The Other Metoos

"To bring more awareness to the revolutionary international impact of #MeToo, The Other #MeToos brings together chapters that look at specific iterations of the #MeToo movement across multiple communities, cultures, and countries. Going beyond gender, the book takes into account the intersectional assemblage of location, history, religion, ethnicity, race, class, and neoliberal aspects that inform #MeToo and its place in local and transnational feminisms. From Egypt, Lebanon, Iran, Tunisia, and Morocco to India, Pakistan, Bangladesh, Nepal, and Sri Lanka to South Africa to Latin America to South Korea, Japan, and China to Czech Republic - #MeToo has inspired local movements and hashtag trends as well as transnational and collective hashtags like #MosqueMeToo. Therefore, by making feminism mainstream, it has rendered possible international feminist solidarities unlike any other feminist movement that precedes it. It is critical to document this defining feminist moment of #MeToo and its variants to acknowledge the diversity and multidimensionality of transnational feminisms, along with looking at the various ways they have been changed by the #MeToo, internationally. To that argument, the contributions in this collection examine, analyze, and interrogate the reception, translation, and adaptation of #MeToo in their local, indigenous, minoritized, othered, and/or postcolonial contexts. Overall, The Other #MeToos highlights the adaptation, translation, and impact of #MeToo in non-Western, postcolonial, minoritized, and othered locales to expand the larger discourse and praxes of the #MeToo movement beyond its Americentric focus to explore other feminist possibilities that the movement has enabled"--

This collection of essays applies a multinational lens to performances that explore the #MeToo movement. In October 2017, a wave of sexual assault allegations against Hollywood producer Harvey Weinstein prompted an outpouring of similar stories on Twitter and beyond, all bound by the same hashtag: #MeToo. The phrase, initially coined by activist Tarana Burke in 2006, reverberated across the internet and invigorated a movement. The essays in this volume engage with many of the performative interpretations of and responses to the #MeToo movement and invite reflection, discussion, and action. Written by an international group of scholars and artists, the essays bring a global perspective to discussions on topics at the intersection of the #MeToo movement and the performing arts, including celebrity feminism, the practice of protest as a coping mechanism, misogynistic speech, the politics of performance, rehearsing and performing intimacy, and more. Contributors highlight works they have performed, witnessed, or studied, offering analysis and nuance while creating an archive of a powerful cultural moment.

A brilliant, impassioned, unflinching account of the firestorm of #MeToo, how we got there, and where we must now go. In Women, Men, and the Whole Damn Thing, author David Leser presents an essential and incisive investigation, unearthing the roots of misogyny, its inextricable links to the patriarchy, and how history brought us to the #MeToo movement and the wave of incandescent female rage that is sweeping the world. Crucially, he also interrogates his own psyche, privilege, and culpability as he bears witness to the “collective wound of the world” and asks how we can move towards healing and profound and permanent change. This book calls on men (yes, all men) to be accountable for their contribution to the continuing oppression of women by the patriarchal structures that have dominated our culture historically and through to the present. He argues that misogyny and female oppression is the greatest moral issue of our times and we are all responsible for dismantling the structures which cause such oppression. This book is his journey into how to grapple with both the personal and collective aftermath of #MeToo and the new future. Including interviews with Tina Brown, Zainab Salbi, Marlene Schiappa, and Helen Garner, among other globally recognized names, Women, Men, and the Whole Damn Thing is a bold, honest, and self-searching global overview of the cultural moment of misogyny that we exist in and, perhaps, a way to move forward.

Everybody knows a chauvo-feminist . . . The 2017 #MeToo movement was a flagship moment, a time which empowered women to share their stories of sexual harassment and abuse in a spirit of solidarity and in demand of change. But have some men simply changed tactics? Acclaimed author Sam Mills investigates the phenomenon of the chauvo-feminist, the man whose public feminism works to advance his career, whilst his private self exhibits age-old chauvinistic tactics. Through testimonies and her own experience, Mills examines the psychological underpinnings of the chauvo-feminist, exploring questions of modern relationships, consent, and emotional abuse and asks how we might move beyond 'trial by Twitter' to encourage an honest and productive dialogue between men and women. 'We've all met That Guy. In this searching and provocative essay, Sam Mills neatly skewers the men who publicly spout feminism while treating women badly behind closed doors — and asks how we can move forward to a happier, more feminist future.' Samantha Ellis 'Thought-provoking, on point and abreast of contemporary ideas about the chauvinism of women's everyday lives. A book for our times.' Monique Roffey, author of The Mermaid of Black Conch, winner of the 2020 Costa Prize for Fiction 'In this lithe and luminous essay, Sam Mills explodes the hypocrisy of many men in the wake of the #MeToo movement . . . Clever, funny, gripping and beautifully written, Chauvo-Feminism is an exploration not just of the female experience, but of civilisation itself. This is a dazzling, essential book. Men with mutant politics: beware!' Emma Jane Unsworth, author of Animals

