The Olive Fairy Book Classic Reprint

The Olive Fairy Book is a collection of children's fairy tales from all over the world which have been translated into English, edited by Andrew Lang, . This book is one in a series (The Fairy Book Series) of texts edited by Lang and highlighting children's stories. The Olive Fairy Book contains stories from all over the world. There is The Blue Parrot from France, The Comb and the Collar from England, The Thanksgiving of the Wazir, a Punjabi story, Samba the Coward from Sudan, to name but a few. This book presents a wonderful opportunity for readers to take in stories as written by authors from a variety of different cultures and societies. It is also a good demonstration of how similar humans and the stories they tell are, regardless of where in the world the story is being told. Children will delight in hearing these stories of fairies, dragons, warriors, magical animals and beautiful princesses. As with all good fairy tales, the stories presented in this collection are intended to convey a lesson, there is a moral to every story. Though some of these lessons are clearly a product of another time, many still resonate today. Both children and adults will enjoy this light collection of classic stories. While not every tale included in Lang's collection is a homerun, there are enough enjoyable stories contained in The Olive Fairy Book to make this a worthwhile read. With each story being only a few pages long, you are never more than a few page turns away from being transported into an entirely new universe. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Fairy Books, or "Coloured" Fairy Books is a collection of fairy tales divided into twelve books, each associated with a different colour. Collected together by Andrew Land they are sourced from a number of different countries and were translated by Lang's wife and other translators who also retold many of the tales. The collection has been incalculably important and, although he did not source the stories himself direct from the oral tradition he can make claim to the first English translation of many.

We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades in its original form. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The Olive Fairy Book includes unusual stories from Turkey, India, Denmark, Armenia, the Sudan, and the pen of Anatole France. Contents: Madschun The Blue Parrot Geirlaug the King's Daughter The Story of Little King Loc 'A Long-Bow Story' Jackal or Tiger? The Comb and the Collar The Thanksgiving of the Wazir Samba the Coward Kupti and Imani The Strange Adventures of Little Maia Diamond Cut Diamond The Green Knight The Five Wise Words of the Guru The Golden-Headed Fish Dorani The Satin Surgeon The Billy Goat and the King The Story of Zoulvisia Grasp All, Lose All The Fate of the Turtle The Snake Prince The Prince and Princess in the Forest The Clever Weaver The Boy Who Found Fear at Last He Wins Who Waits The Steel Cane The Punishment of the Fairy Gangana The Silent Princess

The Fairy Books, or "Coloured" Fairy Books is a collection of fairy tales divided into twelve books, each associated with a different colour. Collected together by Andrew Land they are sourced from a number of different countries and were translated by Lang's wife and other translators who also retold many of the tales. The collection has been incalculably important and, although he did not source the stories himself direct from the oral tradition he can make claim to the first English translation of many. First published in 1907, The Olive Fairy Book is the 11th volume in this series.We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The stories begin with those which children like best-the old Blue Beard, Puss in Boots, Hop o' my Thumb, Little Red Riding Hood, The Sleeping Beauty, and Toads and Pearls. These were first collected, written, and printed at Paris in 1697. The author was Monsieur Charles Perrault, a famous personage in a great perruque, who in his day wrote large volumes now unread. He never dreamed that he was to be remembered mainly by the shabby little volume with the tiny headpiece pictures-how unlike the fairy way of drawing by Mr. Ford, said to be known as 'Over-the-wall Ford' among authors who play cricket, because of the force with which he swipes! Perrault picked up the rustic tales which the nurse of his little boy used to tell, and he told them again in his own courtly, witty way. They do not seem to have been translated into English until nearly thirty years later, when they were published in English, with the French on the opposite page, by a Mr. Pote, a bookseller at Eton. Probably the younger Eton boys learned as much French as they condescended to acquire from these fairy tales, which are certainly more amusing than the Telemaque of Messire François de Salignac de la Motte-Fénelon, tutor of the children of France, Archbishop Duke of Cambrai, and Prince of the Holy Roman Empire. The success of Perrault was based on the pleasure which the court of Louis XIV. took in fairy tales; we know that they were told among Court ladies, from a letter of Madame de Sévigné. Naturally, Perrault had imitators, such as Madame d'Aulnoy, a wandering lady of more wit than reputation. To her we owe Beauty and the Beast and The Yellow Dwarf. Anthony Hamilton tried his hand with The Ram, a story too prolix and confused, best remembered for the remark, 'Ram, my friend, begin at the beginning!' Indeed, the narrative style of the Ram is lacking in lucidity! Then came The Arabian Nights, translated by Monsieur Galland. Nobody has translated The Arabian Nights so well as Galland. His is the reverse of a scientific rendering, but it is as pleasantly readable as the Iliad and Odyssey would be if Alexandre Dumas had kept his promise to translate Homer. Galland omitted the verses and a great number of passages which nobody would miss, though the anthropologist is supposed to find them valuable and instructive in later scientific translations which do not amuse. Later, Persian Tales, Tales of the Sea, and original inventions, more or less on the fairy model, were composed by industrious men and women. They are far too long-are novels, indeed, and would please no child or mature person of taste. All these were collected in the vast Fairy Cabinet, published in 1786, just before the Revolution. Probably their attempt to be simple charmed a society which was extremely artificial, talked about 'the simple life' and the 'state of nature, ' and was on the eve of a revolution in which human nature revealed her most primitive traits in orgies of blood.

The Olive Fairy Book includes unusual stories from Turkey, India, Denmark, Armenia, the Sudan, and the pen of Anatole France.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!