The Novel Machine

Originally published in 1980. The first section of The Novel-Machine consists of five short chapters that rewrite Autobiography as an undisguised theory of realistic fiction, exploring its paradoxes while placing it in the context of mid-Victorian criticism. Chapters 6 and 7 survey the manifestations in Trollope's novels of what his theory sets down as the primary difference of realism: its way of telling its readers how to read. Chapter 8 is a close reading of He Knew He Was Right, a neglected novel that, in Kendrick's estimation, deserves to stand in much higher critical esteem than it does. Kendrick shows how deeply woven into the texture of Trollope's writing the rhetoric of realism is. Kendrick's reading is a departure from the usual method of criticizing Trollope—surveying the whole of his work a novel at a time, saying a little about every novel and always too little about each.

Ricky Rice is a middling hustler with a lingering junk habit, a bum knee, and a haunted mind. A survivor of a suicide cult, he scrapes by as a porter at a bus depot in Utica, New York, until one day a mysterious letter arrives, summoning him to enlist in a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard what may have been the voice of God. Infused with the wonder of a disquieting dream and laced with Victor LaValle’s fiendish comic sensibility, Big Machine is a mind-rattling mystery about doubt, faith, and the monsters we carry within us.

A haunting story of guilt and blame in the wake of a drowning, the first novel by the author of Spectacle Susan Steinberg’s first novel, Machine, is a dazzling and innovative leap forward for a writer whose most recent book, Spectacle, gained her a rapturous following. Machine revolves around a group of teenagers—both locals and wealthy out-of-towners—during a single summer at the shore. Steinberg captures the pressures and demands of this world in a voice that effortlessly slides from collective to singular, as one girl recounts a night on which another girl drowned. Hoping to assuage her guilt and evade a similar fate, she pieces together the details of this tragedy, as well as the breakdown of her own family, and learns that no one, not even she, is blameless. A daring stylist, Steinberg contrasts semicolon-studded sentences with short lines that race down the page. This restless approach gains focus and power through a sharply drawn narrative that ferociously interrogates gender, class, privilege, and the disintegration of identity in the shadow of trauma. Machine is the kind of novel—relentless and bold—that only Susan Steinberg could have written.

The new novel from the master storyteller is his best in years. Brilliantly McEwan, richly entertaining, a moving love story and a mystery--yet for all its gripping plotline one of the most morally layered novels written for our times, as it carries us into a provocatively real alternative history and the profound challenges of Artificial Intelligence. Set in 1980s London, the story revolves around Charlie: young and reckless, and in love with his upstairs neighbour, the enchanting Miranda whose hidden, murky past hangs between them. He has spent his inheritance on the acquisition of one of twenty-five highly developed new robotic humans--named Adam or Eve, each one beautiful, strong and clever--developed by Alan Turing after his success on the legendary WW2 Enigma codebreaking machine. As London is consumed by the huge protests over England and Argentina's Falklands War and Margaret Thatcher's jingoistic ambitions, Charlie courts Miranda, and his Adam finds himself, inevitably, central to their affair. Great novelist that he is, McEwan pulls us into the question of what it means to love, what makes us human in our fast-changing times, what might follow if a machine understands too well the human heart, and how precarious a construct is the world we live in and think we know.

A “spectacularly smart space opera” that follows Ancestral Night in the Hugo Award–winning author’s White Space duology (Publishers Weekly, starred review). Meet Doctor Jens. She hasn’t had a decent cup of coffee in fifteen years. Her workday begins when she jumps out of perfectly good space ships and continues with developing treatments for sick alien species she’s never seen before. She loves her life. Even without the coffee. But Dr. Jens is about to discover an astonishing mystery: two ships, one ancient and one new, locked in a deadly embrace. The crew is suffering from an unknown ailment and the shipmind is trapped in an inadequate body, much of her memory pared away. Unfortunately, Dr. Jens can’t resist a mystery and she begins doing some digging. She has no idea that she’s about to discover horrifying and life-changing truths. Written in Elizabeth Bear’s signature “rollicking, suspenseful, and sentimental” (Publishers Weekly) style, Machine is a fresh and electrifying space opera that you won’t be able to put down. “Intelligently plotted and executed with flair, Machine is a taut sci-fi mystery thriller that eschews popcorn movie theatrics for immersive environments and memorable characters.” —Scott Whitmore, author of Green Zulu 51 “Ideal for fans of C. J. Cherryh, Ann Leckie, and Iain M. Banks.” —Booklist “An intricately plotted fusion of science fiction adventure and conspiratorial mystery.” —Kirkus Reviews “This fascinating read is perfect for [fans of Star Trek’s] Dr. Crusher.” —StarTrek.com

NEW YORK TIMES BESTSELLER LONGLISTED FOR THE 2021 BOOKER PRIZE NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES, THE GLOBE AND MAIL, THE GUARDIAN, ESQUIRE, VOGUE, TIME, THE WASHINGTON POST, THE TIMES (UK), VULTURE, THE ECONOMIST, NPR, AND BOOKRIOT ON PRESIDENT OBAMA’S SUMMER 2021 READING LIST The magnificent new novel from Nobel laureate Kazuo Ishiguro--author of Never Let Me Go and the Booker Prize-winning The Remains of the Day. “The Sun always has ways to reach us.” From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans. In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?

In Extinction Machine, the fifth Joe Ledger book by Jonathan Maberry, the DMS must go up against someone—or something—in search of new technology that could bring about world war The President of the United States vanishes from the White House. A top-secret prototype stealth fighter is destroyed during a test flight. Witnesses on the ground say that it was shot down by a craft that immediately vanished at impossible speeds. All over the world reports of UFOs are increasing at an alarming rate. And in a remote fossil dig in China dinosaur hunters have found something that is definitely not of this earth. There are rumors of alien-human hybrids living among us. Joe Ledger and the Department of Military Sciences rush headlong into the heat of the world's strangest and deadliest arms race, because the global race to recover and retro-engineer alien technologies has just hit a snag. Someone—or something--wants that technology back.

In a near-future America, a sentient computer program named Charlotte has turned terrorist, but Lee Fisher, the closeted son of an ultraconservative President, is more concerned with keeping his Secret Service detail from finding out about his developing romance with Nico, the new guy at school, but when the spider-like robots that roam the school halls begin acting even stranger than usual, Lee realizes he is Charlotte's next target.