The Notebooks

Experience the unforgettable, heartbreaking love story set in post-World War II North Carolina about a young socialite and the boy who once stole her heart -- one of PBS's "Great American Reads". Every so often a love story so captures our hearts that it becomes more than a story-it becomes an experience to remember forever. The Notebook is such a book. It is a celebration of how passion can be ageless and timeless, a tale that moves us to laughter and tears and makes us believe in true love all over again... At thirty-one, Noah Calhoun, back in coastal North Carolina after World War II, is haunted by images of the girl he lost more than a decade earlier. At twenty-nine, socialite Allie Nelson is about to marry a wealthy lawyer, but she cannot stop thinking about the boy who long ago stole her heart. Thus begins the story of a love so enduring and deep it can turn tragedy into triumph, and may even have the power to create a miracle...

Every so often a love story captures our hearts and becomes more than just a story - it becomes an experience to treasure and to share. The Notebook is such a book. It is a celebration of a passion both ageless and timeless, a tale of laughter and tears, and makes us believe in true love all over again. At thirty-one, Noah Calhoun is rebuilding his life on the coast after the horrors of World War II, but he is haunted by images of the girl he lost more than a decade earlier. Allie Nelson is about to marry into wealth and security, but she cannot stop thinking about the boy who stole her heart years ago. And so begins an extraordinary tale of a love so strong it turns tragedy into strength and endures everything . . . 2014 marks the 10th anniversary of the film adaptation of The Notebook starring Ryan Gosling and Rachel McAdams. This new edition includes gorgeous colour photographs from the film, author Q & A, discussion questions and an exclusive chapter from The Longest Ride, the new Nicholas Sparks novel.

Writings by early-modern English artisans are rare and thus precious. London wood-turner and puritan, Nehemiah Wallington (1598-1658) is exceptional for having compiled fifty notebooks between 1618 and 1654. Although only seven of these are extant, they not only provide a wealth of valuable information about life in seventeenth-century London, but more importantly give access to the author's personal world, both inner and outer. Providing substantial excerpts from the surviving notebooks, this edition covers the broad range of subjects that animated Wallington's everyday life. Accounts of incidents in his domestic, working and religious life sit side by side with sustained meditations on his spiritual state; reports on national events are given, along with their possible providential meanings. Particularly illuminating are Wallington's reflections on his own mental wellbeing, at times suicidal, at others ecstatic. From letters on religious matters to expressions of anxiety over the illnesses and mishaps of his wife and children, from vexed thoughts about money matters to chronicling the tumults of civil war London, this collection provides a window into everyday life in seventeenth-century England. By making the writings of Nehemiah Wallington available in a modern edited edition, fully footnoted and referenced, together with a substantial scholarly introduction, we hope that this little-known London wood-turner will soon take his deserved place besides Pepys and Evelyn as one of the authentic voices commenting on early modern England.

"This is an invaluable aid to the understanding not only of the finished work of art, but also of Dostoyevsky's strangely tortured yet confident creative process." — Modern Fiction Studies. "Superbly edited by Edward Wasiolek and well translated (despite difficult problems of rendering) by Katharine Strelsky." ― The New York Times Book Review. The central idea of The Idiot, according to its author, was "to depict a completely beautiful human being." More prosaically, the novel was intended to shore up Dostoyevsky's professional and financial state. The portrait of Prince Myshkin, a holy fool, was created in desperation amidst the squalid poverty engendered by the Russian writer's compulsive gambling. Dostoyevsky's entire future depended on the success of his next novel, which began as one story and ended as quite another. After publishing the first part of The Idiot in The Russian Messenger, Dostoyevsky had no idea how to continue the story. The second part, in fact, is a quite different novel. The author's notebooks reveal at least eight plans for the tale, with numerous variations on each plan. A unique document of the creative process, this volume is illustrated by facsimiles of original pages from the notebooks, offering a rich source of information about the development of Dostoyevsky's enigmatic novel.

Michael Mabius is a young writer who has experienced great success and great failure. He has hobbled a once-soaring literary career with the heavy burdens of too many drugs, too much sex, and the tragic wasting that comes with time-consuming, enervating social interactions among too many friends who are no friends at all. Now, to save himself, he needs two things - to write the great book he has known all his life he must write, and to live once again with the only woman he has ever loved - Susan. But Susan has recently married another man, though Michael refuses to accept this fact. And Michael's creative energies are being poured out in writing dialog for cartoon rodents to say in hopeless films, so he can earn the money to pay for the drugs that provide him with the only traces of warmth left in his world.

theological, philosophical, scientific, social, and psychological matters, plans for and fragments of works, and many other items of great interest. This fourth double volume of the Notebooks covers the years 1819 through 1826. The range of Coleridge's reading, his endless questioning, and his recondite sources continue to fascinate the readers. Included here are drafts and full versions of the later poems. Many passages reflect the technological interests that led to Coleridge's writing of Aids of Reflection, later to become an important source for the Transcendentalists. Another development in this volume is the startling expansion of Coleridge's interest in "the theory of life" and in chemistry--the laboratory chemistry of the Royal Institution fo Great Britain and the theoretical chemistry of German transcendentalists such as Okea, Steffens, and Oersted. Also contained in this volume is an important section on the meaning of marriage. Kathleen Coburn is Professor Emeritus at Victoria College of the University of Toronto. Merton Christensen was Professor of English at the University of Delaware. Bollingen Series L:4. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"First published in Paris in 1910, Rilke's The Notebooks of Malte Laurids Brigge is one of the first great modernist novels: Partly a ghost story, partly an autobiography, and partly the diary of a young poet teaching himself how to see the world, this new translation by Burton Pike captures not only the beauty but also the strangeness and spirit of the original."--BOOK JACKET.

I worked for decades as psychoanalyst and researcher in forensic psychiatric settings with psychopaths. I was fascinated by those psychopaths who were cured and wrote my PhD-thesis about remission in psychopaths, which is a very rare phenomenon, indeed. I was astonished about the simplicity of ideas and misconceptions about psychopathy of other scholars. I knew from my own and other psychopaths experiences that the reality of the psychopathic condition was much more complex than they ever could conceive. This motivated me the write a number of articles in international journals in order to make an attempt to correct and complement current theories of psychopaths. I am retired now since 5 years and I enjoyed to be in the circumstance to focus myself completely on my old passion, namely composing of music. However, my repose was disturbed by a well-known scholar and friend who asked me to write a book about my own experienced as a psychopath. And so I decided to accept this last task before I should leave forever the scientific arena of the forensic psychiatry. And I do it with a good reason. Psychopaths might regard their features, attitude and behavior quite differently than their non-psychopathic counterparts and psychiatric researchers do. This distinction might be the result of a) ignorance of non-psychopaths about the true nature of this complex disorder, b) a very different perspective of psychopaths and non-psychopaths in analyzing this phenomenon, c) the fact that most empirical data is gathered from incarnated, criminal populations who are very able to manipulate tests (most of them know much about the PCL-R), assessments, researchers, and therapists (just for fun, revenge, hatred, or disgust) and d) a lack of utilization of and unavailability of reliable and voluntary self-reports of psychopaths in informal settings, and so on. Informal, non-academic and non-clinical settings are important because the psychopaths I investigated hate formal academic and clinical settings because they consider them as bulwarks of repressing authority which are harmful for them. They consider current theories and concepts of psychopathy as inadequate, incomplete, incorrect, stereotype which bring about stigmatization.