The Old English Rune Poem

This critical edition provides unique access to a work which has challenged scholars and students alike. The book is the first to deal fully with the poem as literature and to supply the runic background necessary for an understanding of the raw materials with which the poet was working. The introduction offers a thorough discussion of the origin, development, and uses of runes before proceeding to the close examination of text, language, literary sources, style, and themes of the poem. Following the text and translation of the poem proper, detailed explanatory notes pay particular attention to the background of each individual rune and rune name, and the appendixes provide analogous material to assist in setting the poet's achievement into the runic context. Since many of the sources necessary for an accurate assessement of the Old English Rune Poem are written in foreign or dead languages, modern English translations have been provided throughout to ensure that the poem will be accessible to students as well as to professional medievalists. (McMaster Old English Studies and Texts 2)

Reading the Runes in Old English and Old Norse Poetry is the first book-length study to compare responses to runic heritage in the literature of Anglo-Saxon England and medieval Iceland. The Anglo-Saxon runic script had already become the preserve of antiquarians at the time the majority of Old English poetry was written down, and the Icelanders recording the mythology associated with the script were at some remove from the centres of runic practice in medieval Scandinavia. Both literary cultures thus inherited knowledge of the runic system and the traditions associated with it, but viewed this literate past from the vantage point of a developed manuscript culture. There has, as yet, been no comprehensive study of poetic responses to this scriptural heritage, which include episodes in such canonical texts as Beowulf, the Old English riddles and the poems of the Poetic Edda. By analysing the inflection of the script through shared literary traditions, this study enhances our understanding of the burgeoning of literary self-awareness in early medieval vernacular poetry and the construction of cultural memory, and furthers our understanding of the relationship between Anglo-Saxon and Norse textual cultures. The introduction sets out in detail the rationale for examining runes in poetry as a literary motif and surveys the relevant critical debates. The body of the volume is comprised of five linked case studies of runes in poetry, viewing these representations through the paradigm of scriptural reconstruction and the validation of contemporary literary, historical and religious sensibilities.

Introduction to the use of runes as a practical script for a variety of purposes in Anglo-Saxon England. Runes are quite frequently mentioned in modern writings, usually imprecisely as a source of mystic knowledge, power or insight. This book sets the record straight. It shows runes working as a practical script for a variety of purposes in early English times, among both indigenous Anglo-Saxons and incoming Vikings. In a scholarly yet readable way it examines the introduction of the runic alphabet (the futhorc) to England in the fifth and sixth centuries, the forms and values of its letters, and the ways in which it developed, up until its decline at the end of the Anglo-Saxon period. It discusses how runes were used for informal and day-to-day purposes, on formal monuments, as decorative letters in prestigious manuscripts, for owners' or makers' names on everyday objects, perhaps even in private letters. For the first time, the book presents, together with earlier finds, the many runic objects discovered over the last twenty years, with a range of inscriptions on bone, metal and stone, even including tourists' scratched signatures found on the pilgrimage routes through Italy. It gives an idea of the immense range of informationon language and social history contained in these unique documents. The late R.I. PAGE was former Professor of Anglo-Saxon in the University of Cambridge.

This book presents the first comprehensive study of Anglo-Saxon manuscript texts containing runic letters. To date there has been no comprehensive study of these works in a single volume, although the need for such an examination has long been recognized. This is in spite of a growing academic interest in the mise-en-page of early medieval manuscripts. The texts discussed in this study include Old English riddles and elegies, the Cynewulfian poems, charms, Solomon and Saturn I, and the Old English Rune Poem. The focus of the discussion is on the literary analysis of these texts in their palaeographic and runological contexts. Anglo-Saxon authors and scribes did not, of course, operate within a vacuum, and so these primary texts are considered alongside relevant epigraphic inscriptions, physical objects, and historical documents. Victoria Symons argues that all of these runic works are in various ways thematically focused on acts of writing, visual communication, and the nature of the written word. The conclusion that emerges over the course of the book is that, when encountered in the context of Anglo-Saxon manuscripts, runic letters consistently represent the written word in a way that Roman letters do not.

An exciting debut collection of original poems and translations from Old English An exciting debut collection of original poems and translations from Old English, The Unstill Ones takes readers into a timeless, shadow-filled world where new poems sound ancient, and ancient poems sound new. Award-winning scholar-poet Miller Oberman’s startlingly fresh translations of well-known and less familiar Old English poems often move between archaic and contemporary diction, while his original poems frequently draw on a compressed, tactile Old English lexicon and the powerful formal qualities of medieval verse. Shaped by Oberman’s scholarly training in poetry, medieval language, translation, and queer theory, these remarkable poems explore sites of damage and transformation, both new and ancient. “Wulf and Eadwacer,” a radical new translation of a thousand-year-old lyric, merges scholarly practice with a queer- and feminist-inspired rendering, while original poems such as “On Trans” draw lyrical connections between multiple processes of change and boundary crossing, from translation to transgender identity. Richly combining scholarly rigor, a finely tuned contemporary aesthetic, and an inventiveness that springs from a deep knowledge of the earliest forms of English, The Unstill Ones marks the emergence of a major new voice in poetry.

First published in 1915, this book presents a selection of poems written by 'the Old Teutonic Peoples'. The text is divided into two main sections containing 'Runic Poems' and 'Heroic Poems'. The majority of the poems are of Anglo-Saxon derivation, but there are also Norwegian, Icelandic and Old High German inclusions. All poems are given in the original language with a facing-page English translation. Detailed notes and bibliographies are also included. This book will be of value to anyone with an interest in Anglo-Saxon and related poetry.

Finest heroic poem in Old English celebrates the exploits of Beowulf, a young nobleman of southern Sweden. Combines myth, Christian and pagan elements, and history into a powerful narrative. Genealogies.