The Old New Thing

"Raymond Chen is the original raconteur of Windows." --Scott Hanselman, ComputerZen.com "Raymond has been at Microsoft for many years and has seen many nuances of Windows that others could only ever hope to get a glimpse of. With this book, Raymond shares his knowledge, experience, and anecdotal stories, allowing all of us to get a better understanding of the operating system that affects millions of people every day. This book has something for everyone, is a casual read, and I highly recommend it!" --Jeffrey Richter, Author/Consultant, Cofounder of Wintellect "Very interesting read. Raymond tells the inside story of why Windows is the way it is." --Eric Gunnerson, Program Manager, Microsoft Corporation "Absolutely essential reading for understanding the history of Windows, its intricacies and quirks, and why they came about." --Matt Pietrek, MSDN Magazine's Under the Hood Columnist "Raymond Chen has become something of a legend in the software industry, and in this book you'll discover why. From his high-level reminiscences on the design of the Windows Start button to his low-level discussions of GlobalAlloc that only your inner-geek could love, The Old New Thing is a captivating collection of anecdotes that will help you to truly appreciate the difficulty inherent in designing and writing quality software." --Stephen Toub, Technical Editor, MSDN Magazine Why does Windows work the way it does? Why is Shut Down on the Start menu? (And why is there a Start button, anyway?) How can I tap into the dialog loop? Why does the GetWindowText function behave so strangely? Why are registry files called "hives"? Many of Windows' quirks have perfectly logical explanations, rooted in history. Understand them, and you'll be more productive and a lot less frustrated. Raymond Chen--who's spent more than a decade on Microsoft's Windows development team--reveals the "hidden Windows" you need to know. Chen's engaging style, deep insight, and thoughtful humor have made him one of the world's premier technology bloggers. Here he brings together behind-the-scenes explanations, invaluable technical advice, and illuminating anecdotes that bring Windows to life--and help you make the most of it. A few of the things you'll find inside: What vending machines can teach you about effective user interfaces A deeper understanding of window and dialog management Why performance optimization can be so counterintuitive A peek at the underbelly of COM objects and the Visual C++ compiler Key details about backwards compatibility--what Windows does and why Windows program security holes most developers don't know about How to make your program a better Windows citizen

“A mixtape of variations and a fugue on time from a postmodern master.… Familiar tales and conventional genres are made new, tinged with shuddering wonder and titillating humor.” —Yu-Yun Hsieh, The New York Times Book Review Robert Coover has been playing by his own rules for more than half a century, earning the 1987 Rea Award for the Short Story as “a writer who has managed, willfully and even perversely, to remain his own man while offering his generous vision and versions of America.” Here, in this selection of his best stories, you will find an invisible man tragically obsessed by an invisible woman; a cartoon man in a cartoon car who runs over a real man who is arrested by a real policeman with cartoon eyes; a stick man who reinvents the universe. While invading the dreams and nightmares of others, Coover cuts to the core of how realism works.

Commonly understood as the first theologian of the Christian faith, Paul set forth the categories by which we describe our relationship with Christ. Did he understand the new covenant Jesus announced at the Last Supper primarily as a replacement of the old Mosaic covenant God made with Israel, or as a renewal and completion of the old? Jason Meyer surveys the various differences that have been argued between the two covenants in The End of the Law, carefully and inductively perfoming a semantic, grammatical, and contextual analysis of all the Pauline texts dealing with covenant concepts. Book seven of the New American Commentary Studies in Bible & Theology series, an extension of the long-respected New American Commentary.

What is the 'new economy'? Where is it? How does it differ from the 'old economy'? How does the 'new economy' relate to issues such as the nature of work, social inclusion and exclusion? Geographies of the New Economy explores the meaning of the 'new economy' at the global scale from the perspective of advanced post-socialist and emerging economies. Drawing on evidence from regions around the world, the book debates the efficacy of the widely used concept of the ‘new economy’ and examines its socio-spatial consequences. This book is important reading for policy-makers, academics and students of geography, sociology, urban studies, economics, planning and policy studies.

* Will appeal to the same (large) audience as Joel on Software * Contains exclusive commentary by Joel * Lots of free publicity both because of Joel’s influence in the community and the influence of the contributors

This volume, based on seventy-three sermons that consecutively cover Matthew's Gospel, receives strength through the very roughness and directness of the word spoken under the inspiration of vast, visible audiences while addressed to the impressionable hearts of men. From first to last, the various units in the exposition proceed on the assumption that it was the intention of the writer to set forth the Person of our Lord in relation to His kingly office. So from the mystic account of His advent in human history, through the record of the authority of His ethical enunciation, the mercifulness of His method, the majesty of His death, and the glory of His resurrection, to the ringing claim of "all authority," and the clarion command to "disciple the nations," we are ever in the presence of the King. In an enthusiastic review, the Sunday School Times observes, "It will prove a mine of treasure for teaching the Sunday­ school lessons. There is hardly a page from which some expression of great force does not strike out at the reader."