An exquisite examination of a sexual culture in crisis What if we took sex out of the box marked “special,” either the worst or best thing that a human person can experience, and considered it within the complexity of reality? In this extraordinary book, despite longstanding tabloid-style sexual preoccupations with monsters and victims, shame and virtue, JoAnn Wypijewski does exactly that. From the HIV crisis to the paedophile priest panic, Woody Allen to Brett Kavanaugh, child pornography to Abu Ghraib, Wypijewski takes the most famous sex panics of the last decades and turns them inside out, weaving what together becomes a searing indictment of modern sexual politics, exposing the myriad ways sex panics and the expansion of the punitive state are intertwined. What emerges is an examination of the multiple ways in which the ever-expanding default language of monsters and victims has contributed to the repressive power of the state. Politics exists in the mess of life. Sex does too, Wypijewski insists, and so must sexual politics, to make any sense at all.

This volume provides a concise but authoritative overview of the #MeToo Movement and its enormous impact on American society, from the studios of Hollywood to factories, campuses, and offices across the country. The 21st Century Turning Points series is a one-stop resource for understanding the people and events changing America today. The #MeToo Movement is devoted to the issue that brought sexual harassment out of the shadows of American culture and into the spotlight. Sparked by revelations of decades of sexual harassment by powerful Hollywood executive Harvey Weinstein, the movement quickly uncovered similar abusive behavior by numerous other famous public figures. It also revealed the extent to which sexual harassment has been a persistent problem in many workplace settings across America and the ways in which girls and women are subjected to degrading and discriminatory treatment because of their gender. The book provides a broad perspective on these issues. It discusses late twentieth-century efforts to identify sexual harassment as a longstanding societal problem; explains how the 2016 presidential election brought new attention to this issue; introduces activists who helped to launch the #MeToo Movement; and surveys the impact of the movement on American politics, business, and entertainment.

A 2020 ALA Notable Children’s Book A Washington Post Best Children’s Book of 2019 Barbara Dee explores the subject of #MeToo for the middle grade audience in this heart-wrenching—and ultimately uplifting—novel about experiencing harassment and unwanted attention from classmates. For seventh-grader Mila, it starts with some boys giving her an unwanted hug on the school blacktop. A few days later, at recess, one of the boys (and fellow trumpet player) Callum tells Mila it’s his birthday, and asks her for a “birthday hug.” He’s just being friendly, isn’t he? And how can she say no? But Callum’s hug lasts a few seconds too long, and feels…weird. According to her friend, Zara, Mila is being immature and overreacting. Doesn’t she know what flirting looks like? But the boys don’t leave Mila alone. On the bus. In the halls. During band practice—the one place Mila could always escape. It doesn’t feel like flirting—so what is it? Thanks to a chance meeting, Mila begins to find solace in a new place: karate class. Slowly, with the help of a fellow classmate, Mila learns how to stand her ground and how to respect others—and herself. From the author of Everything I Know About You, Halfway Normal, and Star-Crossed comes this timely story of a middle school girl standing up and finding her voice.”

“A decisive snapshot of this moment in history that considers where we were, and sets the stage for where we might go, and will no doubt be used to describe this moment long after we move on to a new normal.” —Zoe Whittall, author of The Best Kind of People An illuminating, timely look at the changing landscape of sexual politics by the author of Crazy Town. For nearly two years, Globe and Mail reporter Robyn Doolittle investigated how Canadian police handle sexual assault cases. Her findings were shocking: across the country, in big cities and small towns, the system was dismissing a high number of allegations as "unfounded." A police officer would simply view the claim as baseless and no investigation would follow. Of the 26,500 reported cases of sexual assault in 2015, only 1,400 resulted in convictions. The response to Doolittle's groundbreaking Unfounded series was swift. Federal ministers immediately vowed to establish better oversight, training, and policies; Prime Minister Trudeau announced $100 million to combat gender-based violence; Statistics Canada began to collect and publish unfounded rates; and to date, about a third of the country's forces have pledged to review more than 10,000 sex-assault cases dating back to 2010. Had It Coming picks up where the Unfounded series left off. Doolittle brings a personal voice to what has been a turning point for most women: the #MeToo movement and its aftermath. The world is now increasingly aware of the pervasiveness of rape culture in which powerful men got away with sexual assault and harassment for years: from Bill Cosby, Harvey Weinstein, Bill O'Reilly, and Matt Lauer, to Charlie Rose and Jian Ghomeshi. But Doolittle looks beyond specific cases to the big picture. The issue of "consent" figures largely: not only is the public confused about what it means, but an astounding number of police officers and judges do not understand Canadian consent law. The brain's reaction to trauma and how it affects memory is also crucial to understanding victim statements. Surprisingly, Canada has the most progressive sexual assault laws in the developed world, yet the system is failing victims at every stage. Had It Coming is not a diatribe or manifesto, but a nuanced and informed look at how attitudes around sexual behaviour have changed and still need to change.