ban on full facial veiling in public spaces, which itself has shaped the phenomenon, De Féo draws on her subjects’ own words to show their agency, working against the clichés that often underlie public views of the niqab—that it is purely the result of masculine pressure, for example, or extreme religiosity or nationalism, or the submissive desire to disappear. Instead, she shows, the niqab is multivalent: women wear it for reasons that range from religious piety to the desire to rebel against mainstream society, family, or the rule of law. The reasons are complex, overdetermined, contradictory, or even inconsistent, but they are the women’s own. Despite being worn only by a small minority of Muslim women, the Islamic garment has nonetheless been a major source of intense political, religious, and cultural debate in France. Searching to understand, rather than speculate, De Féo chose to approach the people who wear the niqab, and to make them, rather the veil itself, the subject of her research. Her unprecedented study, based on more than 200 interviews, reveals the many factors—social, political, geopolitical, and psychological—underpinning a personal choice that is not always as religious as it seems. The book ends with sixteen captivating interviews giving voice to stories rarely heard. With finesse and discernment, the author debunks the myths surrounding the wearing of the niqab, and sheds light on a practice subject to misunderstanding and prejudice, offering the reader unique insight. Challenging our preconceived notions and stereotypes about women who wear any form of Islamic apparel, but particularly the niqab, The Niqab in France introduces a group of women each with her own life story, her own share of personal struggles, aspirations, and desires, and her own claim to a certain place in society. This work received support for excellence in publication and translation from Albertine Translation, a program created by Villa Albertine.

This book analyses French cultural policies in the face of what the French government perceives as a challenge to its Republican secular raison d'être. It makes general arguments about France's changing identity and specific arguments about the burqa and niqab ban. The book further explains how French history shaped the ideology of secularism and of public civil religion, and how colonial legacy, immigration, fear of terrorism, and security needs have led France to adopt the trinity of indivisibilité, sécurité, laïcité while paying homage to the traditional trinity of liberté, égalité, fraternité. The book argues that while this motto of the French Revolution is still symbolically and politically important, its practical significance as it has been translated to policy implementation has been eroded. It shows how the emergence of the new trinity at the expense of the old one is evident when analyzing the debates concerning cultural policies in France in the face of the Islamic garb, the burqa, and the niqab, which are perceived as a challenge to France's national secular raison d'être. Subsequently, the book raises various important questions, such as: Is the burqa and niqab ban socially just? Does it reasonably balance the preservation of societal values and freedom of conscience? What are the true motives behind the ban? Has the discourse changed in the age of COVID-19, when all people are required to wear a mask in the public space? Therefore, this book is a must-read for students, scholars, and researchers of political science, as well as a general audience interested in a better understanding of French politics, elections, cultural policy, secularism, and identity. .

This book analyses French cultural policies in the face of what the French government perceives as a challenge to its Republican secular raison d'être. It makes general arguments about France’s changing identity and specific arguments about the burqa and niqab ban. The book further explains how French history shaped the ideology of secularism and of public civil religion, and how colonial legacy, immigration, fear of terrorism, and security needs have led France to adopt the trinity of indivisibilité, sécurité, laïcité while paying homage to the traditional trinity of liberté, égalité, fraternité. The book argues that while this motto of the French Revolution is still symbolically and politically important, its practical significance as it has been translated to policy implementation has been eroded. It shows how the emergence of the new trinity at the expense of the old one is evident when analyzing the debates concerning cultural policies in France in the face of the Islamic garb, the burqa, and the niqab, which are perceived as a challenge to France’s national secular raison d'être. Subsequently, the book raises various important questions, such as: Is the burqa and niqab ban socially just? Does it reasonably balance the preservation of societal values and freedom of conscience? What are the true motives behind the ban? Has the discourse changed in the age of COVID-19, when all people are required to wear a mask in the public space? Therefore, this book is a must-read for students, scholars, and researchers of political science, as well as a general audience interested in a better understanding of French politics, elections, cultural policy, secularism, and identity.

"The translation of Breaking the Silence allows us, finally, to listen directly to the voices of Muslim women in France. Fadela Amara's book is at once autobiography, an analysis of the degradation of male-female relations in France's working-class suburbs, and an engrossing chronicle of a political movement. Helen Chenut's deft translation and comprehensive introduction shows us complex universe inhabited by young women of North African descent in contemporary France."—Susanna Barrows, author of Drinking: Behavior and Belief in Modern History "This book delivers a timely and evocative corrective to stereotypes of Muslim women. Amara discusses with sensitivity the complex gender position of Muslim women in a Western European country in which the conflict between liberal republican ideals and cultural norms has had particularly violent consequences for women. Chenut's fine translation brings Amara's words to life and her excellent introduction places the Muslim women's movement in the context of the racial and cultural tensions that plague France's banlieues today."—Laura Levine Frader, co-editor, Gender and Class in Modern Europe

In Unveiling the French Republic, Per-Erik Nilsson engages in a critical analysis of national identity, secularism, and Islam in France. He argues that secular ideology has been used to justify religious intolerance, mask ethnic prejudice, and reify French national identity.

Bringing niqab wearers' voices to the fore, discussing their narratives on religious agency, identity, social interaction, community, and urban spaces, Anna Piela situates women's accounts firmly within UK and US socio-political contexts as well as within media discourses on Islam. The niqab has recently emerged as one of the most ubiquitous symbols of everything that is perceived to be wrong with Islam: barbarity, backwardness, exploitation of women, and political radicalization. Yet all these notions are assigned to women who wear the niqab without their consultation; “niqab debates” are held without their voices being heard, and, when they do speak, their views are dismissed. However, the picture painted by the stories told here demonstrates that, for these women, religious symbols such as the niqab are deeply personal, freely chosen, multilayered, and socially situated. Wearing the Niqab gives voice to these women and their stories, and sets the record straight, enhancing understanding of the complex picture around niqab and religious identity and agency.

A sociological study of the cultural choices and identity negotiation of North African women immigrants in France.

The report presents available data on discrimination affecting Muslims in employment, education and housing. Manifestations of Islamophobia range from verbal threats through to physical attacks on people and property. The report stresses that the extent and nature of discrimination and Islamophobic incidents against European Muslims remain under-documented and under-reported.