The Novel Of Female Adultery

The novel of adultery is a nineteenth-century form about the experience of women, produced almost exclusively by men. Bill Overton's study is the first to address the gender implications of this form, and the first to write its history. The opening chapter defines the terms 'adultery' and 'novel of adultery', and discusses how the form arose in Continental Europe, but failed to appear in Britain. Successive chapters deal with its development in France, and with examples from Russia, Denmark, Germany, Spain and Portugal.

From the #1 New York Times bestselling author of Primates of Park Avenue, a bold, timely reconsideration of female infidelity that will upend everything you thought you knew about women and sex. What do straight, married female revelers at an all-women's sex club in LA have in common with nomadic pastoralists in Namibia who bear children by men not their husbands? Like women worldwide, they crave sexual variety, novelty, and excitement. In ancient Greek tragedies, Netflix series, tabloids and pop songs, we've long portrayed such cheating women as dangerous and damaged. We love to hate women who are untrue. But who are they really? And why, in this age of female empowerment, do we continue to judge them so harshly? In Untrue, feminist author and cultural critic Wednesday Martin takes us on a bold, fascinating journey to reveal the unexpected evolutionary legacy and social realities that drive female faithlessness, while laying bare our motivations to contain women who step out. Blending accessible social science and interviews with sex researchers, anthropologists, and real women from all walks of life, Untrue challenges our deepest assumptions about ourselves, monogamy, and the women we think we know. From recent data suggesting women may struggle more than men with sexual exclusivity to the revolutionary idea that females of many species evolved to be "promiscuous" to Martin's trenchant assertion that female sexual autonomy is the ultimate metric of gender equality, Untrue will change the way you think about women and sex forever.

Women's adultery provides many of the plots that run through nineteenth-century European fiction. This book discusses how novels of adultery have been theorized, argues its own theoretical perspective, and analyzes two 'circumtexts' of the fiction of female adultery: its pre-history in eighteenth-century Britain, and its decline during the Naturalist period in France. It is the first dedicated study of the theory of the novel of adultery, and of the representation of adultery in earlier British and later nineteenth-century French fiction.

This sizzling novel explores the last outpost of women's struggle for identity and equality: the problems of loving men, married men in particular. One of the most intimate and captivating novels about women in love to come along in years.

In Adulterous Nations, Tatiana Kuzmic enlarges our perspective on the nineteenth-century novel of adultery, showing how it often served as a metaphor for relationships between the imperialistic and the colonized. In the context of the long-standing practice of gendering nations as female, the novels under discussion here—George Eliot’s Middlemarch, Theodor Fontane’s Effi Briest, and Leo Tolstoy’s Anna Karenina, along with August Šenoa’s The Goldsmith’s Gold and Henryk Sienkiewicz’s Quo Vadis—can be understood as depicting international crises on the scale of the nuclear family. In each example, an outsider figure is responsible for the disruption experienced by the family. Kuzmic deftly argues that the hopes, anxieties, and interests of European nations during this period can be discerned in the destabilizing force of adultery. Reading the work of Šenoa and Sienkiewicz, from Croatia and Poland, respectively, Kuzmic illuminates the relationship between the literature of dominant nations and that of the semicolonized territories that posed a threat to them. Ultimately, Kuzmic’s study enhances our understanding of not only these five novels but nineteenth-century European literature more generally.

19th-century novel of adultery and remorse. Marie von Ebner-Eschenbach (1830-1916) was celebrated even in her own lifetime as Austria's foremost nineteenth-century woman writer.Beyond Atonement (Unsühnbar, 1889), loosely based on an actual event in a high-class Austrian family, is a novel about adultery: Maria marries Hermann Dornach, though she is in love with Felix Tessin; two years later, she commits adultery with Tessin, conceiving a child whom she alone knows to be illegitimate; when her husband and their legitimate son die in an accident, she reveals her infidelity. Her unforgiving family and her own remorse set Maria apart from the protagonists of other nineteenth-century novels of adultery such as Goethe's Elective Affinities and Tolstoy's Anna Karenina. Beyond Atonement is a companion piece to Ebner's best-known tale of village life, Their Pavel (Das Gemeindekind), also published by Camden House. Dr VANESSA VAN ORNAM is a translator for the city government of Berlin.