The Old Crocodile Man Theory

Fiction

Crystal Waters -The Cut Throat Committee gives readers a rare glimpse into the mind of hoodlums, serial killers, convicts, bank robbers, and computer hackers. Lonnie adds a special twist as he contributes to the hood-life the craft of magicians, the mystery of psychics, and dogs that are trained to do only one thing – rob banks. In the slums of downtown Miami, Florida, Crystal is the leader of the Cut Throat Committee. He attempts to accomplish the biggest robbery in Miami history. The opposition is aware of his plan. Crystal’s brother is out to stop him, and the Confidential Informant is someone very close to home. Crystal is running out of time. He is also out of patience. Will he run out of luck? Enter the streets of Miami as Lonnie captivates the readers of the urban genre. Vividly detailed contributions of real robberies from some of the biggest names in bank robbery is exposed as this author brings his protagonist to life in this modern day version of The Doberman Gang.

What is presented here is a preliminary crystallization of thinking about questions, problems, and aspects that presented themselves during research into the iconography of Old Kingdom elite tombs in the so-called Leiden Mastaba Project (LMP), started in 1980 for teaching advanced students. Since the Egyptian culture has been given shape mainly in connection with the residences of the kings, the elite tombs of the Memphite area only were incorporated into the database. The original paper database consists of individual files on each tomb, giving a plan, wall scheme, a concise description of each sub-theme and its accompanying texts (if present). For details on the set-up, the original questions, the intention and some preliminary results on the partially collected material in 1985, see Van Walsem, Mastaba project. The core of this essay is a combination of and an elaboration of two former lectures by the author entitled: "Some un(der)exposed aspects in the study and interpretation of mastaba scenes" and "Religious iconography of Ancient Egypt: methodological and theoretical problems".

For approximately eight months during 1931-1932, anthropologist Margaret Mead lived with and studied the Mountain Arapesh-a segment of the population of the East Sepik Province, Papua New Guinea. She found a culture based on simplicity, sensitivity, and cooperation. In contrast to the aggressive Arapesh who lived on the plains, both the men and the women of the mountain settlements were found to be, in Mead's word, maternal. The Mountain Arapesh exhibited qualities that many might consider feminine: they were, in general, passive, affectionate, and peaceloving. Though Mead partially explains the male's "femininity" as being due to the type of nourishment available to the Arapesh, she maintains social conditioning to be a factor in the type of lifestyle led by both sexes. Mead's study encapsulates all aspects of the Arapesh culture. She discusses betrothal and marriage customs, sexuality, gender roles, diet, religion, arts, agriculture, and rites of passage. In possibly a portent for the breakdown of traditional roles and beliefs in the latter part of the twentieth century, Mead discusses the purpose of rites of passage in maintaining societal values and social control. Mead also discovered that both male and female parents took an active role in raising their children. Furthermore, it was found that there were few conflicts over property: the Arapesh, having no concept of land ownership, maintained a peaceful existence with each other. In his new introduction to The Mountain Arapesh, Paul B. Roscoe assesses the importance of Mead's work in light of modern anthropological and ethnographic research, as well as how it fits into her own canon of writings. Roscoe discusses findings he culled from a trip to Papua New Guinea in 1991 to clarify some ambiguities in Mead's work. His travels also served to help reconstruct what had happened to the Arapesh since Mead's historic visit in the early 1930s.

First published in 2005. This expansive and fascinating treatment of ancient Egyptian mythology and its influence on the traditions that followed from it includes explorations of sign-language in mythological representation, totemism, fetishism, spirits and Gods, the Egyptian Book of the Dead, and Egyptian wisdom in the Hebrew Genesis. Readers will enjoy the wealth of information offered by Massey, as well as his clear and readable style.

No one ever understood the mythology and Ritual of Ancient Egypt so well as Gerald Massey since the time of the Ancient Philosophers of Egypt. This book is one of the best when it comes down to Egyptian mythology, occultism and interpretation. It's a standard work no one wants to miss. Contents: Sign-Language And Mythology As Primitive Modes Of Representation. Totemism, Tattoo And Fetishism As Forms Of Sign-Language Elemental And Ancestral Spirits, Or The Gods And The Glorified. Egyptian Book Of The Dead And The Mysteries Of Amenta The Sign-Language Of Astronomical Mythology Egyptian Wisdom. The Drowning Of The Dragon The Sign-Language Of Astronomical Mythology (Part II) Horus Of The Double Horizon. The Making Of Amenta The Irish Amenta The Upper Mount Of Glory. Egyptian Wisdom And The Hebrew Genesis The Egyptian Wisdom In Other Jewish Writings